Director Laurence Dunmore films everything through a corrosive brown fog, obscuring and muffling the film's life force.
The Libertine (2005)
Tomatometer
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Reviews Counted:116
Fresh:36
Rotten:80
Average Rating:4.7/10
Consensus: A confusing, monotonous, unattractive drama, Libertine mires its talented cast in a squalid, self-indulgent mess.
Runtime: 1 hr 54 mins
Genre: Dramas
Theatrical Release:Nov 25, 2005 Limited
Box Office: $4,756,532
Synopsis: An antidote to the sunny period pieces adopted from Jane Austen, which feature impeccably coiffed aristocracy engage in the witty banter of drawing room dramas and culminate in a most delightful... An antidote to the sunny period pieces adopted from Jane Austen, which feature impeccably coiffed aristocracy engage in the witty banter of drawing room dramas and culminate in a most delightful denouement, THE LIBERTINE highlights the underbelly of the Britocracy of centuries past. Adapted from the play by Stephen Jeffreys, the plot follows the dastardly debauchery of the Earl of Rochester (a mischievous Johnny Depp). A hedonist who makes Oscar Wilde seem moralistic, the Earl spent his days and nights in beds, brothels, and bars, awakening from drunken blackouts only to stumble to the nearest whorehouse. Yet this ravishing rake was also possessed of a predilection for poetry, and turned his escapades into acid-tongued witticisms that pepper this frisky film. Directed by first-timer Laurence Dunmore, the historical film picks up in 1678, when the Earl returns to London at the behest of King Charles II (magnetically played by John Malkovich, who starred in the play when it was staged at Chicago's Steppenwolf Theatre). With his young wife in tow, our rake immediately immerses himself into a litany of transgressions. When he meets a prostitute and burgeoning actress named Elizabeth Barry (Samantha Morton), he obsessively takes her under his wing, crafting her into an acclaimed stage starlet and eventually bedding her. What follows is a spiral--upward, downward, and sideways--through the city's pleasure palaces, culminating in a quasi-tragic, quasi-relieving denouement. Melding the naughty energy of his PIRATES OF THE CARIBBEAN character with the brooding darkness of his wearied detective in FROM HELL, Depp gives a pitch-perfect performance that carries the film, eliciting strange sympathy for such a despicable devil. The score, by the award-winning composer Michael Nyman, adds even further moodiness and dramatic edge to the story. [More]
Starring: Johnny Depp, Samantha Morton, John Malkovich, Stanley Townsend
Starring: Johnny Depp, Samantha Morton, John Malkovich, Stanley Townsend, Francesca Annis, Rosamund Pike, Johnny Vegas, Richard Coyle
Director: Laurence Dunmore
Director: Laurence Dunmore
Screenwriter: Stephen Jeffreys
Studio: Weinstein Company
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Reviews for The Libertine
Any movie top-billed by a star as hot as Johnny Depp that somehow manages to sit on a shelf for more than a year after its completion is bound to be a stinker.
The cheesed-up life and times of one John Wilmot, the Second Earl of Rochester.
"The Libertine" in question here is John Wilmot, Earl of Rochester, a poet and member of the Reformation court of King Charles II.
The filmmakers would rather sentimentalize their debauched hero than convince us there was insight in his cynicism or artfulness in his obscene verse.
Sadly, this is a movie about the consequences of debauchery, and about Johnny Depp making long-winded Oscar-bait speeches while slathered in nasty pancake makeup.
Quick, literate, funny and filthy, a head-turning mix of high thoughts and low schemes.
This is the kind of film that Depp loves, understands, and unfurls his nastiest acting regalia for.
For all its attempts to startle us with its vulgarity, this underdeveloped movie never locates a defining method to its messiness; ultimately, it possesses all the shock value of a toddler yelling, "Poopy!"
It takes an actor in complete command of his charisma to get away with this kind of murder-- exposing the sick blackness of his soul with a sultry smile. Shame about the movie, though.
Stinkers this rapturously self-assured don't come along often, and when they do, they deserve to be honored with the proper giggling disbelief.
As a dramatic enterprise it's stillborn. Not to mention depressing in the extreme.
This ugly creation uses graphic sex, bad hygiene, mud, diseased features and Depp wetting his pants (we get to see the puddle) to illustrate the perils of hedonism.
a supremely distasteful piece of work that squanders time, talent, and one of the more eccentric literary legacies
The point seems to be that too much of a good thing leads to a vast sense of nothingness and bleak cinematography. Alas, it also results in transforming a film about a sensualist into a remarkably sexless enterprise.
...while Depp seems the obvious choice for this ribald role, this is the first performance he's let get away from him.
Newcomer director Laurence Dunmore does not show the experience necessary to pull off this period piece and lets Depp's performance fall by the wayside
Depp gives a dazzling tour de force as a man who loses his soul, then his heart, then his body.
Depp transforms a potentially repellent character into another glittering portrait in a gallery of lovable rogues ...
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January 11, 2006:
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January 11, 2006:
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Yesterday we found out which movies would duke it out for the Best Sound FX Oscar nominations, and today we get the Best Makeup side of the equation. Thanks again to... More...
November 11, 2005:
Trailer Bulletin: The Libertine
Interested in a 17th century period drama about a lascivious playwright who infuriates a lot of men, seduces a lot of woman, and eventually drinks himself to death? No? How... More...
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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