Akinshina brings to mind the extraordinary work of Jodie Foster in Taxi Driver.
Lilya 4-Ever (2003)
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Reviews Counted:65
Fresh:56
Rotten:9
Average Rating:7.5/10
Consensus: A tragic, hard-hitting story about a teenager trapped in a life of prostitution.
Theatrical Release:Apr 18, 2003 Limited
Synopsis: From the first devastating moments of LILYA 4-EVER, as the cherubic 16-year-old protagonist (Oksana Akinshina) staggers, broken and beaten to a pulp, down the sidewalk of a bleak and unidentifiable... From the first devastating moments of LILYA 4-EVER, as the cherubic 16-year-old protagonist (Oksana Akinshina) staggers, broken and beaten to a pulp, down the sidewalk of a bleak and unidentifiable urban prison and the hardcore theme song from Rammstein rips into "Mein Herz Brennt" ("My Heart Burns"); until its last brutal moments, the movie never relents in portraying the darkest side of teenage life in the former Soviet Union. From writer-director Lukas Moodysson (TOGETHER), the film begins in a tiny unnamed town where Lilya lives with her mother, who is leaving for America with her new boyfriend. So desperate are the poor and angry people in this dilapidated gray city that they idolize Lilya for her luck in finding a way to escape. However, when Lilya's mom burns rubber in her daughter's face, leaving Lilya literally stripped and penniless, shivering in horror on her knees in a mud puddle, it's clear that Lilya's not going anywhere but downhill, fast. Abandoned and living in a disgusting flat with only her abused 11-year-old friend Volodya (Artiom Bogucharskij) to care for her, Lilya passes her days sniffing glue, listening to techno, and starving. Soon hunger drives her to prostitution, which is a gateway to variously horrific forms of rape and violence. When hope arrives in the form of Andrei (Pavel Ponomaryov), a businessman from Sweden who promises to take Lilya away, the film gains momentum for the descent into its terrible conclusion. A powerful film in which both Lilya's strength of spirit and her naivete allow for all the world's cruelty to grab hold of her and shake her about, LILYA 4-EVER will not easily be forgotten by its viewers. [More]
Starring: Oksana Akinshina, Artiom Bogucharski, Elina Benenson, Liliya Shinkaryova
Starring: Oksana Akinshina, Artiom Bogucharski, Elina Benenson, Liliya Shinkaryova, Pavel Ponomaryov
Director: Lukas Moodysson
Director: Lukas Moodysson
Screenwriter: Lukas Moodysson
Producer: Lars Jonsson
Studio: Newmarket Films
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Reviews for Lilya 4-Ever
Lilya 4-Ever gives us a glorious, heart-wrenching debut performance in the lead, as auspicious as any in the history of cinema.
Moodysson's compassion is undeniable, and his direction has a snap and vigor...
One of the least happy films I have seen in a while, but also one of the most memorable and moving.
This compelling and disturbing Swedish film directed by Lukas Moodysson charts the terrors of an abandoned Russian teenager who finds herself an unwilling victim in the global sex trade.
After your heart has been beaten, bludgeoned, anally raped and stomped upon, there's still another hour left to go...
[Moodysson] dives into the soul of a 16-year-old Estonian girl and tears you apart.
This sober, unsparing drama, strong if unambitious, is probably as perfectly characteristic a specimen of serious European filmmaking as any movie ever made.
A bleak, blistering, beautiful treasure of a film that presents wasted life in all its horrific vividness.
It's Moodysson's dark sense of humour to make [Lilya's] heaven the hell of merely poverty and insurmountable ennui.
Lukas Moodysson brings us yet another amazingly realistic and engaging drama about society punctuated with both humor and grittiness.
Moodysson has an impressive ability to show the world from the perspective of children, and to elicit naturalistic performances from his youthful actors.
It tells a heartbreaking story, one of those tales that need to be told and about which only pain can be felt.
I read of thousands of women from Eastern Europe who are lured into virtual slavery. I hope some of their clients will attend this movie, even if for the wrong reasons, and see what they are responsible for.
This movie may seem, by plain description, like putting your heart into a garlic press. But it's extraordinarily alive.
Akinshina and Bogucharskij are remarkable together, and Moodysson once again demonstrates a sophisticated visual skill matched only by his innate understanding of the adolescent heart.
Manipulative and reductive though it may be, it's a film that clearly takes place in the real world.
| Tomatometer Percentage | Movie | Date |
|---|---|---|
| 85% 85% | The Princess and the Frog | 12/11 |
| 83% 83% | A Single Man | 12/11 |
| 67% 67% | The Lovely Bones | 12/11 |
| | Invictus | 12/11 |
| | Avatar | 12/18 |
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