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MOVIES / ON DVD / LOS ANGELES PLAYS ITSELF
Los Angeles Plays Itself

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Los Angeles Plays Itself (2004)

94%
93%
100%
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94 %
Reviews Counted: 36 Fresh: 34  Rotten:2 Average Rating: 8.2/10
 
Consensus: A treat for cinephiles, this documentary is a comprehensive, academic, and enlightening film essay concerning Los Angeles and its depiction in the movies.
 

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The Tomatometer measures the percentage of positive reviews from Approved Tomatometer Critics for a certain movie.[-]

Rated: Not Rated

Runtime: 2 hrs 49 mins

Synopsis: Thom Andersen is a film teacher, Los Angeles resident, and film fanatic. He believes that his city--the most photographed in the world--gets short shrift on the silver screen. To illustrate this point, Andersen has stitched together a montage of scenes from hundreds of different movies,... Thom Andersen is a film teacher, Los Angeles resident, and film fanatic. He believes that his city--the most photographed in the world--gets short shrift on the silver screen. To illustrate this point, Andersen has stitched together a montage of scenes from hundreds of different movies, and created his debut feature film, LOS ANGELES PLAYS ITSELF. Splitting the film into three parts, Andersen begins with "The City as Background." Here, he looks at the way some of Los Angeles' finest architecture is abused in the movies. A particular Frank Lloyd Wright house, for example, has been used in over 30 films, including BLADE RUNNER and BLACK RAIN. But why, the director ponders, is it usually used to house characters of villainous intent? Next, Andersen presents "The City As Character," which looks at how Los Angeles often takes on the role of treacherous co-star. He shows how the city has become a welcome target for aliens, (INDEPENDENCE DAY), an architectural bore (POINT BLANK), riddled with corrupt cops (L.A. CONFIDENTIAL), and a former consumerist mecca (THE OMEGA MAN). The film concludes with "City as Subject," in which Andersen highlights the many social and economic problems the city has faced, and how they have been committed to celluloid. He principally looks at CHINATOWN, as well as lesser-known African-American films such as BUSH MAMA and THE KILLER OF SHEEP. Andersen is a big fan of the latter two movies, believing they are among the very few to accurately portray the city he loves. Absorbing, obsessive, and highly unique, Thom Andersen's film is a labor of love that cinephiles should find fascinating. [More]

Genre: Education/General Interest

Director: Thom Andersen
Screenwriter: Thom Andersen
Producer: Thom Andersen

Reviews

 
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Full Review | comment Comment
06/24/06
Time Out
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A

Arguably the best movie about movies ever made.

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04/26/06
Edward Havens
FilmJerk.com
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2/5

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04/01/06
Empire Magazine
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4/4

Using well-chosen clips from roughly 200 films, many of them obscure, Andersen makes a powerful and impassioned case for reassessing his beloved city.

Full Review | comment Comment
10/14/05
John McMurtrie
San Francisco Chronicle
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N/A

An ultimate movie clip junkie film, a video store fantasy with a pulse and a brain.

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10/14/05
Jeffrey M. Anderson
Combustible Celluloid
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B

An ingenious, if somewhat dry and overlong, account of how the movies have depicted the various textures, tensions and ambiguities that make up the City of Angels.

Full Review | comment Comment
06/17/05
Shawn Levy
Oregonian
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4/4

It's like being squired through town by a wisecracking cabbie with a PhD in semiotics.

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05/27/05
Geoff Pevere
Toronto Star
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N/A

... as provocative a movie as I’ve seen in the last couple years...

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05/08/05
Andy Klein
Los Angeles CityBeat
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N/A

[A] passionate call for a more accurate account of the diverse struggles, hopes, and joys to be found throughout the city of angels.

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05/08/05
Doug Cummings
Filmjourney
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3.5/4

Its formidable intellectual heft aside, there's great pleasure to be had in just looking at this guided tour of L.A, fact and fiction.

Full Review | comment Comment
05/05/05
Bob Strauss
Los Angeles Daily News
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5/5

Brilliantly discursive, filled with intriguing detours that follow connections only the director's mind could make, Los Angeles Plays Itself, will please natives of this city more than any other.

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05/05/05
Kenneth Turan
Los Angeles Times
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N/A

Three words of advice to those who haven’t yet seen it: Run, don’t walk.

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05/05/05
Scott Foundas
L.A. Weekly
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N/A

Watching this film is like spending an evening with a prickly, opinionated, thoughtful cineaste friend -- one who has a vast stock of DVDs at the ready.

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04/01/05
Moira MacDonald
Seattle Times
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B

The commentary alternates between witty insight and opinionated bunk, but it's always fun -- and a must-see for movie buffs.

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03/31/05
William Arnold
Seattle Post-Intelligencer
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4/4

The film creates a revolutionary lens through which the movies' relationship to Los Angeles will never look the same.

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03/25/05
Wesley Morris
Boston Globe
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4/5

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03/05/05
Ethan Alter
NYC Film Critic
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N/A

I will dispense with my objections by saying that, with so much on his mind, Andersen sometimes organizes the work in the manner of a saloon orator: 'And another thing.' Apart from that, though, I like pretty much everything he's done.

Full Review | comment Comment
03/03/05
Stuart Klawans
Nation
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3/5

An intellectually rigorous but enjoyable essay on the way the city of angels has become Hollywood's favourite location.

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12/14/04
Jamie Russell
BBC
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4.5/5

The sheer scope is astonishing, as is the fact that even after nearly three hours we don't want it to end!

Full Review | comment Comment
11/08/04
Rich Cline
Shadows on the Wall
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4/4

It qualifies as film criticism on the highest level -- analytical, transformative, and political.

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10/06/04
Jonathan Rosenbaum
Chicago Reader
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