Writer-director Gaggero shoots for a kind of docu-realism, with a few overtly cinematic interludes, like one well-paced split-screen sequence.
Live-In Maid (2004)
Tomatometer
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Reviews Counted:31
Fresh:31
Rotten:0
Average Rating:7.6/10
Consensus: Live-In Maid is an insightful character piece with standout performances and a poignant slice of Argentina life.
Theatrical Release:Jul 18, 2007 Limited
Synopsis: This Argentinean comedy centers on the tenuous friendship between a woman and her maid. Though the former aristocrat finds her finances dwindling, she holds onto her maid as proof she still belongs... This Argentinean comedy centers on the tenuous friendship between a woman and her maid. Though the former aristocrat finds her finances dwindling, she holds onto her maid as proof she still belongs to the upper class in Buenos Aires. [More]
Starring: Norma Aleandro, Norma Argentina
Starring: Norma Aleandro, Norma Argentina
Director: Jorge Gaggero
Director: Jorge Gaggero
Screenwriter: Jorge Gaggero
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Reviews for Live-In Maid
If you care about the art of movie acting, run to the Charles to see Norma Aleandro bring tragicomic stature to the role of a haute bourgeois Buenos Aires woman fallen on hard times in Live-In Maid.
Gaggero not only draws out such nuances from the two women but illustrates the complexities of their friendship with carefully constructed cinematography.
Live-in Maid is a study of two women who appear not to like each other very much, yet their link makes for a moving drama about friendship.
Dora and Beba both seem like real people, independent women who struggle to hide how dependent they really are.
Gaggero's vision is gentle and optimistic and, like all things which come upon us slowly and gracefully, it possesses an undeniable verisimilitude.
An unexpectly affectionate study of friendship between two very different Argentinian women who come from two different social classes.
The small, well-acted chamber drama is a genre that has virtually disappeared from American screens, which is too bad when you see one as accomplished as Live-in Maid.
It paints a lovely, intimate portrait of a complex relationship and shows a side of Latin American life we rarely see on American screens.
Weary and overworked to her very bones, Dora nevertheless has a heart of gold and a spine of steel. The movie does, too.
They [Aleandro and Argentina] take what could be clichéd characters and turn them into living, breathing people that viewers can care about.
Live-In Maid, Jorge Gaggero's remarkably assured first film, examines the complicated relationship between an upper-class Buenos Aires woman and her housekeeper.
First-time filmmaker Jorge Gaggero manages to distill a remarkable quantity of poetic gold and psychological truth from this simplest of set-ups, peeling away the shared history of these women with brief but telling snippets of information.
As a character study it carries a quiet, almost serene dramatic power as well as a strong current of dark humor.
Incisive study of class relationships between a pauperized would-be aristocratic woman and the maid who is increasingly ready to break free.
From the rooms and spaces which house the two women to the slow unraveling of their history together, Live In Maid is a wonder of economic storytelling.
...it's a wrenching, often painful comedy with its roots in Bergman and Bresson and Chekhov, as well as in the extremely unfunny condition of the Argentine economy. Not a shot or a sentence or a line is wasted.
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August 31, 2007:
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