Average Rating: 8.1/10
Reviews Counted: 67
Fresh: 64 | Rotten: 3
An enchanting self-portrait by a veteran director, Beach of Agnes is equal parts playful and profound.
Average Rating: 8.5/10
Critic Reviews: 18
Fresh: 18 | Rotten: 0
An enchanting self-portrait by a veteran director, Beach of Agnes is equal parts playful and profound.
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Average Rating: 4/5
User Ratings: 1,021
Produced and directed by French Left Bank giant Agnès Varda as a summation of her long and enduring career, Agnès' Beaches constitutes a free-floating essay film. It is comprised of various elements that collectively pay homage to Varda's past -- including clips from the director's features, dramatically reconstructed moments from Varda's life, and elaborate, almost baroque monuments created onscreen to symbolize specific ideas and concepts -- such as an opening scene with a number of
Unrated, 1 hr. 40 min.
Documentary, Musical & Performing Arts, Art House & International
Sep 3, 2008 Wide
Feb 22, 2010
Cinema Guild
All Critics (67) | Top Critics (18) | Fresh (64) | Rotten (3) | DVD (1)
The Beaches of Agnes is a work of delightful contradictions from a filmmaker who has always played by her own rules.
Filmmakers don't usually do documentaries about themselves, but Agnes Varda's The Beaches of Agnes is good enough to start a trend.
Varda recalls her childhood, her adulthood, her politics, and how both her films and her two children were born. She doesn't just show us, she takes us inside of it all, inside of her. It's a reverie.
When was the last time you saw a world-renowned director converse with a cartoon cat or dress as a potato?
A captivating cine-memoir, impressionistic and surrealistic, surveying Varda's formidable career as a still photographer, filmmaker, documentarian, and life force.
In this visually witty 2008 memoir she's poring over her own past and its artifacts.
Inventive look at Varda's life, films, photos and art.
We should all be so lucky to have the chance to make movies about our own lives when we're much older; and as one of the lucky ones, Varda wastes no opportunity to provide a fun, humble, and shining entry.
The uplifting meandering piece on the likable eccentric filmmaker, Varda, is self-reflective, poignant and heartfelt.
...[Varda proceeds] diagonally and discursively through her life and work while intermingling clips from her films, archival footage, and tongue-in-cheek reenactments...
As evidenced in The Beaches of Agnès, Varda is too venerable to be hip -- and too wholly alive to be venerated.
You might not be able to write a book report on Varda after seeing her movie, but you do feel like you've spent a long, leisurely afternoon with her.
It's a unique, funny recollection of a life, through memories and moments.
A puckish, moving and wonderfully eccentric tour through her life.
A deftly assembled, wry and touching self-portrait of Agnès Varda as both a filmmaker and an endearing, indomitable spirit.
A witty and engaging cine-autobiography.
A touching, highly whimsical journey down memory lane.
Although you will get more out of this self-portrait if you're a film-lover, it can be enjoyed simply for its touching, eloquent reflections on life in general.
It's impossible not to open your heart to this film.
Poignant and illuminating, it's also suffused with Varda's playful, eccentric spirit.
Memory is a recurrent theme in Varda's work, and with this film she serves her own with warmth and skill.
A loose-leaf diary in which the pages are shuffled by instinct, wit and surreal art.
Though probably not for everyone...I found this autobiographical documentary to be totally engaging and beautifully pieced together. Varda is a delightful mixture of eccentric teacher, quirky but loving grandmother and sublime artist with an eye for the abstract, but remarkably down to earth. All of these
April 20, 2010Super Reviewer
French director Agnes Varda has an endearing, comfortable way of making a film seem like a spontaneous inspiration. It's as if she's shooting in real time and just following whatever tangent occurs to her in the moment. In the case of the autobiographical "The Beaches of Agnes," the story effortlessly skips between
September 16, 2011Super Reviewer
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