Average Rating: 4.4/10
Reviews Counted: 93
Fresh: 22 | Rotten: 71
Despite earnest performances, Life Before Her Eyes is a confusing, painfully overwrought melodrama.
Average Rating: 4.7/10
Critic Reviews: 22
Fresh: 7 | Rotten: 15
Despite earnest performances, Life Before Her Eyes is a confusing, painfully overwrought melodrama.
liked it
Average Rating: 3.3/5
User Ratings: 7,895
Based on author Laura Kasischke's novel The Life Before Her Eyes, House of Sand and Fog director Vadim Perelman's provocative study of memory, morality, and conscience stars Uma Thurman as the guilt-ridden survivor of a harrowing, Columbine-like high-school shooting. To any outsider, Diana (played as a young girl by actress Evan Rachel Wood) and Maureen (Eva Amurri) were polar opposites; Diana was always questioning authority, while Maureen quietly went about fulfilling the expectations of her
Sep 8, 2007 Wide
Aug 19, 2008
$0.2M
Magnolia Pictures
All Critics (94) | Top Critics (22) | Fresh (22) | Rotten (71)
In the end, Life is a challenging success, with Wood's performance again affirming her status among the young generation of actors, and Perelman's vision promising more intrigue to come.
Thoroughly thought through and photographed with imagination and psychological penetration, it's the product of a very shrewd directorial hand.
Perelman never overcomes the disjuncture of having two familiar actresses play the same grown character, and despite the endless crosscutting, the two halves settle respectively into ghoulish foreboding and murky psychological drama.
The Life Before Her Eyes might offer a fresh perspective on aborted dreams, but its insights are buried under stale, inflated moviemaking.
Not a film entirely devoid of virtue, though it comes closer to that mark than any movie I've seen this year--closer than any movie I'd care to see in any year.
There are two very fine performances here -- Wood's and Amurri's -- but they're not strong enough to rise above the metaphor-laden script.
A hopelessly overblown melodrama, which oversteps its mark with pretensions of narrative complexity and social currency
[Perelman] over-explains everything at the end with a montage of repeated scenes that ensures you never need see this film more than once.
In the hands of the director Vadim Perelman, it becomes a jumble of dramatic scenes and disorientating flashbacks that merge into a confusing, stream-of-consciousness narrative, and the twist, when it comes, is a complete cheat.
An American high school drama with a tiresomely familiar twist.
A thoughtful, if sentimental, semi-successful attempt to craft a drama about life and choice around the difficult subject matter of a school shooting.
The movie's relentless dream-like quality could induce slack-jawed wonder...or chronic narcolepsy depending how receptive the viewer is to non-linear narrative and super-stylised flights of fancy.
A touching tale from director Vadim Perelman with a surprise ending that leaves you plenty to ponder.
A sudsy potboiler with a twist you can see coming from the title.
Part Elephant, part Jacob's Ladder, moments of bruising power are dulled by overwrought symbolism and a baffling wrap-up.
Ambition and accomplishment are aeons apart in this would-be meaningful drama.
Surely the point of a "twist" is that it should slot into the plot with a satisfying click, not that it should invalidate 50 per cent of what came before it?
Vadim Perelman's drama is both tasteful and tedious. With its honeyed visuals, affluent air and coy portents of disaster, it's like an advert for private health care played out on an endless loop.
The film's dogged repetition of its pivotal scene has to go somewhere, but it's enslaved to a narrative conceit even M Night Shyamalan might find a trifle gimmicky.
Absorbing.
Flitting back and forth in time, it's too confusing to entertain, while Wood and Thurman look nothing like one another, making for a disjointed and often dire experience.
Poorly conceived, badly written and ultimately ridiculous drama with a jaw-droppingly crass twist ending that backfires horribly.
The ending is as baffling as anything preceding it - giving rise to a genre conflict situation.
THE LIFE BEFORE HER EYES starts off as superficial, sentimental trite, then turns into an incoherent journey into God knows what.
This film reminded me of 'Stay'. But while I liked 'Stay', I didn't like this one much. The story is told in an unconventional way, and that's what goes against this movie. It was told in a very complex and confusing way, which while maybe smart and brilliant, but wasn't a fair decision in this case. The ambiguity
February 17, 2011Super Reviewer
It's funny how insignificant teenage years seem when you're actually living them. Culture and media tell us that they are the defining years, that we will all look back someday and see them as the turning points in our lives. I'm not totally sure I buy into it, but apparently Vadim Perelman does. We see the days and
July 30, 2010
Super Reviewer
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