As period rom-coms go, Leatherheads is mild entertainment.
Leatherheads (2008)
Tomatometer
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Reviews Counted:161
Fresh:84
Rotten:77
Average Rating:5.8/10
Consensus: Despite a good premise and strong cast, this pro football romcom is half screwball and half fumble.
Theatrical Release:Apr 4, 2008 Wide
Box Office: $31,199,215
Synopsis: From his casual charm to his cleft chin, George Clooney has frequently drawn comparisons to an actor of another age: Cary Grant. With his third directorial effort, the Oscar winner pays homage to... From his casual charm to his cleft chin, George Clooney has frequently drawn comparisons to an actor of another age: Cary Grant. With his third directorial effort, the Oscar winner pays homage to the style of films that helped make Grant famous, such as BRINGING UP BABY and HIS GIRL FRIDAY. In 1925, when LEATHERHEADS takes place, professional football is a joke, especially when compared to its more respected college cousin. Teams across the country are folding, and player Dodge Connelly (Clooney) will do anything to keep his own team, the Duluth Bulldogs, from folding. The enterprising (read: scheming) Dodge steals Princeton star and war hero Carter Ruthford (John Krasinski, THE OFFICE) from his school, and soon the Bulldogs are winning, but it's the game of football that is the real champion as fans pack the stadiums. Meanwhile, reporter Lexie Littleton (Renée Zellweger) begins investigating Rutherford's past, thanks to a tip from one of the star's old war buddies that he may not be all he seems. The pre-regulation football is dirty, but it's far cleaner than the action when Dodge and Carter vie for Lexie's affections. From the classic Universal logo that opens the film, Clooney firmly sets his film in the sepia-toned past. His lightning-fast dialogue is certainly reminiscent of the repartee between Grant and costars such as Katharine Hepburn and Rosalind Russell. But as much as he owes to the screwball comedies of the 1930s and '40s, he also is mining the same vein that his frequent collaborators, the Coen Brothers, did in films such as THE HUDSUCKER PROXY and INTOLERABLE CRUELTY. Clooney's previous directorial efforts--CONFESSIONS OF A DANGEROUS MIND and GOOD NIGHT, AND GOOD LUCK--were also both stylish films set in the past, but LEATHERHEADS is a more fun, mainstream work. [More]
Starring: George Clooney, Renee Zellweger, John Krasinski, Jonathan Pryce
Starring: George Clooney, Renee Zellweger, John Krasinski, Jonathan Pryce
Director: George Clooney
Director: George Clooney
Screenwriter: Duncan Brantley, Rick Reilly
Producer: Grant Heslov, Casey Silver
Composer: Randy Newman
Studio: Universal Pictures
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Reviews for Leatherheads
Disappointing effort that relies on slapstick and other cliches of the genre. And it goes on way too long.
The movie stops dead in its tracks every time Renee Zellweger wanders into frame.
There's a flatness about the whole enterprise -- like drinking champagne, but from an old house slipper.
Comes across as a pale period piece, an imitation enamored of energy and enthusiasm, but failing to generate either.
George Clooney has directed a couple of very fine films- Confessions of a Dangerous Mind and Good Night & Good Luck. Unfortunately, Leatherheads cannot be added to that list.
Most of the gags work, but the shtick is overdone and Clooney finally runs out of charming reactions to the world's abuse.
The flirtatious banter is often clever, but 'Leatherheads' demonstrates that writing alone wasn't responsible for the head-spinning irresistibility of Howard Hawks' 'Twentieth Century' and 'His Girl Friday,' to cite two screwball-masterpiece influences.
The back-and-forth zing is what saves Leatherheads from being terminally dull.
Leatherheads really doesn't know what kind of film it is, and as a result it shanks the winning kick -not by a mile- but by enough to be a disappointment.
Everyone's too mannered, and most everything's too slow. Especially for a throwback.
"Leatherheads" lacks flair and pizzazz. Like a highly touted No. 1 draft pick who flops, it is all potential without substance.
On paper it looks like a gem – roaring 20s setting, verbal fireworks and a silly sport in its rude infancy. In practice, it's way off the pace, far too slow for its screwball pretensions and the kind of film that confuses pastiche with period detail.
The first truly heartbreaking disappointment of the movie year...too drowsy for its own good, less an homage and more a terribly slowed-down retread of some screwball tropes.
It juggles too many elements--sports, romance, slapstick, Capra-esque cinema--and doesn't do justice to any of them. But the film is brimming with nostalgia and charm.
The amusement level may not make for a sold out arena nor raise you to your feet in excitement but it has its moments of mirth and pizazz.
Clooney and the cast manage to nose across the goal line with a winning score.
Ever the jokester, Clooney doesn't rely on his writers to come up with all the funny stuff.
Latest News for Leatherheads
September 10, 2008:
An odd screen combo of insanely silly retro-screwball humor, the bumbling antics of a football team of attention deficit disorder, looney tunes Keystone jocks, and a smart-aleck, acid tongue reporter babe upstaging all those sweaty gents around her. ![]()
More...
April 16, 2008:
UK Box Office Breakdown: Sony's 21 Gamble pays off
Gambling drama 21 cleans up at the UK box office this week, taking both the number one spot and twice-as-much cash as another film. George Clooney however should maybe stick to... More...
April 10, 2008:
Box Office Guru Preview: Teens Dress Up For Prom Night
Multiplexes gear up for another weekend of empty seats as Hollywood supplies three new films that are unlikely to energize the North American box office. More...
April 07, 2008:
WGA, George Clooney at odds over Leatherheads credit ![]()
Clooney went financial core last fall, after the WGA decided 2-1 in a credit arbitration vote that only Duncan Brantley and Rick Reilly deserved screen credit on the picture... More...
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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