I can't say that Cercle Rouge is an overlooked masterpiece, but it's an amazing antidote to the current style of filmmaking in which silence and causal relationships are routinely disregarded.
Le Cercle Rouge (1970)
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Reviews Counted:56
Fresh:54
Rotten:2
Average Rating:8.3/10
Consensus: Melville is at the top of his game, giving us his next-to-last entry into the world of deception, crime, and extreme suspense that made him a maestro of the French heist genre.
Theatrical Release:Jan 10, 2003 Limited
Synopsis: Jean-Pierre Melville's hugely influential film remains a cornerstone of the crime genre. Recently released from prison, thief Corey (Alain Delon) finds himself caught up in a dangerous triangle... Jean-Pierre Melville's hugely influential film remains a cornerstone of the crime genre. Recently released from prison, thief Corey (Alain Delon) finds himself caught up in a dangerous triangle with a mysterious woman (Gian Maria Volonte) and an ex-cop with some issues of his own (Yves Montand). Melville's film is the epitome of cool, with moody cinematography and stellar set design. Featuring another standout performance from Delon, LE CERCLE ROUGE is a bona fide crime classic. [More]
Starring: Alain Delon, Gian Maria Volonte, Yves Montand
Starring: Alain Delon, Gian Maria Volonte, Yves Montand
Director: Jean-Pierre Melville
Director: Jean-Pierre Melville
Screenwriter: Jean-Pierre Melville
Studio: Rialto Pictures
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Reviews for Le Cercle Rouge
If you ever wanted to know how to look good wearing a trenchcoat, lighting a cigarette, handling a revolver, drinking a whiskey or overpowering an armed guard, Jean-Pierre Melville's 1970 gangster drama is your guide.
The dialogue is spare, spans of silence run for minutes, the tense atmosphere is punctuated by unexpected eruptions of violence, and the film does not end happily for anyone.
There’s cool, there’s very cool, and then there’s a Jean-Pierre Melville heist film.
Jean-Pierre Melville's terrifically enjoyable noir classic looks even cooler with this reissue.
Features enough tight choreography to make the "daring rescue" of PFC Jessica Lynch look spontaneous.
One can still savour Melville's leisurely storytelling, the skilfully pared-down visual style, and the calmly understated central performances.
[Melville] turns pedestrian scenes into heightened moments of tension.
There are moments that are brilliant, but I wouldn't put this film in the list of film noir classics.
Stylish, meticulous and moody, thanks largely to the work of cinematographer Henri Decae.
Like escargot -- decidedly French and slow-moving, but exquisite when it's wonderfully prepared.
A moody, deliberately paced meditation on destiny (and style) enlivened by stunning bits of business.
Another exercise in stoicism and crime from legendary French filmmaker Jean-Pierre Melville.
A classic of the clenched-fist, dark-skied, doom-laden world of noir.
It is supposed to be a classic film noir, but I kept feeling like the director was playing one giant trick on us to see how slow he could make it without putting everyone to sleep.
Latest News for Le Cercle Rouge
April 15, 2008:
Neeson, Bloom, Chow Yun Fat in Heist Caper? ![]()
According to at least one news site, Orlando Bloom, Chow Yun Fat, and Liam Neeson are starring in a remake of the 1970 French film The Red Circle for director Johnny To. More...
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