George Clooney may be the best actor/director of all time.
Leatherheads (2008)
Tomatometer
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Reviews Counted:161
Fresh:84
Rotten:77
Average Rating:5.8/10
Consensus: Despite a good premise and strong cast, this pro football romcom is half screwball and half fumble.
Theatrical Release:Apr 4, 2008 Wide
Box Office: $31,199,215
Synopsis: From his casual charm to his cleft chin, George Clooney has frequently drawn comparisons to an actor of another age: Cary Grant. With his third directorial effort, the Oscar winner pays homage to... From his casual charm to his cleft chin, George Clooney has frequently drawn comparisons to an actor of another age: Cary Grant. With his third directorial effort, the Oscar winner pays homage to the style of films that helped make Grant famous, such as BRINGING UP BABY and HIS GIRL FRIDAY. In 1925, when LEATHERHEADS takes place, professional football is a joke, especially when compared to its more respected college cousin. Teams across the country are folding, and player Dodge Connelly (Clooney) will do anything to keep his own team, the Duluth Bulldogs, from folding. The enterprising (read: scheming) Dodge steals Princeton star and war hero Carter Ruthford (John Krasinski, THE OFFICE) from his school, and soon the Bulldogs are winning, but it's the game of football that is the real champion as fans pack the stadiums. Meanwhile, reporter Lexie Littleton (Renée Zellweger) begins investigating Rutherford's past, thanks to a tip from one of the star's old war buddies that he may not be all he seems. The pre-regulation football is dirty, but it's far cleaner than the action when Dodge and Carter vie for Lexie's affections. From the classic Universal logo that opens the film, Clooney firmly sets his film in the sepia-toned past. His lightning-fast dialogue is certainly reminiscent of the repartee between Grant and costars such as Katharine Hepburn and Rosalind Russell. But as much as he owes to the screwball comedies of the 1930s and '40s, he also is mining the same vein that his frequent collaborators, the Coen Brothers, did in films such as THE HUDSUCKER PROXY and INTOLERABLE CRUELTY. Clooney's previous directorial efforts--CONFESSIONS OF A DANGEROUS MIND and GOOD NIGHT, AND GOOD LUCK--were also both stylish films set in the past, but LEATHERHEADS is a more fun, mainstream work. [More]
Starring: George Clooney, Renee Zellweger, John Krasinski, Jonathan Pryce
Starring: George Clooney, Renee Zellweger, John Krasinski, Jonathan Pryce
Director: George Clooney
Director: George Clooney
Screenwriter: Duncan Brantley, Rick Reilly
Producer: Grant Heslov, Casey Silver
Composer: Randy Newman
Studio: Universal Pictures
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Reviews for Leatherheads
As much as I was hoping it would be a game effort, I'd quick-kick 'Leatherheads' on any given Sunday.
With its screwball comedy approach to how football changed from a no-holds-barred sport to one with strict rules, 'Leatherheads" is a nostalgic treat.
An odd hybrid of a sports flick and a screwball comedy that just doesn't work.
"Screwball comedy" implies a certain snap and rotation -- a velocity to the gags and a vector to the plot -- but the people who made Leatherheads don't quite have the strength of arm or skew of angle to make Leatherheads truly screwball ...
George Clooney's football origin comedy starts strong but loses steam before reaching the end zone.
Disappointing period football comedy laterals too often without a clear goal in mind.
Maybe the film loses a little steam as it rolls along, but it is still puffing and tooting as Clooney and Zellweger ride off into the sunset.
[Has] a breezy, affable spirit, and its very casualness is something that's extremely rare in mainstream movies these days.
Leatherheads labors so strenuously to approximate some of the old screwball spirit of the ’30s and ’40s that it winds up in traction.
The film's disjointedness would be acceptable except that it causes inconsistency with its overall pace and rhythm. Aside from some momentum snares and trite turns, though, Leatherheads succeeds in the entertainment department.
No one's saying George Clooney isn't a dashing fellow. But his charm and affability only go so far in Leatherheads.
It's hard to deny that Clooney is one of Hollywood's best leading men, and "Leatherheads" proves that he can be just as good behind the camera as he is in front of it.
Leatherheads shoots for the Frank Capra/Howard Hawks goal posts but instead winds up getting bogged down midfield.
Everyone's too mannered, and most everything's too slow. Especially for a throwback.
Just as robot scientists describe the "uncanny valley" effect, the more Clooney tries to be Clark Gable, the wider the gulf appears between them.
During the bumpy homage to It Happened One Night, His Girl Friday, and Meet John Doe, among others, I found myself wondering what the direct antonym of deft is
I'm sad to report that Clooney has had his first misfire as a director.
You've got to give Clooney credit for trying, especially when most of Leatherheads is a jaunty, jazz age dream.
It's the equivalent of a busted play, with the players scrambling in different directions, making any kind of forward progress nearly impossible.
Latest News for Leatherheads
September 10, 2008:
An odd screen combo of insanely silly retro-screwball humor, the bumbling antics of a football team of attention deficit disorder, looney tunes Keystone jocks, and a smart-aleck, acid tongue reporter babe upstaging all those sweaty gents around her. ![]()
More...
April 16, 2008:
UK Box Office Breakdown: Sony's 21 Gamble pays off
Gambling drama 21 cleans up at the UK box office this week, taking both the number one spot and twice-as-much cash as another film. George Clooney however should maybe stick to... More...
April 10, 2008:
Box Office Guru Preview: Teens Dress Up For Prom Night
Multiplexes gear up for another weekend of empty seats as Hollywood supplies three new films that are unlikely to energize the North American box office. More...
April 07, 2008:
WGA, George Clooney at odds over Leatherheads credit ![]()
Clooney went financial core last fall, after the WGA decided 2-1 in a credit arbitration vote that only Duncan Brantley and Rick Reilly deserved screen credit on the picture... More...
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 25% 25% | Four Christmases |
| 68% 68% | Funny People |
| 95% 95% | Star Trek |
| 14% 14% | The Ugly Truth |
| Tomatometer Percentage | Movie |
|---|---|
| 83% 83% | Harry Potter and the H… |
| 67% 67% | Public Enemies |
| 75% 75% | Julie & Julia |
| 95% 95% | The Cove |
| 85% 85% | World's Greatest Dad |
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