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The Libertine (2005)
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Reviews Counted:116
Fresh:36
Rotten:80
Average Rating:4.7/10
Consensus: A confusing, monotonous, unattractive drama, Libertine mires its talented cast in a squalid, self-indulgent mess.
Runtime: 1 hr 54 mins
Genre: Dramas
Theatrical Release:Nov 25, 2005 Limited
Box Office: $4,756,532
Synopsis: An antidote to the sunny period pieces adopted from Jane Austen, which feature impeccably coiffed aristocracy engage in the witty banter of drawing room dramas and culminate in a most delightful... An antidote to the sunny period pieces adopted from Jane Austen, which feature impeccably coiffed aristocracy engage in the witty banter of drawing room dramas and culminate in a most delightful denouement, THE LIBERTINE highlights the underbelly of the Britocracy of centuries past. Adapted from the play by Stephen Jeffreys, the plot follows the dastardly debauchery of the Earl of Rochester (a mischievous Johnny Depp). A hedonist who makes Oscar Wilde seem moralistic, the Earl spent his days and nights in beds, brothels, and bars, awakening from drunken blackouts only to stumble to the nearest whorehouse. Yet this ravishing rake was also possessed of a predilection for poetry, and turned his escapades into acid-tongued witticisms that pepper this frisky film. Directed by first-timer Laurence Dunmore, the historical film picks up in 1678, when the Earl returns to London at the behest of King Charles II (magnetically played by John Malkovich, who starred in the play when it was staged at Chicago's Steppenwolf Theatre). With his young wife in tow, our rake immediately immerses himself into a litany of transgressions. When he meets a prostitute and burgeoning actress named Elizabeth Barry (Samantha Morton), he obsessively takes her under his wing, crafting her into an acclaimed stage starlet and eventually bedding her. What follows is a spiral--upward, downward, and sideways--through the city's pleasure palaces, culminating in a quasi-tragic, quasi-relieving denouement. Melding the naughty energy of his PIRATES OF THE CARIBBEAN character with the brooding darkness of his wearied detective in FROM HELL, Depp gives a pitch-perfect performance that carries the film, eliciting strange sympathy for such a despicable devil. The score, by the award-winning composer Michael Nyman, adds even further moodiness and dramatic edge to the story. [More]
Starring: Johnny Depp, Samantha Morton, John Malkovich, Stanley Townsend
Starring: Johnny Depp, Samantha Morton, John Malkovich, Stanley Townsend, Francesca Annis, Rosamund Pike, Johnny Vegas, Richard Coyle
Director: Laurence Dunmore
Director: Laurence Dunmore
Screenwriter: Stephen Jeffreys
Studio: Weinstein Company
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Reviews for The Libertine
The film relies heavily on Depp's performance, but it's so over-the-top that it's just not that entertaining.
a supremely distasteful piece of work that squanders time, talent, and one of the more eccentric literary legacies
For all the overstuffed corsets and garters snapping to and fro, it's about as bawdy as a C-Span appropriations committee meeting.
It's always fun to watch Depp be flamboyant, but the story is often murky, and the cinematography even murkier.
The second half, especially, grows dour and maundering, and by the end the movie seems to flail in desperation, more like a work in progress than like a finished piece.
Features another stellar Johnny Depp performance, but stagy dialogue and dreary cinematography mar the effectiveness of this murky period drama.
Depp portrays Wilmot, who was also remembered for scandalous poetry and theatrical satire, as a careless and generally unpleasant fellow, who is neither funny nor profound. And we're supposed to spend two hours with this guy. Ugh.
This might be worth viewing if the film's characters came to life or its abundant philosophical and moral observations went more than pockmarked-skin deep.
Might be the least-sexy film about a hedonist ever made, unless bawdy and bewigged somehow add up to erotic.
Based on Stephen Jeffreys' play, about 17th century iconoclastic poet the 2nd Earl of Rochester (Johnny Depp), "The Libertine" fails to pay off on its promises of taboo sex.
...will likely leave viewers as frustrated with Rochester (Johnny Depp) as his contemporaries were.
Depp is stuck playing a witty rake who isn't remarkably witty or even all that sexy.
We are supposed to thrill to the devil-may-care attitude of this Byronic rebel-gent, yet we never find out what he's about or what he stands for. He's a self-impressed question mark.
It's depressing to think how much better this could have been in the hands of a skilled director.
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| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 25% 25% | Four Christmases |
| 68% 68% | Funny People |
| 95% 95% | Star Trek |
| 14% 14% | The Ugly Truth |
| Tomatometer Percentage | Movie |
|---|---|
| 32% 32% | Terminator Salvation |
| 44% 44% | Night at the Museum: B… |
| 86% 86% | A Christmas Tale |
| 60% 60% | Paper Heart |
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