What starts as a thoroughly enjoyable screwball romp ... gets bogged down in some over-ambitious plotting and serious themes as it goes along
Leatherheads (2008)
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Reviews Counted:161
Fresh:84
Rotten:77
Average Rating:5.8/10
Consensus: Despite a good premise and strong cast, this pro football romcom is half screwball and half fumble.
Theatrical Release:Apr 4, 2008 Wide
Box Office: $31,199,215
Synopsis: From his casual charm to his cleft chin, George Clooney has frequently drawn comparisons to an actor of another age: Cary Grant. With his third directorial effort, the Oscar winner pays homage to... From his casual charm to his cleft chin, George Clooney has frequently drawn comparisons to an actor of another age: Cary Grant. With his third directorial effort, the Oscar winner pays homage to the style of films that helped make Grant famous, such as BRINGING UP BABY and HIS GIRL FRIDAY. In 1925, when LEATHERHEADS takes place, professional football is a joke, especially when compared to its more respected college cousin. Teams across the country are folding, and player Dodge Connelly (Clooney) will do anything to keep his own team, the Duluth Bulldogs, from folding. The enterprising (read: scheming) Dodge steals Princeton star and war hero Carter Ruthford (John Krasinski, THE OFFICE) from his school, and soon the Bulldogs are winning, but it's the game of football that is the real champion as fans pack the stadiums. Meanwhile, reporter Lexie Littleton (Renée Zellweger) begins investigating Rutherford's past, thanks to a tip from one of the star's old war buddies that he may not be all he seems. The pre-regulation football is dirty, but it's far cleaner than the action when Dodge and Carter vie for Lexie's affections. From the classic Universal logo that opens the film, Clooney firmly sets his film in the sepia-toned past. His lightning-fast dialogue is certainly reminiscent of the repartee between Grant and costars such as Katharine Hepburn and Rosalind Russell. But as much as he owes to the screwball comedies of the 1930s and '40s, he also is mining the same vein that his frequent collaborators, the Coen Brothers, did in films such as THE HUDSUCKER PROXY and INTOLERABLE CRUELTY. Clooney's previous directorial efforts--CONFESSIONS OF A DANGEROUS MIND and GOOD NIGHT, AND GOOD LUCK--were also both stylish films set in the past, but LEATHERHEADS is a more fun, mainstream work. [More]
Starring: George Clooney, Renee Zellweger, John Krasinski, Jonathan Pryce
Starring: George Clooney, Renee Zellweger, John Krasinski, Jonathan Pryce
Director: George Clooney
Director: George Clooney
Screenwriter: Duncan Brantley, Rick Reilly
Producer: Grant Heslov, Casey Silver
Composer: Randy Newman
Studio: Universal Pictures
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Reviews for Leatherheads
A quiet variety of disaster--the type that attracts no cults and appears as a curiosity on a few talented folks' résumés for people to try to place in a year or so. Maybe less.
Clooney tries to Flags of Our Fathers if directed by Preston Sturges.
A 1920s football saga that blends rusty screwball comedy and perfunctory romance under a period piece veneer.
In his third film as director, Clooney has taken us back to the films he enjoyed as a child, the classic romantic comedies of Preston Sturgess and Frank Capra.
With its screwball comedy approach to how football changed from a no-holds-barred sport to one with strict rules, 'Leatherheads" is a nostalgic treat.
Self-assured even when it's self-aware, this is a fizzy concoction with three fingers of Billy Wilder and one of Frank Capra. It's shaken with the Coens and topped off with a splash of Ron Shelton and a cinematographical cream-soda sheen.
Probably only Clooney could expect to get away with a movie this bad...
An amiable, good looking if largely inconsequential comedy that coasts on its stars' charms.
Is it a romantic comedy? A sporting history lesson? A homage to Howard Hawks? It’s all three. Not the touchdown we expected after Good Night, And Good Luck, but still enough style, sophistication and movie-love to save Clooney from a kicking.
It's good-looking, good-natured and sophisticated, but Leatherheads can't choose between football biopic or screwball romance.
By the final touchdown, there is enough to like and - let's face it - we'll always take time out for twinkly-eyed George.
... The witty dialogue, delivered with verve and precise timing, especially by Clooney and Zellweger, is the the movie's greatest strength.
The movie gets lots of things right, yet it fumbles key facets so badly that you simply can’t christen it the gridiron version of ‘His Girl Friday’.
On paper it looks like a gem – roaring 20s setting, verbal fireworks and a silly sport in its rude infancy. In practice, it's way off the pace, far too slow for its screwball pretensions and the kind of film that confuses pastiche with period detail.
The movie stops dead in its tracks every time Renee Zellweger wanders into frame.
The story wants to be madcap and freewheeling, but it doesn't quite take flight.
It breezes along without a care, dropping off a few puffball jokes now and then, just for fun.
Latest News for Leatherheads
September 10, 2008:
An odd screen combo of insanely silly retro-screwball humor, the bumbling antics of a football team of attention deficit disorder, looney tunes Keystone jocks, and a smart-aleck, acid tongue reporter babe upstaging all those sweaty gents around her. ![]()
More...
April 16, 2008:
UK Box Office Breakdown: Sony's 21 Gamble pays off
Gambling drama 21 cleans up at the UK box office this week, taking both the number one spot and twice-as-much cash as another film. George Clooney however should maybe stick to... More...
April 10, 2008:
Box Office Guru Preview: Teens Dress Up For Prom Night
Multiplexes gear up for another weekend of empty seats as Hollywood supplies three new films that are unlikely to energize the North American box office. More...
April 07, 2008:
WGA, George Clooney at odds over Leatherheads credit ![]()
Clooney went financial core last fall, after the WGA decided 2-1 in a credit arbitration vote that only Duncan Brantley and Rick Reilly deserved screen credit on the picture... More...
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