La Leyenda es tan sólo la sombra de lo que fue La Máscara...
The Legend of Zorro (2005)
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Reviews Counted:130
Fresh:33
Rotten:97
Average Rating:4.7/10
Consensus: Zorro can survive a lot of things, but it looks like he can't survive marriage.
Rated: PG [See Full Rating] for sequences of violence/peril and action, language and a couple of suggestive moments
Runtime: 2 hrs 10 mins
Genre: Action/Adventure
Theatrical Release:Oct 28, 2005 Wide
Box Office: $45,356,386
Synopsis: Catherine Zeta Jones captivated audiences and shot to stardom via her role as Elena in the 1998 take on the Zorro legend, MASK OF ZORRO. This sequel, set in 1850, finds her married to Alejandro,... Catherine Zeta Jones captivated audiences and shot to stardom via her role as Elena in the 1998 take on the Zorro legend, MASK OF ZORRO. This sequel, set in 1850, finds her married to Alejandro, aka Zorro (Antonio Banderas, also returning to reprise his character from MASK OF ZORRO), and demanding he stop all the derring-do and spend time with their smart-as-a-whip 10-year-old son, Joaquin (Adrian Alonso). The boy has some serious acrobatic skills, but is unaware of his father's secret identity. He can only look askance as his parents separate and Dad starts spending too much time with his hard-drinking horse, while Mom lets herself be wooed by the odious Count Armand (Rufus Sewell). It's up to little Zorro Joaquin to get to the bottom of things and get his folk-hero parents back into action. Jones is a stunning sight in her elaborate lace-and-linen ensembles, and there's some complex DA VINCI CODE-style secret society skullduggery, but otherwise this sequel has more in common with classic old Walt Disney comedies like THE APPLE DUMPLING GANG or Robert Rodiguez's SPY KIDS than with the 1998 movie. The swordfighting and death-defying action sequences are all totally bloodless, and director Martin Campbell--who also helmed the '98 film--keeps the dialogue very contemporary and child-friendly throughout. [More]
Starring: Antonio Banderas, Catherine Zeta-Jones, Rufus Sewell, Nick Chinlund
Starring: Antonio Banderas, Catherine Zeta-Jones, Rufus Sewell, Nick Chinlund, Lou Diamond Phillips
Director: Martin Campbell
Director: Martin Campbell
Screenwriter: Roberto Orci, Ted Elliott, Terry Rossio
Producer: Lloyd Phillips, Laurie MacDonald, Walter F. Parkes
Composer: James Horner
Screenwriter: Alex Kurtzman-Counter
Studio: Columbia Pictures
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Reviews for The Legend of Zorro
Antonio plays drunk like a man who has never been one, and Catherine speaks Spanish like a woman who wouldn't touch a burrito without rubber gloves and a surgical mask.
After a seven year wait and a successful foundation, the audience deserves a little more than this
An overproduced yarn that, at more than two hours, leaves Antonio Banderas looking a little bored in his boots.
The Legend of Zorro spirals into a convoluted series of incidents, bordering on the impenetrable until they're finally revealed as nonsensical.
Despite some fun moments and a reasonably good showing by the stars, it comes off as one more contrived Hollywood sequel.
The passionless string of the hoariest clichés is burnished with the phony luster of an I Can't Believe It's Not Butter commercial, and its plot seems to have been amalgamated by a computer program.
Though there's worse entertainment around, there may be more people rabid for the return of Prohibition than for a Zorro sequel seven years after the fact.
Though it reunites the stars and director of the rousingly old-fashioned swashbuckler The Mask of Zorro (1998), this unnecessary and overlong sequel fails to recapture its predecessor's zing.
The CG-effects to replicate crowds and buildings, the fake scenery, the flimsy plot and the cheap dialogue all spell a budget-conscious production.
The Mask of Zorro was very entertaining – this one falls short and relies too heavily on slapstick humor. It’s way too long for the amount of story it’s trying to tell.
Zorro is misnamed, since it's less about the legend than what happens when the legend goes home and gets yelled at by his wife.
This colorful corn might pop if only Campbell didn't have a directing technique wired with nitro.
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