An odd composition of stolid chamber drama and manic acting by its magnetic star, the movie makes for an occasionally invigorating experience that is too predictable and mannered for its own good.
The Libertine (2005)
Tomatometer
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Reviews Counted:116
Fresh:36
Rotten:80
Average Rating:4.7/10
Consensus: A confusing, monotonous, unattractive drama, Libertine mires its talented cast in a squalid, self-indulgent mess.
Runtime: 1 hr 54 mins
Genre: Dramas
Theatrical Release:Nov 25, 2005 Limited
Box Office: $4,756,532
Synopsis: An antidote to the sunny period pieces adopted from Jane Austen, which feature impeccably coiffed aristocracy engage in the witty banter of drawing room dramas and culminate in a most delightful... An antidote to the sunny period pieces adopted from Jane Austen, which feature impeccably coiffed aristocracy engage in the witty banter of drawing room dramas and culminate in a most delightful denouement, THE LIBERTINE highlights the underbelly of the Britocracy of centuries past. Adapted from the play by Stephen Jeffreys, the plot follows the dastardly debauchery of the Earl of Rochester (a mischievous Johnny Depp). A hedonist who makes Oscar Wilde seem moralistic, the Earl spent his days and nights in beds, brothels, and bars, awakening from drunken blackouts only to stumble to the nearest whorehouse. Yet this ravishing rake was also possessed of a predilection for poetry, and turned his escapades into acid-tongued witticisms that pepper this frisky film. Directed by first-timer Laurence Dunmore, the historical film picks up in 1678, when the Earl returns to London at the behest of King Charles II (magnetically played by John Malkovich, who starred in the play when it was staged at Chicago's Steppenwolf Theatre). With his young wife in tow, our rake immediately immerses himself into a litany of transgressions. When he meets a prostitute and burgeoning actress named Elizabeth Barry (Samantha Morton), he obsessively takes her under his wing, crafting her into an acclaimed stage starlet and eventually bedding her. What follows is a spiral--upward, downward, and sideways--through the city's pleasure palaces, culminating in a quasi-tragic, quasi-relieving denouement. Melding the naughty energy of his PIRATES OF THE CARIBBEAN character with the brooding darkness of his wearied detective in FROM HELL, Depp gives a pitch-perfect performance that carries the film, eliciting strange sympathy for such a despicable devil. The score, by the award-winning composer Michael Nyman, adds even further moodiness and dramatic edge to the story. [More]
Starring: Johnny Depp, Samantha Morton, John Malkovich, Stanley Townsend
Starring: Johnny Depp, Samantha Morton, John Malkovich, Stanley Townsend, Francesca Annis, Rosamund Pike, Johnny Vegas, Richard Coyle
Director: Laurence Dunmore
Director: Laurence Dunmore
Screenwriter: Stephen Jeffreys
Studio: Weinstein Company
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Reviews for The Libertine
Depp portrays Wilmot, who was also remembered for scandalous poetry and theatrical satire, as a careless and generally unpleasant fellow, who is neither funny nor profound. And we're supposed to spend two hours with this guy. Ugh.
...had Wilmot not actually existed he could have been imagined by Jean Genet.
The scenes between Depp and Morton throw off sparks, but the movie as a whole needs focus, oomph.
[Director] Dunmore creates a memorably grimy London, but the moral grime covering the film proves less memorable.
Stinkers this rapturously self-assured don't come along often, and when they do, they deserve to be honored with the proper giggling disbelief.
If you thought Depp went overboard with his Keith Richards impression in Pirates of the Caribbean, here he goes whole hog into the sty.
Johnny Depp adds another notch to his memorable gallery of film roles with his portrait of John Wilmot.
A fine feature debut for director Laurence Dunmore, The Libertine is more of a calling card for his future work than a fully rounded triumph in its own right.
Wilmot is so thoroughly committed to being so awful that his debauchery has a kind of purity about it.
There follows much groping and fondling and talk of debauchery, all of it slightly less erotic than integral calculus.
You will not like the Second Earl of Rochester. But you will not be able to take your eyes from him. Having made his bed, he does not hesitate to sleep in it.
It's a bit too muddy, dismal-looking and smoky to beguile us, too fixated on filth and too dreary-looking to really shock us.
The advance word on The Libertine was so bad that I was rather surprised to find it -- unterrible.
Mesmo em filmes irregulares como este, Johnny Depp é sempre capaz de despertar o interesse do espectador.
This is the kind of film that Depp loves, understands, and unfurls his nastiest acting regalia for.
When the movie is done it really doesn't matter whether we agree that we like the Earl or not. We can all agree on liking that the movie is over.
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January 11, 2006:
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January 11, 2006:
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Yesterday we found out which movies would duke it out for the Best Sound FX Oscar nominations, and today we get the Best Makeup side of the equation. Thanks again to... More...
November 11, 2005:
Trailer Bulletin: The Libertine
Interested in a 17th century period drama about a lascivious playwright who infuriates a lot of men, seduces a lot of woman, and eventually drinks himself to death? No? How... More...
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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