The flirtatious banter is often clever, but 'Leatherheads' demonstrates that writing alone wasn't responsible for the head-spinning irresistibility of Howard Hawks' 'Twentieth Century' and 'His Girl Friday,' to cite two screwball-masterpiece influences.
Leatherheads (2008)
Tomatometer
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Reviews Counted:161
Fresh:84
Rotten:77
Average Rating:5.8/10
Consensus: Despite a good premise and strong cast, this pro football romcom is half screwball and half fumble.
Theatrical Release:Apr 4, 2008 Wide
Box Office: $31,199,215
Synopsis: From his casual charm to his cleft chin, George Clooney has frequently drawn comparisons to an actor of another age: Cary Grant. With his third directorial effort, the Oscar winner pays homage to... From his casual charm to his cleft chin, George Clooney has frequently drawn comparisons to an actor of another age: Cary Grant. With his third directorial effort, the Oscar winner pays homage to the style of films that helped make Grant famous, such as BRINGING UP BABY and HIS GIRL FRIDAY. In 1925, when LEATHERHEADS takes place, professional football is a joke, especially when compared to its more respected college cousin. Teams across the country are folding, and player Dodge Connelly (Clooney) will do anything to keep his own team, the Duluth Bulldogs, from folding. The enterprising (read: scheming) Dodge steals Princeton star and war hero Carter Ruthford (John Krasinski, THE OFFICE) from his school, and soon the Bulldogs are winning, but it's the game of football that is the real champion as fans pack the stadiums. Meanwhile, reporter Lexie Littleton (Renée Zellweger) begins investigating Rutherford's past, thanks to a tip from one of the star's old war buddies that he may not be all he seems. The pre-regulation football is dirty, but it's far cleaner than the action when Dodge and Carter vie for Lexie's affections. From the classic Universal logo that opens the film, Clooney firmly sets his film in the sepia-toned past. His lightning-fast dialogue is certainly reminiscent of the repartee between Grant and costars such as Katharine Hepburn and Rosalind Russell. But as much as he owes to the screwball comedies of the 1930s and '40s, he also is mining the same vein that his frequent collaborators, the Coen Brothers, did in films such as THE HUDSUCKER PROXY and INTOLERABLE CRUELTY. Clooney's previous directorial efforts--CONFESSIONS OF A DANGEROUS MIND and GOOD NIGHT, AND GOOD LUCK--were also both stylish films set in the past, but LEATHERHEADS is a more fun, mainstream work. [More]
Starring: George Clooney, Renee Zellweger, John Krasinski, Jonathan Pryce
Starring: George Clooney, Renee Zellweger, John Krasinski, Jonathan Pryce
Director: George Clooney
Director: George Clooney
Screenwriter: Duncan Brantley, Rick Reilly
Producer: Grant Heslov, Casey Silver
Composer: Randy Newman
Studio: Universal Pictures
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Reviews for Leatherheads
You've got to give Clooney credit for trying, especially when most of Leatherheads is a jaunty, jazz age dream.
"Leatherheads" is a profoundly unprofound film that really doesn't have anything on its mind other than to give audiences a couple of hours of giggly fun.
To call something a screwball comedy instead of just a comedy is to add an extra level of farcical expectations all too easy to not meet.
The film's disjointedness would be acceptable except that it causes inconsistency with its overall pace and rhythm. Aside from some momentum snares and trite turns, though, Leatherheads succeeds in the entertainment department.
For something that was pitched as a screwball comedy, Leatherheads is kind of lumbering, unwieldy, and awkward.
"Leatherheads" lacks flair and pizzazz. Like a highly touted No. 1 draft pick who flops, it is all potential without substance.
As a star Clooney is in his element, but as a director he's strained.
It seems as if the MPAA unfairly upped a clear "PG" movie into a "PG-13". But adding numbers can't even the score on the edge that Leatherheads lacks in the sharpness of its humor delivery and the hits on the field.
a madcap romp full of laughs and verbal gymnastics, but the movie becomes too serious towards the end
Comes across as a pale period piece, an imitation enamored of energy and enthusiasm, but failing to generate either.
hangs so close to films produced during a forgotten age that audiences who don't recall how quick-witted screwball comedies used to be might not fully appreciate it (or even care to).
The real high points of the movie are the verbal sparring matches between Clooney and Zellweger, and Clooney, Zellweger & Krasinski.
Director and star George Clooney's game attempt to capture the high-spirited silliness of classic screwball comedies falls flat, in large part because Duncan Brantley and Rick Reilly's screenplay lacks sparkle.
Most of the gags work, but the shtick is overdone and Clooney finally runs out of charming reactions to the world's abuse.
Executed with a fizzy bang that Clooney pulls off with a prohibition stupor and some knee-slapping generosity; the man knows how to stage a bar fight and a game of verbal chess with the best of them.
Leatherheads labors so strenuously to approximate some of the old screwball spirit of the ’30s and ’40s that it winds up in traction.
Just as robot scientists describe the "uncanny valley" effect, the more Clooney tries to be Clark Gable, the wider the gulf appears between them.
Drawing from movies rather than life, Leatherheads often feels like a likable exercise in retro style rather than a film with a compelling reason to exist on its own.
Latest News for Leatherheads
September 10, 2008:
An odd screen combo of insanely silly retro-screwball humor, the bumbling antics of a football team of attention deficit disorder, looney tunes Keystone jocks, and a smart-aleck, acid tongue reporter babe upstaging all those sweaty gents around her. ![]()
More...
April 16, 2008:
UK Box Office Breakdown: Sony's 21 Gamble pays off
Gambling drama 21 cleans up at the UK box office this week, taking both the number one spot and twice-as-much cash as another film. George Clooney however should maybe stick to... More...
April 10, 2008:
Box Office Guru Preview: Teens Dress Up For Prom Night
Multiplexes gear up for another weekend of empty seats as Hollywood supplies three new films that are unlikely to energize the North American box office. More...
April 07, 2008:
WGA, George Clooney at odds over Leatherheads credit ![]()
Clooney went financial core last fall, after the WGA decided 2-1 in a credit arbitration vote that only Duncan Brantley and Rick Reilly deserved screen credit on the picture... More...
| Tomatometer Percentage | Movie |
|---|---|
| 78% 78% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 90% 90% | District 9 |
| 86% 86% | 500 Days of Summer |
| 63% 63% | Extract |
| 06% 06% | All About Steve |
| 78% 78% | It Might Get Loud |
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