It would have been interesting to see what the Coen Brothers would have made of this project. Still, "Leatherheads" has its moments and is certainly an amiable little comedy.
Leatherheads (2008)
Tomatometer
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Reviews Counted:161
Fresh:84
Rotten:77
Average Rating:5.8/10
Consensus: Despite a good premise and strong cast, this pro football romcom is half screwball and half fumble.
Theatrical Release:Apr 4, 2008 Wide
Box Office: $31,199,215
Synopsis: From his casual charm to his cleft chin, George Clooney has frequently drawn comparisons to an actor of another age: Cary Grant. With his third directorial effort, the Oscar winner pays homage to... From his casual charm to his cleft chin, George Clooney has frequently drawn comparisons to an actor of another age: Cary Grant. With his third directorial effort, the Oscar winner pays homage to the style of films that helped make Grant famous, such as BRINGING UP BABY and HIS GIRL FRIDAY. In 1925, when LEATHERHEADS takes place, professional football is a joke, especially when compared to its more respected college cousin. Teams across the country are folding, and player Dodge Connelly (Clooney) will do anything to keep his own team, the Duluth Bulldogs, from folding. The enterprising (read: scheming) Dodge steals Princeton star and war hero Carter Ruthford (John Krasinski, THE OFFICE) from his school, and soon the Bulldogs are winning, but it's the game of football that is the real champion as fans pack the stadiums. Meanwhile, reporter Lexie Littleton (Renée Zellweger) begins investigating Rutherford's past, thanks to a tip from one of the star's old war buddies that he may not be all he seems. The pre-regulation football is dirty, but it's far cleaner than the action when Dodge and Carter vie for Lexie's affections. From the classic Universal logo that opens the film, Clooney firmly sets his film in the sepia-toned past. His lightning-fast dialogue is certainly reminiscent of the repartee between Grant and costars such as Katharine Hepburn and Rosalind Russell. But as much as he owes to the screwball comedies of the 1930s and '40s, he also is mining the same vein that his frequent collaborators, the Coen Brothers, did in films such as THE HUDSUCKER PROXY and INTOLERABLE CRUELTY. Clooney's previous directorial efforts--CONFESSIONS OF A DANGEROUS MIND and GOOD NIGHT, AND GOOD LUCK--were also both stylish films set in the past, but LEATHERHEADS is a more fun, mainstream work. [More]
Starring: George Clooney, Renee Zellweger, John Krasinski, Jonathan Pryce
Starring: George Clooney, Renee Zellweger, John Krasinski, Jonathan Pryce
Director: George Clooney
Director: George Clooney
Screenwriter: Duncan Brantley, Rick Reilly
Producer: Grant Heslov, Casey Silver
Composer: Randy Newman
Studio: Universal Pictures
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Reviews for Leatherheads
A good-natured throwback to the days of screwball comedy, the movie is at its best away from the playing field.
It's surprisingly, refreshingly effective at times, and it is old-fashioned in several respects.
Like the 1925 ragtag professional football team it follows, this movie has more high spirits than ability to deliver.
The back-and-forth zing is what saves Leatherheads from being terminally dull.
A loving wink to the old days, when guys were fellas, people said, 'Here's the skinny,' and it was OK when entertainment didn't add up to a hill of beans.
George Clooney's goofy ode to the origins of professional football is nothing short of an old-fashioned screwball comedy. And a pretty good one at that.
If amiability equaled greatness, Leatherheads would be destined to become a classic.
If you have a hankering for old-style Hollywood comedy and romance, and Turner Classic Movies is on a Steve McQueen or John Wayne jag, Leatherheads offers an agreeable substitute.
Not bad but also so frivolous that there's nothing to grab onto and take away from it all. Leatherheads is a good-looking but misguided waste of time and effort.
Writers Duncan Brantley and Rick Reilly, who sold the first version of this debut script back in 1991, want to celebrate the innocence of those early days -- both pro football's and modern America's -- and the feeling that anything was possible back then.
There's a flatness about the whole enterprise -- like drinking champagne, but from an old house slipper.
The movie gets lots of things right, yet fumbles key facets so badly that you simply can’t christen it the gridiron version of His Girl Friday.
Both behind and before the camera, Clooney imbues Leatherheads with an irresistible charm and intelligence, raising it far above the average period piece.
The film leaves you longing for a few Hail Mary end-zone passes, while the filmmakers stick to a story that tries to pound it out with a safe, tedious ground game.
Leatherheads is most on its game when it's in the game, and in the zone of Clooney's no-bull affection for the faces of his actors.
It's the equivalent of a busted play, with the players scrambling in different directions, making any kind of forward progress nearly impossible.
Why does the whole thing feel sloggier than the climactic game, a near-scoreless battle waged in a lake of mud?
Latest News for Leatherheads
September 10, 2008:
An odd screen combo of insanely silly retro-screwball humor, the bumbling antics of a football team of attention deficit disorder, looney tunes Keystone jocks, and a smart-aleck, acid tongue reporter babe upstaging all those sweaty gents around her. ![]()
More...
April 16, 2008:
UK Box Office Breakdown: Sony's 21 Gamble pays off
Gambling drama 21 cleans up at the UK box office this week, taking both the number one spot and twice-as-much cash as another film. George Clooney however should maybe stick to... More...
April 10, 2008:
Box Office Guru Preview: Teens Dress Up For Prom Night
Multiplexes gear up for another weekend of empty seats as Hollywood supplies three new films that are unlikely to energize the North American box office. More...
April 07, 2008:
WGA, George Clooney at odds over Leatherheads credit ![]()
Clooney went financial core last fall, after the WGA decided 2-1 in a credit arbitration vote that only Duncan Brantley and Rick Reilly deserved screen credit on the picture... More...
| Tomatometer Percentage | Movie |
|---|---|
| 78% 78% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 90% 90% | District 9 |
| 86% 86% | 500 Days of Summer |
| 63% 63% | Extract |
| 06% 06% | All About Steve |
| 78% 78% | It Might Get Loud |
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