In The Witnesses, [director] Techine levels his gaze on the '80s, an era of seeming innocence, perhaps license, and one in which biological freedom has led to a loose, even sloppily knit fabric of humanity.
The Witnesses (2008)
Tomatometer
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Reviews Counted:45
Fresh:38
Rotten:7
Average Rating:7/10
Consensus: French director André Téchiné successfully weaves five gripping stories in an engaging and realistic film about the early days of the AIDS epidemic.
Theatrical Release:2007
Synopsis: Legendary French film director André Téchiné goes back to 1980s Paris in the tender, heartbreaking THE WITNESSES. Emmanuelle Beart (8 WOMEN) stars as Sarah, a children's book author who has just... Legendary French film director André Téchiné goes back to 1980s Paris in the tender, heartbreaking THE WITNESSES. Emmanuelle Beart (8 WOMEN) stars as Sarah, a children's book author who has just had her first child with husband Mehdi (Sami Bouajila), a vice cop. Sarah's doctor and close friend, Adrien (Michel Blanc), has fallen in love with the much younger Manu (Johan Libéreau), who enjoys being taken care of by the doctor but prefers a platonic relationship--and instead falls hard for Mehdi. Mehdi and Manu start a torrid sexual affair, but when Manu becomes ill with a mysterious disease, the complex entanglement between the four protagonists--as well as Sandra (Constance Dallé), a prostitute who befriends Manu, and Julie (Julie Deaprdieu), Manu's sister who wants to become an opera star--threatens to tear everything apart. Beart is outstanding as Sarah, a strong, independent woman who discovers while writing her first adult novel that she is not cut out to be a mother. Meanwhile, Adrien wants to be more than just a father figure to Manu. Sarah actually wants both she and Mehdi to have lovers, as long as they always come home to each other and don't fall in love with someone else--which becomes more complicated in these changing times. Téchiné (CHANGING TIMES, SCENE OF THE CRIME) sets THE WITNESSES at the very beginnings of the AIDS crisis in Paris, examining its effects on love, family, and friendship. The smart script, written with Laurent Guyot and Viviane Zingg, treats the subject with honesty and care. Philippe Sarde's minimalist score enhances the drama; the soundtrack also includes several arias and three songs by French pop duo Les Rita Mitsouko. [More]
Starring: Michel Blanc, Emmanuelle Beart, Sami Bouajila, Julie Depardieu
Starring: Michel Blanc, Emmanuelle Beart, Sami Bouajila, Julie Depardieu, Johan Libereau, Constance Dollé, Lorenzo Balducci
Director: André Téchiné
Director: André Téchiné
Screenwriter: André Téchiné, Laurent Guyot, Viviane Zingg
Producer: Saďd Ben Saďd
Composer: Philippe Sarde
Studio: Strand Releasing
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Reviews for The Witnesses
This movie is more concerned with ideas of life and hope. Once we realize that this has been Téchiné's theme all along -- and not just another disease-of-the-week film -- then all the mood changes and banalities begin to come into focus.
These overcooked pronouncements pepper Téchiné’s script, which he cowrote with two others, and are presented not as character indictments but rather as valorizations.
little more than a cursory glance at a particularly eventful period in history, one that deserves art of a more thoughtful nature.
A rambling but often affecting account of the early days of the AIDS epidemic.
Andre Techine is a master at taking life experiences and stripping them of sentimentality, leaving us with only the bare-bones honesty of relationships and desire.
In Techine's nuance-sensitive Aids drama, the characters feel as real as they are multi-faceted - but they are rarely engaging.
Unyieldingly pleasant and way too fussy for its own good... so sunny and polite it makes Rent look like Cruising.
Téchiné films Johan Libéreau, who plays Manu, the fresh-faced young boy coming of age in The Witnesses, with the sort of discretion that gives mystery and dignity to human beauty.
An ambling narrative, but an atmospheric one that feels authentic despite its unlikely character pairings.
Director Andre Techine's story is one of subtle emotional tones that require the most of an actor, and the cast is uniformly compelling.
Bristling with emotional intensity, this is far superior to earlier AIDS-related dramas such as the platitudinous Philadelphia.
This film need not be approached with dread or trepidation; life, as witnessed by this small group of flawed but always empathetic characters, is a messy, ugly, and unfair business, but sometimes still surprisingly wonderful.
The Witnesses doesn't pay off with a great operatic pinnacle, but it's better that way. Better to show people we care about facing facts they care desperately about, without the consolation of plot mechanics.
As in real life, often the main crisis morphs into a continuance that has no slam-bang conclusion. Rather, we just see a small hope that awakes to experience another sunrise.
This depiction of the onslaught of AIDS is curiously pragmatic and a little clunky, but then again, perhaps it is time we all got a refresher course in AIDS awareness and its terrible consequences.
It becomes a movie about figuring out how to live a full life, and The Witnesses is necessarily a bittersweet one, since so many people who came of age in the '80s never had a chance.
A somber look back, and for Americans, a view from somewhere else of a time that might have been just recently forgotten.
The beautifully acted ensemble film The Witnesses sidesteps most of its opportunities for high drama, political sermonizing and the jerking of tears.
Latest News for The Witnesses
January 31, 2008:
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January 10, 2008:
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