This stunningly exotic film of Conrad's classic features O'Toole in the title role.
Lord Jim (1965)
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Reviews Counted:12
Fresh:7
Rotten:5
Average Rating:5.8/10
Runtime: 2 hrs 34 mins
Genre: Action/Adventure
Synopsis: This faithful adaptation of Joseph Conrad's 1900 novel tells the story of a romantic young Englishman, Jim (Peter O'Toole), who takes to the sea on a merchant vessel in his quest for adventure.... This faithful adaptation of Joseph Conrad's 1900 novel tells the story of a romantic young Englishman, Jim (Peter O'Toole), who takes to the sea on a merchant vessel in his quest for adventure. Imagining himself to be a great man with a bright future, Jim instead deserts at the first true test of his mettle--in a torrential storm that threatens the ship and the lives of its passengers. Wracked with guilt and shame over his cowardly act, Jim travels the world in search of an opportunity to prove his worth and retrieve his lost honor. He finds such an opportunity in the jungles of Southeast Asia, where he leads the oppressed natives in a revolt against the tyrannical general who rules over them. Peter O'Toole is charming as the well-mannered and honorable Englisman who is haunted by his past mistakes. Surrounded by lush beauty and the captivating spirit of the islanders, he rediscovers his courage and honor and ultimately finds redemption. Filmed on location in Cambodia and Hong Kong, this epic resonates with the power of its exotic and gorgeous settings, creating an almost dreamlike atmosphere. [More]
Starring: Peter O'Toole, James Mason, Curt Jurgens, Eli Wallach
Starring: Peter O'Toole, James Mason, Curt Jurgens, Eli Wallach, Daliah Lavi, Jack Hawkins, Tatsu Saito
Director: Richard Brooks
Director: Richard Brooks
Screenwriter: Richard Brooks
Producer: Richard Brooks
Composer: Bronislau Kaper
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Reviews for Lord Jim
Brooks, while capturing the spirit of adventure of the novel, only superficially catches the inner emotional and spiritual conflict of its hero.
Brooks' adaptation of Conrad's novel is immeasurably better than its reputation.
Something bewildering has happened in Richard Brooks's making of it, and it misses at being either Conrad or sheer entertainment cinema.
Pretentious, complex and overlong, O'Toole's one note performance is irritating and too earnest.
Joseph Conrad's elaborately structured fiction poses monstrous problems for film adaptation, and the solution proposed here by Richard Brooks -- plodding literal-mindedness -- doesn't come close to working.
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