97% Ghostbusters Aug 29
30% As Above/So Below Aug 29
36% The November Man Aug 27
98% Starred Up Aug 27
76% The Congress Aug 29

Top Box Office

92% Guardians of the Galaxy $17.2M
20% Teenage Mutant Ninja Turtles $16.7M
37% If I Stay $15.7M
21% Let's Be Cops $10.8M
18% When The Game Stands Tall $8.4M
34% The Expendables 3 $6.5M
32% The Giver $6.4M
45% Sin City: A Dame to Kill For $6.3M
66% The Hundred-Foot Journey $5.3M
19% Into The Storm $3.8M

Coming Soon

—— Innocence Sep 05
—— The Longest Week Sep 05
—— The Identical Sep 05
67% Thunder and the House of Magic Sep 05
74% God Help the Girl Sep 05

New Episodes Tonight

91% Doctor Who: Season 8
—— Hell on Wheels: Season 4
39% Intruders: Season 1
89% Outlander: Season 1
46% Reckless: Season 1
—— Unforgettable: Season 3

Discuss Last Night's Shows

—— Jonah From Tonga: Season 1

Certified Fresh TV

86% The Bridge (FX): Season 2
91% Doctor Who: Season 8
83% Extant: Season 1
89% The Honorable Woman: Season 1
87% The Knick: Season 1
89% Manhattan: Season 1
97% Masters of Sex: Season 2
73% Murder in the First: Season 1
89% Outlander: Season 1
82% Satisfaction: Season 1
87% The Strain: Season 1
82% Welcome to Sweden: Season 1
77% You're the Worst: Season 1

Let Me In Reviews

Page 1 of 11
Will Chadwick
We Got This Covered

Let Me In has a muddled storyline that never quite finds its focus. Every element here is just not as good as it was in the original, making this another pointless remake.

Full Review Source: We Got This Covered | Original Score: 5/10

November 9, 2013
Glenn Dunks

Fails to add anything to set it apart and there's no reason to prefer this to the fine Swedish original.

Full Review Source: Trespass

October 15, 2010
Lisa Kennedy
Denver Post
Top Critic IconTop Critic

It's called Let Me In. That demanding title says something about how the gentle poetry of the original gets lost a bit in Reeves' translation.

Full Review Source: Denver Post | Original Score: 2.5/4

October 1, 2010
Clay Cane

Another month, another teen vampire flick.

Full Review Source: | Original Score: C

November 22, 2010
Matthew Pejkovic
Matt's Movie Reviews

The American version of a beloved Swedish vampire tale comes with an irritating sense of déjà vu.

Full Review Source: Matt's Movie Reviews | Original Score: 2.5/5

October 1, 2010
Diva Velez

Unnecessary remake that replicates rather than originates, neither truly scary nor even mildly disturbing. Surprisingly poor special effects and the neutering of a big plot point negate any potential.

Full Review Source: | Original Score: 2.5/5

October 3, 2010
Brian Orndorf

A striking picture to study, but a blunt, condensed take on the source material, sacrificing an unsettling sense of macabre harmony to keep elements blocky enough so they might be appreciated by a wide, profitable audience.

Full Review Source: | Original Score: C+

September 29, 2010
Beth Accomando

I simply cannot admire what Reeves does with the remake. The best I can do is commend his skill at imitating the original.

Full Review Source: | Original Score: 4/10

October 1, 2010
Cole Smithey

...for audiences who have had the pleasure of seeing "Let The Right One In," this version doesn't improve on its source material.

Full Review Source: | Original Score: D

September 30, 2010
Kofi Outlaw

Reeves' direction is a subdued, safe, clean -- and a bit boring.

Full Review Source: ScreenRant | Original Score: 3/5

October 3, 2010
Nick Pinkerton
Village Voice
Top Critic IconTop Critic

There's a human tragedy somewhere here -- but aggrandized puppy-love romance and stylish revenge fantasy is all that lingers.

Full Review Source: Village Voice

September 28, 2010
Nigel Andrews
Financial Times

The Swedish original, Let the Right One In, was blanched, spooky and sombre. This remake by Matt Cloverfield Reeves misses almost everything.

Full Review Source: Financial Times | Original Score: 2/5

November 4, 2010
Joe Lozito
Big Picture Big Sound

This American remake of 2008's small Swedish gem is a valiant effort but rarely evokes the eerie essence of the original.

Full Review Source: Big Picture Big Sound | Original Score: 2.5/4

September 30, 2010
Matt Pais

Strips away the soul and the vision until it's butchered its source material as badly as the recent Nightmare on Elm Street remake.

Full Review Source: | Original Score: 2/5

September 30, 2010
Willie Waffle

Writer/director Matt Reeves wants to make Let Me In a moody, sullen shocker with a touch of romance tossed in, but boring is a better term for it all.

Full Review Source: | Original Score: 1.5/4

October 1, 2010
Erik Childress

Certainly well-made on its own, its adherence to almost being a direct copy of the beloved original with a few crucially damaging changes ultimately reveal this to be rather pointless for those already initimately familiar with it.

Full Review Source: | Original Score: 2.5/4

October 1, 2010
Ty Burr
Boston Globe
Top Critic IconTop Critic

It's an honorable attempt, but there's still no genuine need for this film to exist.

Full Review Source: Boston Globe | Original Score: 2.5/4

September 30, 2010
J. R. Jones
Chicago Reader
Top Critic IconTop Critic

The language has been changed to English, of course, which is the only real reason this movie exists; the story development, desolate tone, and key set pieces are mostly copied from the original movie.

Full Review Source: Chicago Reader

September 30, 2010
Harvey S. Karten

Bloodless, compared to the Swedish original.

Full Review Source: Compuserve | Original Score: C+

September 30, 2010
Anthony Lane
New Yorker
Top Critic IconTop Critic

The result, though no less creepy than the Swedish film, mislays its lyricism and otherworldliness.

Full Review Source: New Yorker

October 7, 2013
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