Sister (2012)
Average Rating: 7.8/10
Reviews Counted: 60
Fresh: 57 | Rotten: 3
No consensus yet.
Average Rating: 8.3/10
Critic Reviews: 21
Fresh: 21 | Rotten: 0
No consensus yet.
liked it
Average Rating: 3.7/5
User Ratings: 1,202
My Rating
Movie Info
Simon (Kacey Mottet Klein) lives with his older sister (Léa Seydoux) in a housing complex below a luxury Swiss ski resort. With his sister drifting in and out of jobs and relationships, twelve-year-old Simon takes on the responsibility of providing for the two of them. Every day, he takes the lift up to the opulent ski world above, stealing equipment from rich tourists to resell to the local kids down in the valley. He is able to keep their little family afloat with his small-time hustles and
Oct 5, 2012 Limited
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Cast
-
Léa Seydoux
Louise -
Kacey Mottet Klein
Simon -
Martin Compston
Mike -
Jean-François Stévenin
The Chef -
Gillian Anderson
The English Woman -
Yann Trégouët
Bruno -
Gabin Lefebvre
Marcus -
Dilon Ademi
Dilon -
Magne Havard Brekke
The Violent Skier
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Sister Trailer & Photos
All Critics (60) | Top Critics (21) | Fresh (57) | Rotten (3)
What a beautiful and desperate film.
[An] absorbing French drama.
The movie takes a refreshingly low-key, observational approach to storytelling ...
"Sister" avoids sentimental indulgence. There's no room for wallowing in this spare, almost ascetic exercise ...
French-born director and co-screenwriter Ursula Meier balances the scenario's bleak, wrenching aspects with a stirring confidence in the redemptive power of love.
Seydoux perfectly captures the anger and self-defeat of ill-educated, hedonistic, man-chasing young women who live on the fringes.
A simple but emotionally laden slice-of-life drama that is at turns heartbreaking and hopeful.
Slow-moving to the point of being glacial, Meier's icy endeavour is just barely rewarding enough to warrant the effort required to sit through it.
Director Ursula Meier conjures a convincing sense of place.
For fans of Ursula Meier's last movie, the strikingly offbeat domestic drama Home, this act of auteur-on-auteur emulation may feel like a comedown. Yet it's still stirring work.
Strong cinematography, excellent performances, and a deft touch with how adulthood can be forced upon what should be carefree adolescence make it emotionally memorable without ever feeling manipulative.
A low-key, affecting story of dreams at odds with reality and crime sprung from necessity.
We come away relieved and somehow chastened, the same way we might feel after having our pocket picked by a true artist.
The storytelling is exciting and the characters well-observed.
For the most part a distant film, Sister supplies a full behavioral experience that's riveting at times, with lead performances by Lea Seydoux and Kacey Mottet Klein communicating isolation in bravely vulnerable ways.
Emotionally engaging and impeccably crafted
"Sister" is loose and episodic, but held together with nicely sketched characters.
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Foreign Titles
- Winterdieb (DE)
- Sister (UK)










Top Critic
She's the passive of the two: self-dismissed from her job and brazenly foul-mouthed. Disappearing every once in a while to meet an array of fleeting boyfriends. We recognize the archetype.
Simon, a miniature criminal, makes a living on stealing skiing gear from unsuspecting tourists. He is handy and self-taught; have become mentally adult far too rapidly. At some points also caught in the act, which manifests inter alia in a scene where he is lightly assaulted by one of his victims. In broad daylight, in front of lunch-eating guests. That no one steps in between when a fully-grown man beats him bloody in the snow, ought to say something about the Swiss perception on child abuse.
Bittersweet it is, however, to see how Simon and Louise yet allow themselves to smile, with misery hanging on their shoulders. Broken souls, whose background really spurs more questions than provide any satisfying answers. I wanted to know more about how it came to be this way. How it went from point A to point B. But the narrative mostly just scratches the surface. At any rate refreshing in its unforced approach, but more depth and less money quarrels and it could have gone from good to brilliant.
Nuanced and well-written, we nonetheless receive an earth-shattering twist which changes everything we've taken for granted about the characters' established relationships. Thought-provoking in its originality, about situations you know are out there, but are seldom depicted on celluloid.
Sister, in its essence, is mercurial love-hate dynamics on the slithery uphill of life. Where the precocious Simon doesn't just steal boots and goggles, but also our undivided attention. That we are furthermore treated to an appearance by "X-Files"-star Gillian Anderson, adds additional icing to this uniquely concocted pathos-cake.
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