Lost In Translation (2003)

TOMATOMETER

AUDIENCE SCORE

Critic Consensus: Effectively balancing humor and subtle pathos, Sofia Coppola crafts a moving, melancholy story that serves as a showcase for both Bill Murray and Scarlett Johansson.


Movie Info

After making a striking directorial debut with her screen adaptation of The Virgin Suicides, Sofia Coppola offers a story of love and friendship blooming under unlikely circumstances in this comedy drama. Bob Harris (Bill Murray) is a well-known American actor whose career has gone into a tailspin; needing work, he takes a very large fee to appear in a commercial for Japanese whiskey to be shot in Tokyo. Feeling no small degree of culture shock in Japan, Bob spends most of his non-working hours … More

Rating: R (for some sexual content)
Genre: Drama, Romance, Comedy
Directed By:
Written By: Sofia Coppola
In Theaters:
On DVD: Feb 3, 2004
Box Office: $44.6M
Runtime:
Focus Features - Official Site

Cast


as Bob Harris

as Ms. Kawasaki

as Jazz Singer

as Press Agent

as Press Agent

as Concierge

as Sausalito Piano

as Sausalito Guitar

as American Businessman...

as American Businessman...

as Commercial Director

as Suntory Client

as Premium Fantasy Woma...

as Stills Photographer

as Make-up Person

as Bambie

as Kelly's Translator

as Ikebana Instructor

as New York Bartender

as Aerobics Instructor

as Hiromix

as Nightclub Bartender

as French Japanese Club...

as Hospital Receptionis...

as Charlie's Friend

as Mr. Valentine

as TV Translator

as Politician

as Politician's Aide

as Politician's Aide

as German Hotel Guest

as German Hotel Guest

as Politician's Aide

as Carl West

as Sexy Businesswoman
Show More Cast

News & Interviews for Lost In Translation

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Critic Reviews for Lost In Translation

All Critics (222) | Top Critics (44)

Lost in Translation revels in contradictions. It's a comedy about melancholy, a romance without consummation, a travelogue that rarely hits the road.

Full Review… | October 5, 2008
TIME Magazine
Top Critic

Very much a mood piece, the film's deft balance of humor and poignancy makes it both a pleasurable and melancholy experience.

Full Review… | October 5, 2008
Variety
Top Critic

With this film it becomes clear that Sofia Coppola is a filmmaker with eyes all her own.

Full Review… | November 1, 2007
Newsweek
Top Critic

So far as the central relationship goes, the film is almost European in its subtlety and nuance. Cinematic cherry blossom.

Full Review… | June 24, 2006
Time Out
Top Critic

[Murray] can still do more with a raised eyebrow than anyone since Groucho Marx, but he's mellower and sometimes slightly poignant.

Full Review… | March 7, 2005
Atlanta Journal-Constitution
Top Critic

Depicts a very specific mental state too shaded and delicate for most movies to feel comfortable approaching it.

Full Review… | July 29, 2013
Antagony & Ecstasy

Audience Reviews for Lost In Translation

½

With performances as good as this, your film is destined for greatness. "Lost in Translation" is a fairly simple story that is told wonderously and really leaves you wanting so much more at the end. That can be a good or bad thing for some films, but the ones that pull it off great and leave you satisfied while still wishing you had ore coming are the ones that succeed, and that is this film. Scarlett Johanssen and Bill Murray have some of the best on-screen chemistry I have ever seen and they make the scenery that much nicer to look at. Both on business trips while away from their significant other, they begin to feel a connection. Where this film takes them and their explorations shown are truly unique and fantastic on film. Beautifully shot, well-acted, and superbly directed, "Lost in Translation" is worthy of every award it has ever achieved.

KJ Proulx
KJ Proulx

Super Reviewer

Like all of Sofia Coppola's films, Lost in Translation is beautiful, intimate, and mesmerizing. Visually stunning--with a brilliant use of music--and exceptionally written and acted, the film is a reflection on life, freedom, and the lessons we learn from one another and from finding our place in the world. Bravo!

Matthew Samuel Mirliani
Matthew Samuel Mirliani

Super Reviewer

½

Had to rewatch this as I've now been to Japan and seen it for myself. It makes the film much more believable and touches me in a different way now, a whole new experience as I can relate to the story and the surroundings.

The thing that struck me is how accurate the film is, I know exactly how the main characters feel (mainly Johansson) in and amongst the huge sprawling, towering, crowded metropolis that is Tokyo. The strange feeling of being alone around hundreds and not being able to communicate, not really being noticed, it is a perfect visual picture of feeling isolated or living in a strange solitary state.

Coppola captures the small niches of the country and its people, how they live, eat and relax etc...its a very different world believe me and you can see this in Coppola's direction and use of locations. Of course the performances by Murray and Johansson are brilliant, just right, understated and subtle. Murray starts off in his familiar dry satire type way but evolves into a much deeper person, finishing on a very emotional finale that does put a lump in your throat. And not forgetting Faris as the superstar airhead, very good (and accurate) portrayal there, loved it.

The atmosphere and visuals of the film are glorious of course, being filmed entirely in Tokyo and a little in Kyoto. It all looks so familiar now, makes me wanna go back. Much of the film was actually filmed live too, in front of hundreds of Japanese people who had no clue they were making a film! again that's impressive believe me. It also shows how different the Japanese are, no one batted an eyelid to the filming, they saw it as normal or uninteresting and no one recognised Bill Murray. Not a clue who he was and they didn't much care either, anywhere else and people would crowd around making a huge scene.

The plot is loose and pretty dull in places I admit, if you have no interest in Japan then you won't like this methinks. I believe a little interest in the country/culture helps here. But essentially its just the two main characters chatting, eating, meeting and going about their daily routines in Tokyo. Over time they fall in love but can't seem to reach out and express this to each other. They both have family/relationship situations which hold them back and make things difficult, its actually quite a realistic little story.

Wandering around Tokyo lost a daze of neon lights and bizarre cultural differences. Murray is good with his little work/business sequences (dotted throughout) which offer some comedy, whilst Johansson does more discovering with a segment in Kyoto. A great couple of scenes with Faris offer more laughs when she promotes a Western action flick her character stars in. And a glorious small dinner sequence with Johansson, Faris and the underrated Giovanni Ribisi which involves much awkward small talk and slobbering as Faris and Ribisi's characters flirt.

Can't not mention the touching, soft, emotional almost spiritual soundtrack throughout. Absolutely gorgeous choices of music which compliment the individual sequences beautifully. As said the ending is a real tear jerker which you don't think will get you but it actually does. The track by 'The Jesus and Mary Chain' is playing as Murray's character leaves Johansson behind, gotta say this choked me up as its a lovely scene and really makes you care for the characters.

A classic underrated love tale that manages to grab you when you think your above it. A surprise hit for me plus a wonderful memory of a beautiful country.

phubbs1
Phil Hubbs

Super Reviewer

Lost In Translation Quotes

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