Johnny Depp's beauty and talent salvage this rigorously stagy film on the life and bad-boy times of the second Earl of Rochester.
The Libertine (2005)
Tomatometer
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Reviews Counted:116
Fresh:36
Rotten:80
Average Rating:4.7/10
Consensus: A confusing, monotonous, unattractive drama, Libertine mires its talented cast in a squalid, self-indulgent mess.
Runtime: 1 hr 54 mins
Genre: Dramas
Theatrical Release:Nov 25, 2005 Limited
Box Office: $4,756,532
Synopsis: An antidote to the sunny period pieces adopted from Jane Austen, which feature impeccably coiffed aristocracy engage in the witty banter of drawing room dramas and culminate in a most delightful... An antidote to the sunny period pieces adopted from Jane Austen, which feature impeccably coiffed aristocracy engage in the witty banter of drawing room dramas and culminate in a most delightful denouement, THE LIBERTINE highlights the underbelly of the Britocracy of centuries past. Adapted from the play by Stephen Jeffreys, the plot follows the dastardly debauchery of the Earl of Rochester (a mischievous Johnny Depp). A hedonist who makes Oscar Wilde seem moralistic, the Earl spent his days and nights in beds, brothels, and bars, awakening from drunken blackouts only to stumble to the nearest whorehouse. Yet this ravishing rake was also possessed of a predilection for poetry, and turned his escapades into acid-tongued witticisms that pepper this frisky film. Directed by first-timer Laurence Dunmore, the historical film picks up in 1678, when the Earl returns to London at the behest of King Charles II (magnetically played by John Malkovich, who starred in the play when it was staged at Chicago's Steppenwolf Theatre). With his young wife in tow, our rake immediately immerses himself into a litany of transgressions. When he meets a prostitute and burgeoning actress named Elizabeth Barry (Samantha Morton), he obsessively takes her under his wing, crafting her into an acclaimed stage starlet and eventually bedding her. What follows is a spiral--upward, downward, and sideways--through the city's pleasure palaces, culminating in a quasi-tragic, quasi-relieving denouement. Melding the naughty energy of his PIRATES OF THE CARIBBEAN character with the brooding darkness of his wearied detective in FROM HELL, Depp gives a pitch-perfect performance that carries the film, eliciting strange sympathy for such a despicable devil. The score, by the award-winning composer Michael Nyman, adds even further moodiness and dramatic edge to the story. [More]
Starring: Johnny Depp, Samantha Morton, John Malkovich, Stanley Townsend
Starring: Johnny Depp, Samantha Morton, John Malkovich, Stanley Townsend, Francesca Annis, Rosamund Pike, Johnny Vegas, Richard Coyle
Director: Laurence Dunmore
Director: Laurence Dunmore
Screenwriter: Stephen Jeffreys
Studio: Weinstein Company
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Reviews for The Libertine
With its emphasis on muddy streets, muddier language and raunchy behavior, Libertine is a trying experience.
It's depressing to think how much better this could have been in the hands of a skilled director.
Nasty isn't necessarily a bad thing, there've been lots of really fun film that are nasty as hell, but this is just shock for shock's sake and is in the long run rather boring.
Though Wilmot's life hardly wants for interest, screenwriter Stephen Jeffreys (adapting his own play) doesn’t know where to place his emphases, giving us scattered, disconnected scenes.
Such a torturous mess that it winds up doing something I hadn't thought possible: It renders Johnny Depp charmless.
The film relies heavily on Depp's performance, but it's so over-the-top that it's just not that entertaining.
It's always fun to watch Depp be flamboyant, but the story is often murky, and the cinematography even murkier.
The cheesed-up life and times of one John Wilmot, the Second Earl of Rochester.
The second half, especially, grows dour and maundering, and by the end the movie seems to flail in desperation, more like a work in progress than like a finished piece.
Despite Depp's bold turn as the scandalous poet, this disappointingly overwrought, poorly directed costume drama has more in common with Quills and Stage Beauty, all flawed movies about "deviant" artists who broke taboos.
Depp is a raunchy wonder, especially in a time-capsule-worthy opening monologue.
The film built around Depp's performance is leaden and monotonous, crusted in the faux-realism of handheld cameras, muddy streets, and dingy castle hallways.
This is the kind of film that Depp loves, understands, and unfurls his nastiest acting regalia for.
Depp gives a dazzling tour de force as a man who loses his soul, then his heart, then his body.
Johnny Depp adds another notch to his memorable gallery of film roles with his portrait of John Wilmot.
An exquisitely shot period piece with enough filthy dialogue to make A Dirty Shame seems rather pedestrian.
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| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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