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The Leopard (1963)
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Reviews Counted:24
Fresh:24
Rotten:0
Average Rating:9/10
Synopsis: Italian director Luchino Visconti delivers one of his most ambitious works with this sprawling historical drama. Based on the acclaimed novel by Giuseppe Tomasi di Lampedusa, THE LEOPARD is set in... Italian director Luchino Visconti delivers one of his most ambitious works with this sprawling historical drama. Based on the acclaimed novel by Giuseppe Tomasi di Lampedusa, THE LEOPARD is set in Sicily during the 1800s, as the aristocracy found itself being suffocated by a newly democratic fervor. Prince Don Fabrizio Salina (Burt Lancaster) tries to hold on to the past, but it appears that his glory days are waning. This is perfectly exemplified by his nephew Tancredi Falconeri (Alain Delon) and his gorgeous wife-to-be Angelica (Claudia Cardinale). As the revolt gathers steam and begins to affect a real change, the aging prince must come to terms with the new world that surrounds him. With THE LEOPARD, Visconti confirms his status as one of Europe's most masterful directors. [More]
Starring: Burt Lancaster, Claudia Cardinale, Alain Delon
Starring: Burt Lancaster, Claudia Cardinale, Alain Delon
Director: Luchino Visconti
Director: Luchino Visconti
Composer: Nino Rota
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Reviews for The Leopard
This is a gorgeous, fascinating account of the interplay between the personal and the social, directed with the kind of insight that only an aristocrat turned Marxist like Visconti could afford.
One of the greatest motion pictures of all time, as well as one of the most politically profound.
A stunning visualization of a mood of melancholy and nostalgia at the passing of an age.
Not only Visconti's greatest film but a work that transcends its creator, achieving a sensitivity and intelligence without parallel in his other films.
Smart and sumptuous, although less nuanced and atmospheric than the brilliant Giuseppe Di Lampedusa novel it's based on.
Watching it now, a more than 40-year-old evocation of an era now some 150 years in the past, we can still feel his ache from here.
[The film] was too subtle for mass audiences in the early 1960s and too expensive to earn back its investment from the art house circuit, but over time it has become recognized as a classic and perhaps Visconti's finest film.
Exquisite from first frame to last, Visconti's masterpiece captures like no other film the melancholy mood of the end of an era, focusing on one aristocratic Italian clan, with Burt Lancaster, Claudia Cardinale and Alain Delon at their most appealing
The feeling at the end of this masterpiece -- a profound meditation on mortality, really -- is so pitch-perfect and conveys so many complexities at a very simple level that The Leopard has become one of the greatest of all epics.
From the opulent visuals and lavish costumes down to the stately Burt Lancaster himself, The Leopard is a breathtaking work.
The greatest film of its kind made since World War II -- its only rivals are Kubrick's Barry Lyndon and Visconti's own Senso.
true lovers of cinema will find in it an awesome example of screen craftsmanship of a sort that has vanished as surely as the way of life it portrays
A masterpiece in the truest sense of the word, The Leopard is the kind of magisterial filmmaking that Visconti's more famous Death in Venice could only ever dream of being.
| Tomatometer Percentage | Movie |
|---|---|
| 77% 77% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 90% 90% | District 9 |
| 86% 86% | 500 Days of Summer |
| 63% 63% | Extract |
| 06% 06% | All About Steve |
| 78% 78% | It Might Get Loud |
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