Good Lords? Not really.
Lords of Dogtown (2005)
Tomatometer
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Reviews Counted:138
Fresh:76
Rotten:62
Average Rating:6/10
Consensus: Lords of Dogtown, while slickly made and edited, lacks the depth and entertaining value of the far superior documentary on the same subject, Dogtown and Z-Boys.
Rated: PG-13 [See Full Rating] for drug and alcohol content, sexuality, violence, language and reckless behavior - all involving teens.
Runtime: 1 hr 49 mins
Genre: Dramas
Theatrical Release:Jun 3, 2005 Wide
Box Office: $11,008,432
Synopsis: Anyone who grew up in Southern California will talk with both nostalgia and frustration about the periodic summers of drought in which the oppressive heat is exacerbated by a shortage of its... Anyone who grew up in Southern California will talk with both nostalgia and frustration about the periodic summers of drought in which the oppressive heat is exacerbated by a shortage of its antidote--fresh water. In 1975, a clan of scruffy, rebellious teens found a way to turn this dearth to their advantage, using the sloping bowl of empty suburban swimming pools to create a new underground sport--skateboarding. The development, explosion, and corporate co-opting of this now ubiquitous sport was the subject of Stacy Peralta's acclaimed 2002 documentary, DOGTOWN AND Z-BOYS. Peralta, one of the original skaters who came to be known as the "Z-Boys," has penned this dramatized account of his own story, a kinetic and gripping tale with dramatic turns reflective of the extreme crests and falls of those concrete waves. When a shipment of polyurethane wheels arrives at Venice Beach's Zephyr surf shop, the proprietor, Skip (Heath Ledger), puts together a team of roughly a dozen local layabouts to try his new idea. At lightning speed, the three most talented become international stars, infusing sexuality, danger, and punk rock into a sport formerly associated with kneesocks and lite pop. LORDS OF DOGTOWN principally follows these three as they deal with sudden fame and fortune. Stacy (John Robinson) is the elegant, responsible beauty. Tony Alva (Victor Rasuk) is a frizzy-haired heartthrob with an overblown ego and penchant for pugilism. And Jay (Emile Hirsch), arguably the most compelling of the leads, supports his drug-addicted mother and is too cynical to be lured by the temptations of corporate vultures. Director Catherine Hardwicke, who fused gritty documentary techniques and high teen drama to great acclaim in her first feature, THIRTEEN, perfects that style here. The combination of a pulsating punk rock soundtrack, dynamic skateboarding sequences, and a gripping narrative combine in a forceful sweep that keeps viewers glued to the screen. [More]
Starring: Emile Hirsch, Victor Rasuk, John Robinson, Michael Angarano
Starring: Emile Hirsch, Victor Rasuk, John Robinson, Michael Angarano, Nikki Reed, Heath Ledger, Rebecca De Mornay, Johnny Knoxville
Director: Catherine Hardwicke
Director: Catherine Hardwicke
Screenwriter: Stacy Peralta
Producer: John Linson, Art Linson
Composer: Mark Mothersbaugh
Studio: Columbia Pictures
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Reviews for Lords of Dogtown
It's gone through Hollywood 'creative processing' at least one time too many.
Lords can't quite sustain this adrenaline to the finish as it eventually loses focus and takes a fall into sentimentality. But when it excels, it brings that electric charge that comes when a film's style is perfectly matched with its subject.
Using desaturated tones, the filmmakers employ handheld camerawork, tightly framed close-ups and kinetic cuts for a fluid, aggressive, punk-ass style that captures the energy of that singular moment in sports history.
The movie is like a daydream, and it's most infectious when the characters are in motion or misbehaving, which is often.
Not only is there no need for this movie, but its weaknesses underline the strength of [Dogtown and the Z-Boys].
The trailers for this emotionally charged skateboarding picture are more misleading than a politician's pre-election promises.
A secondary, rags-to-riches melodrama that pales in comparison with 'Dogtown and the Z-Boys.'
[Hardwicke] falls short in the hardest part of her job - pruning back Peralta's unwieldy script to get to the heart of these boys' unique bond as friends and competitors.
... Hardwicke recognizes that it is a story about people, not skateboards.
Lords of Dogtown is basically Dogtown and Z-Boys with melodrama substituted for self-importance.
Peralta's script is hackneyed, Hardwicke's direction is flat, the cinematography is boring, the acting is atrocious, and the film's depictions of the '70s surfer/skateboarding culture at L.A.'s Venice Beach is scandalously cliched.
Gritty, exciting, sexy and refreshingly, honestly '70s, Catherine Hardwicke's Lords of Dogtown is one of the most thrilling pictures to be released in years.
Peralta has actually told this tale once before, and done a better job, as the director of the 2001 documentary Dogtown and Z-Boys.
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