Lost In Translation (2003)
Average Rating: 8.4/10
Reviews Counted: 221
Fresh: 210 | Rotten: 11
Effectively balancing humor and subtle pathos, Sofia Coppola crafts a moving, melancholy story that serves as a showcase for both Bill Murray and Scarlett Johansson.
Average Rating: 8.5/10
Critic Reviews: 44
Fresh: 43 | Rotten: 1
Effectively balancing humor and subtle pathos, Sofia Coppola crafts a moving, melancholy story that serves as a showcase for both Bill Murray and Scarlett Johansson.
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Average Rating: 3.6/5
User Ratings: 296,334
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Movie Info
After making a striking directorial debut with her screen adaptation of The Virgin Suicides, Sofia Coppola offers a story of love and friendship blooming under unlikely circumstances in this comedy drama. Bob Harris (Bill Murray) is a well-known American actor whose career has gone into a tailspin; needing work, he takes a very large fee to appear in a commercial for Japanese whiskey to be shot in Tokyo. Feeling no small degree of culture shock in Japan, Bob spends most of his non-working hours
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Cast
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Bill Murray
Bob Harris -
Scarlett Johansson
Charlotte -
Giovanni Ribisi
John -
Anna Faris
Kelly -
Fumihiro Hayashi
Charlie -
Catherine Lambert
Jazz Singer -
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All Critics (221) | Top Critics (44) | Fresh (216) | Rotten (11) | DVD (41)
Lost in Translation revels in contradictions. It's a comedy about melancholy, a romance without consummation, a travelogue that rarely hits the road.
Very much a mood piece, the film's deft balance of humor and poignancy makes it both a pleasurable and melancholy experience.
With this film it becomes clear that Sofia Coppola is a filmmaker with eyes all her own.
So far as the central relationship goes, the film is almost European in its subtlety and nuance. Cinematic cherry blossom.
[Murray] can still do more with a raised eyebrow than anyone since Groucho Marx, but he's mellower and sometimes slightly poignant.
In Japan, the most extreme delicacy goes hand in hand with garishness, and Coppola offers up both for our delectation. It's a heady, hallucinatory combo.
Excellent but mature film about finding a connection.
A relationship picture with elegant connective tissue; it's brittle and real, focused on the nuances of body language and unspoken desire, while indulging in a cheeky bit of knowing absurdity when the mood strikes.
...a deceptively simple study in unrequited attraction that succeeds in spite of minor problems with neglected sub-plots.
An excellent top notch gem with beautiful direction courtesy of Sofia Coppola...
Wonderfully warm and witty.
Transcends its initial culture clash comic riffs to evolve into something altogether more moving by the end. As a result, it's a work of considerable power and pathos.
Working this time with her own story, Coppola lets it relax and breathe, devoting herself to moods and moments.
This is another step in Mr. Murray's career and one that hopefully gets him the recognition he deserves.
The whole tale is told with a dreamy, jet-lagged feel, that part wonder, part nasueous feeling brought about by significant travel. Jet lag as a metaphor for love, a delicious combination. Simply a must-see film.
Alternately laugh-out-loud silly and profoundly moving, kudos to Sofia Coppola for managing to capture an undeniable chemistry between Murray and his 18 year-old co-star, despite a certain asexuality.
Sofia Coppola's accomplished sophomore work is a personal, melancholy film, based on her own experience, and benefiting from strong chemistry between Bill Murray and Scarlett Johansson.
Perfectly acted. Immeasurably funny. A great second outing for director Sofia Coppola.
From the casting choices to the soul-soothing musical score to glimpses into Japanese visual culture, it's obvious that Sofia pays careful attention that each element of the film stands strong alone, but can also contribute to the whole.
Like so many things made in Japan, Sofia Coppola's new film is smaller and less costly than its standard American counterpart while at the same time superior in most important respects.
Audience Reviews for Lost In Translation
Super Reviewer
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- Bob Harris: The more you know who you are and what you want, the less you let things upset you.
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- Bob Harris: [inaudible whisper]
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- Bob Harris: For relaxing times, make it Suntory time.
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- Bob Harris: For relaxing times, make it santori time.
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- Kelly: Ok, listen, I'm under Evelyn Waugh, okay? Okay, Arigato Arigato!
- John: Muchi Muchi!
- Charlotte: Evelyn Waugh?
- John: What?
- Charlotte: Evelyn Waugh was a man.
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- Charlotte: I just don't know what I'm supposed to be.
Discussion Forum
| Topic | Last Post | Replies |
|---|---|---|
| Utter crap. | 17 days ago | 1 |
| I wanted them to fuck | 2 months ago | 0 |
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Top Critic
The thing that struck me is how accurate the film is, I know exactly how the main characters feel (mainly Johansson) in and amongst the huge sprawling, towering, crowded metropolis that is Tokyo. The strange feeling of being alone around hundreds and not being able to communicate, not really being noticed, it is a perfect visual picture of feeling isolated or living in a strange solitary state.
Coppola captures the small niches of the country and its people, how they live, eat and relax etc...its a very different world believe me and you can see this in Coppola's direction and use of locations. Of course the performances by Murray and Johansson are brilliant, just right, understated and subtle. Murray starts off in his familiar dry satire type way but evolves into a much deeper person, finishing on a very emotional finale that does put a lump in your throat. And not forgetting Faris as the superstar airhead, very good (and accurate) portrayal there, loved it.
The atmosphere and visuals of the film are glorious of course, being filmed entirely in Tokyo and a little in Kyoto. It all looks so familiar now, makes me wanna go back. Much of the film was actually filmed live too, in front of hundreds of Japanese people who had no clue they were making a film! again that's impressive believe me. It also shows how different the Japanese are, no one batted an eyelid to the filming, they saw it as normal or uninteresting and no one recognised Bill Murray. Not a clue who he was and they didn't much care either, anywhere else and people would crowd around making a huge scene.
The plot is loose and pretty dull in places I admit, if you have no interest in Japan then you won't like this methinks. I believe a little interest in the country/culture helps here. But essentially its just the two main characters chatting, eating, meeting and going about their daily routines in Tokyo. Over time they fall in love but can't seem to reach out and express this to each other. They both have family/relationship situations which hold them back and make things difficult, its actually quite a realistic little story.
Wandering around Tokyo lost a daze of neon lights and bizarre cultural differences. Murray is good with his little work/business sequences (dotted throughout) which offer some comedy, whilst Johansson does more discovering with a segment in Kyoto. A great couple of scenes with Faris offer more laughs when she promotes a Western action flick her character stars in. And a glorious small dinner sequence with Johansson, Faris and the underrated Giovanni Ribisi which involves much awkward small talk and slobbering as Faris and Ribisi's characters flirt.
Can't not mention the touching, soft, emotional almost spiritual soundtrack throughout. Absolutely gorgeous choices of music which compliment the individual sequences beautifully. As said the ending is a real tear jerker which you don't think will get you but it actually does. The track by 'The Jesus and Mary Chain' is playing as Murray's character leaves Johansson behind, gotta say this choked me up as its a lovely scene and really makes you care for the characters.
A classic underrated love tale that manages to grab you when you think your above it. A surprise hit for me plus a wonderful memory of a beautiful country.