Lilya's struggle to make a life for herself is both heartbreaking and heart-stirring.
Lilya 4-Ever (2003)
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Reviews Counted:65
Fresh:56
Rotten:9
Average Rating:7.5/10
Consensus: A tragic, hard-hitting story about a teenager trapped in a life of prostitution.
Theatrical Release:Apr 18, 2003 Limited
Synopsis: From the first devastating moments of LILYA 4-EVER, as the cherubic 16-year-old protagonist (Oksana Akinshina) staggers, broken and beaten to a pulp, down the sidewalk of a bleak and unidentifiable... From the first devastating moments of LILYA 4-EVER, as the cherubic 16-year-old protagonist (Oksana Akinshina) staggers, broken and beaten to a pulp, down the sidewalk of a bleak and unidentifiable urban prison and the hardcore theme song from Rammstein rips into "Mein Herz Brennt" ("My Heart Burns"); until its last brutal moments, the movie never relents in portraying the darkest side of teenage life in the former Soviet Union. From writer-director Lukas Moodysson (TOGETHER), the film begins in a tiny unnamed town where Lilya lives with her mother, who is leaving for America with her new boyfriend. So desperate are the poor and angry people in this dilapidated gray city that they idolize Lilya for her luck in finding a way to escape. However, when Lilya's mom burns rubber in her daughter's face, leaving Lilya literally stripped and penniless, shivering in horror on her knees in a mud puddle, it's clear that Lilya's not going anywhere but downhill, fast. Abandoned and living in a disgusting flat with only her abused 11-year-old friend Volodya (Artiom Bogucharskij) to care for her, Lilya passes her days sniffing glue, listening to techno, and starving. Soon hunger drives her to prostitution, which is a gateway to variously horrific forms of rape and violence. When hope arrives in the form of Andrei (Pavel Ponomaryov), a businessman from Sweden who promises to take Lilya away, the film gains momentum for the descent into its terrible conclusion. A powerful film in which both Lilya's strength of spirit and her naivete allow for all the world's cruelty to grab hold of her and shake her about, LILYA 4-EVER will not easily be forgotten by its viewers. [More]
Starring: Oksana Akinshina, Artiom Bogucharski, Elina Benenson, Liliya Shinkaryova
Starring: Oksana Akinshina, Artiom Bogucharski, Elina Benenson, Liliya Shinkaryova, Pavel Ponomaryov
Director: Lukas Moodysson
Director: Lukas Moodysson
Screenwriter: Lukas Moodysson
Producer: Lars Jonsson
Studio: Newmarket Films
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Reviews for Lilya 4-Ever
Akinshina brings to mind the extraordinary work of Jodie Foster in Taxi Driver.
Akinshina, a gorgeous and extraordinarily poised young actress, can switch in a flash from wounded kid to jaded know-it-all.
Victorious is this Swedish director who succeeds in playing with dream and reality where fantasy and oblivion are welcome reprieves from harsh daily life.
Moodysson has created a rare work of art -- one with an intensity that evokes physical as well as emotional pain, and overwhelming compassion, too.
An unflinching portrait of brutally wrested-away innocence... an acute and moving downward spiral.
One of the least happy films I have seen in a while, but also one of the most memorable and moving.
This sober, unsparing drama, strong if unambitious, is probably as perfectly characteristic a specimen of serious European filmmaking as any movie ever made.
Akinshina, a beauty on the order of Anna Kournikova, is a terrific actress who manages, amid the bleakness of her scenes, to create a fully dimensional portrait of a confused teenager who loses her innocence and virtually all hope, but never her pride.
The film's achievement ... is to bring us as deeply as anyone since Japan's great Kenji Mizoguchi has into the mind and heart of a woman who, culturally as well as economically, is too easily checked off as a commodity.
Lilya is portrayed by Oksana Akinshina, who gives a dynamic, heartbreaking performance.
Akinshina and Bogucharskij are remarkable together, and Moodysson once again demonstrates a sophisticated visual skill matched only by his innate understanding of the adolescent heart.
Both an archetypal case study and a personal drama whose spunky central character you come to care about so deeply that you want to cry out a warning at each step toward her ruination.
| Tomatometer Percentage | Movie | Date |
|---|---|---|
| 83% 83% | The Princess and the Frog | 12/11 |
| 89% 89% | A Single Man | 12/11 |
| 53% 53% | The Lovely Bones | 12/11 |
| 89% 89% | Invictus | 12/11 |
| | Avatar | 12/18 |
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