Les Cousins (1959)
Average Rating: 8.3/10
Reviews Counted: 14
Fresh: 13 | Rotten: 1
No consensus yet.
Average Rating: 7/10
Critic Reviews: 5
Fresh: 5 | Rotten: 0
No consensus yet.
Average Rating: 3.8/5
User Ratings: 167
This was the first of several films that would win international awards for French New Wave director Claude Chabrol. His aloof, innovative approach to the simple story says as much as the plot itself in which two cousins symbolize polar opposites. Charles (Gerard Blain ) is the cousin from the provinces with "bourgeois" values. His steadfast determination unfortunately does not help him pass exams or at first, succeed with women. Paul (Jean-Claude Brialy) is the urbane, rather debauched and
Nov 23, 1959 Wide
Jun 24, 2005
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The director tackles his great theme-the puncturing of bourgeois moralism, albeit at a price-with a joyful, quasi-Nietzschean derision.
Concise progression, fine technical aspects, and the look at innocence destroyed by the profane keeps it absorbing, despite the slightly pretentious treatment at times.
A fine, richly detailed tableau of student life in Paris, and Chabrol's first statement (in his second film) of his sardonic view of life as a matter of the survival of the fittest.
M. Chabrol has more skill with the camera than he has with the pen, and his picture is more credible to the eye than it is to the skeptical mind. But it is not the less overwhelming.
This is Chabrol's second film, and its subtle development of character points toward the dense structures of his later films with their reluctance either to condemn or extol without reservation.
Les Cousins seems to hold contempt for almost every person it characterizes. Although the characterizations are right on, some of the movie relies too much on melodrama and easy plot devices.
Claude Chabrol's terrific second feature, an intriguing study of the nasty rivalry bewtwen two cousins that captures the decadent life of Paris' bourgeoisie, established him as a major voice of the French New Wave.
Um dos filmes seminais da nouvelle vague, aborda com inteligência as diferenças de caráter e de postura diante da vida de dois primos: um inseguro e introspectivo, e outro sedutor e confiante. Boas atuações e direção segura de Chabrol.
Chabrol's second directorial feature is a lightly twisted look at the relationship between two cousins.
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