Forgetting to give any character a smidgen of emotion (it's funny because it's straight-faced!), this ends up a series of strange vignettes that you won't soon care about, either.
The Life Aquatic With Steve Zissou (2004)
Tomatometer
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Reviews Counted:170
Fresh:89
Rotten:81
Average Rating:6/10
Consensus: The Life Aquatic with Steve Zissou is getting soaked by many critics, who call it smug, ironic and artificial. Still, others have praised the movie’s sheer uniqueness, eccentricity and whimsy.
Runtime: 1 hr 58 mins
Genre: Comedies
Theatrical Release:Dec 25, 2004 Wide
Box Office: $23,965,459
Synopsis: In Wes Anderson's THE LIFE AQUATIC, a group of oceanic explorers who call themselves Team Zissou embark on a journey to hunt down the "jaguar shark" that ate one of their crew members (Seymour... In Wes Anderson's THE LIFE AQUATIC, a group of oceanic explorers who call themselves Team Zissou embark on a journey to hunt down the "jaguar shark" that ate one of their crew members (Seymour Cassel). Determined to avenge the death of his dear friend, team leader Steve Zissou (Bill Murray) is melancholic about the journey he's about to make. Meanwhile, financial troubles and nostalgia for his past make Zissou behave like a reckless playboy, an aging softie, and a past-his-prime tyrant. Surrounding Zissou are a hodgepodge of eccentrics--a pregnant journalist doing a magazine feature (Cate Blanchett), an airline pilot from Kentucky who claims he is Zissou's son (Owen Wilson), an emotionally needy European (Willem Dafoe), an acoustic guitarist who sings David Bowie songs in Portuguese (Seu Jorge), Zissou's brilliant wife (Anjelica Houston), and her ex-husband who is Zissou's seafaring nemesis (Jeff Goldblum). Clad in baby-blue polyester uniforms, Addidas sneakers, and red stocking caps, Team Zissou is a sight to see. And as their deep-sea adventure takes them into dangerous waters where they are attacked by pirates and dazzled by CGI fish, the group finds magic both in their bonds to each other and in the colorful world around them. In keeping with Anderson's unique brand of escapist humor, these caricatured characters are nothing short of fascinating. While their lives are extraordinary, they act bored, dwelling on banalities like hurt feelings, jealousy, and loneliness. The more absurd their stories are, the more believable their quirky personalities become. With plenty of hilarious moments offsetting the film's tongue-in-cheek sentimentalism, THE LIFE AQUATIC is sure to please seasoned Anderson fans and make new ones of the uninitiated. [More]
Starring: Bill Murray, Owen Wilson, Cate Blanchett, Anjelica Huston
Starring: Bill Murray, Owen Wilson, Cate Blanchett, Anjelica Huston, Willem Dafoe, Jeff Goldblum, Michael Gambon, Bud Cort, Seymour Cassel
Director: Wes Anderson
Director: Wes Anderson
Screenwriter: Wes Anderson, Noah Baumbach
Producer: Barry Mendel, Wes Anderson, Scott Rudin
Composer: Mark Mothersbaugh
Studio: Buena Vista Pictures
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Release:
May 10, 2005
Reviews for The Life Aquatic With Steve Zissou
The Life Aquatic with Steve Zissou is another playful tribute by Wes Anderson to a wacky individualist.
In the hands of less capable filmmakers this quirky fish tale might have sunk itself, but Murray and Anderson manage to reel it in.
This wacky, wistful, occasionally humorous satire disappoints. Eccentrics afloat, it's an offbeat ship of fools.
Wes Anderson follows Rushmore and The Royal Tenenbaums with ... the same film for the third time.
Previously, Anderson's films contained so many ideas they threatened to burst at the seams; with The Life Aquatic, it appears that's happened.
Its sporadic droll moments tempt one to view it with a charitable eye until patience is exhausted by the end.
I thought I had seen the nadir of moviemaking art. But I had not reckoned with Wes Anderson. If I had a rating lower than zero, this one would get it.
I should have been completely exasperated with The Life Aquatic, with its wispy story and wonder-cabinet production design, but to my surprise I found it mostly delightful.
Launches with enormous promise, then sinks into a quagmire of misfired humor and misbegotten characters.
An exquisitely evocative movie that elevates rueful melancholia to a superpower.
A potentially great little cult picture shrieking in protest at being bumped up into a $50 million studio movie whose only real pleasure is its happy-color production design.
What might have a self-consciously quirky comedy is deepened and humanized by its rich performances, especially from Murray, who keeps getting better and better.
This may a film composed only of little moments, ah, but what moments they are.
A work about conflict, it is itself conflicted, torn between the confidence of a gifted filmmaker and the insecurity of a gifted writer.
The precocious director is stuck with a lamentable case of arrested development.
It’s like a grown-up returning to Stevenson’s Treasure Island and rediscovering what was so great about it in the first place.
Wes Anderson is increasingly concerned with art direction and offbeat touches, to the point where story and characters become an afterthought.
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