In [Bunuel's] vigorous storytelling, he not only finds forceful images in the drama’s reality, but adds a dream sequence — a miniature masterpiece that, by itself, is reason enough to see the film.
Los Olvidados (1950)
Tomatometer
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Reviews Counted: 30
Fresh: 28
Rotten:2
Average Rating: 8.8/10
Runtime: 90 mins
Genre: Foreign Films
Synopsis: The best known film of Bunuel's Mexican period, LOS OLVIDADOS looks unflinchingly at life in a Mexican slum. At the center of the story are Pedro, a young boy who is walking the line between delinquency and responsibility, and Jaibo, an... The best known film of Bunuel's Mexican period, LOS OLVIDADOS looks unflinchingly at life in a Mexican slum. At the center of the story are Pedro, a young boy who is walking the line between delinquency and responsibility, and Jaibo, an older, charismatic boy who has already chosen the former path. Jaibo exerts his influence over almost every boy in the village, and when he accidentally murders the only good role model Pedro has AND sleeps with Pedro's mother, it seems the path Pedro is to take has already determined itself. Full of offbeat images and symbolism, Bunuel mixes realism and surrealism in what became something of a trademark style for him, but the only other film Bunuel did that compares to the realism in this film is his documentary LAND WITHOUT BREAD. Like the Italian neo-realists, Bunuel used mostly non-professional actors and shot entirely on location. Constricted by a tight budget, Bunuel was not able to include a couple of surreal sequences he had originally conceived, but this is still one of Bunuel's most powerful films. Features the famous dream sequence where Pedro's mother floats after him with a raw piece of meat. [More]
Starring: Roberto Cobo, Javier Amezcua, Efrain Arauz, Jesus Navarro
Starring: Roberto Cobo, Javier Amezcua, Efrain Arauz, Jesus Navarro, Alma Delia Fuentes, Miguel Inclan, Estela Inda
Director: Luis Buñuel
Director: Luis Buñuel
Screenwriter: Luis Alcoriza, Luis Buñuel, Oscar Dancigers
Composer: Rodolfo Halffter, Gustavo Pittaluga
Producer: Sergio Kogan, Oscar Dancigers
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Reviews for Los Olvidados
Casts an unblinking gaze on the wretched lives of amoral Mexico City slum kids without sentiment or preaching.
Buñuel was, among other things, the great dirty surrealist of cinema.
This is grim reality, and social realism is not precisely Buñuel's forte; it is the poetic departure from this reality that makes Los Olvidados so riveting.
A hugely influential film, foreshadowing the likes of A Clockwork Orange and Kids, and its matter-of-fact brilliance continues to astonish.
Bunuel's superb and uncompromising portrait of the the debasement of humanity in certain situations retains all of its original power.
The brilliantly acrimonious film is about connecting poverty with juvenile street crime.
It’s a masterpiece that tangles individual and social ills into a knot, which, as we’re warned in an opening voiceover, it offers no easy way to untie, rousing a sickening sense of injustice.
It's a heartbreaking, compulsively watchable work, and more truthful even than the Italian Neorealist work of the same period.
The film that Buñuel said reinvigorated his career, and indeed, its love of his young characters and his energetic, grassroots direction imbues it with a seemingly youthful vigor, even though Buñuel was 50 when he made it.
Every viewing of Los Olvidados offers further proof of its perfection.
A sterling initiation to the director's unique, devastating combination of clear-eyed realism and left-field Freudian imagery.
This masterpiece of 1950 is a brutally candid tale of Mexican street life, laced with Bunuel's surrealistic touches.
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