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Movies / On DVD / The Lost Weekend
The Lost Weekend

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The Lost Weekend (1945)

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Reviews Counted:24

Fresh:24

Rotten:0

Average Rating:8.2/10

Consensus: Director Billy Wilder's unflinchingly honest look at the effects of alcoholism may have had some of its impact blunted by time, but it remains a powerful and remarkably prescient film.

Runtime: 1 hr 41 mins

Genre: Dramas

Synopsis: Ray Milland stars as alcoholic writer Don Birnam in Billy Wilder's first unabashedly dramatic film, and one of the first to deal in such painstaking detail with the disease of alcoholism. Don... Ray Milland stars as alcoholic writer Don Birnam in Billy Wilder's first unabashedly dramatic film, and one of the first to deal in such painstaking detail with the disease of alcoholism. Don shares an apartment in New York City in the 1940s with his brother Wick (Phillip Terry) who has his hands full trying to deal with his brother's drinking problem. One night, Don encourages his brother to take his girlfriend Helen St. James (Jane Wyman) to hear some music only so that he can be out from under their watchful eyes. Taking the money left for the maid, he goes out to buy some liquor, stashing one bottle in the chandelier. When he goes to the bar the next day, Nat (Howard Da Silva), the owner berates him for treating his girlfriend badly and warns him that he's on a path toward death. Don returns to the apartment to try to work on his novel "The Bottle," but consumed by self-doubt, goes to another bar, and steals a woman's purse to buy a drink. As the weekend wears on, his spiral downward continues apace. Although dated in some respects, the film's unadorned portrait of the relentless torture that is alcoholism still packs a powerful punch thanks to Wilder's sharp script, the deep-focus camerawork of John Seitz, and a career performance by Ray Milland. [More]

Starring: Ray Milland, Jane Wyman, Philip Terry, Howard Da Silva

Starring: Ray Milland, Jane Wyman, Philip Terry, Howard Da Silva, Doris Dowling, Frank Faylen, Mary Young, Anita Bolster

Director: Billy Wilder

Director: Billy Wilder
Screenwriter: Charles Brackett
Producer: Charles Brackett
Composer: Victor Young, Miklos Rozsa

[See More Credits]

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Release:

Feb 6, 2001

No Details Exist
 
 

Reviews for The Lost Weekend

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1 - 20 (sorted by critic A-Z)
Text View | 1 2 >> >|
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What makes the film so gripping is the brilliance with which Wilder uses John F Seitz's camerawork to range from an unvarnished portrait of New York brutally stripped of all glamour.

Full Review Source: Time Out | comment Comment
02/09/06
Geoff Andrew
Geoff Andrew
Time Out

A shatteringly realistic and morbidly fascinating film.

Full Review Source: New York Times | comment Comment
05/20/03
Bosley Crowther
Bosley Crowther
New York Times
Top Critic Icon Top Critic

The Lost Weekend (1945) is a serious, painful and uncompromising, frank look at alcohol addiction that follows almost five days ('one lost weekend') in the life

Full Review Source: Tim Dirks' The Greatest Films | comment Comment
01/01/00
Tim Dirks
Tim Dirks
Tim Dirks' The Greatest Films

More realistic than sentimentalized Hollywood crowd-pleasers like Harvey, and more accessible than complete downers like Leaving Las Vegas, The Lost Weekend is, to me, the definitive film on the subject of alcoholism.

Full Review Source: Matt's Movie Reviews | comment Comment
09/18/03
Matt Easterbrook
Matt Easterbrook
Matt's Movie Reviews

American cinema took a sudden, gritty turn with director Billy Wilder's terrifying The Lost Weekend.

Full Review Source: Flick Filosopher | comment Comment
01/01/00
MaryAnn Johanson
MaryAnn Johanson
Flick Filosopher

The changes made in adapting the book to the big screen are instructive: In the novel, Ray Milland's alcoholic Don was a troubled bisexual, but in the movie, he's a writer suffering from a creative block.

Full Review Source: EmanuelLevy.Com | comment Comment
12/12/05
Emanuel Levy
Emanuel Levy
EmanuelLevy.Com

A stirring portrait of the horrors of alcohol addiction.

Full Review Source: Oscar Guy | comment Comment
10/24/06
Wesley Lovell
Wesley Lovell
Oscar Guy

Wilder was way ahead of his time on this one.

Full Review Source: Movie Habit | comment Comment
08/21/02
Marty Mapes
Marty Mapes
Movie Habit

Painfully sincere and uncompromising look at alcoholism for a film released in 1945, with a superb central performance.

Full Review Source: Empire Magazine | comment Comment
02/20/08
Kim Newman
Kim Newman
Empire Magazine

Today it's less impressive but not without its virtues.

Full Review Source: Chicago Reader | comment Comment
12/12/06
Jonathan Rosenbaum
Jonathan Rosenbaum
Chicago Reader
Top Critic Icon Top Critic

It still makes one of the strongest statements about alcoholism, though time has taken away some of its edge.

Full Review Source: Ozus' World Movie Reviews | comment Comment
03/19/07
Dennis Schwartz
Dennis Schwartz
Ozus' World Movie Reviews

It is intense, morbid -- and thrilling. Here is an intelligent dissection of one of society's most rampant evils.

Full Review Source: Variety | comment Comment
02/20/08
Variety Staff
Variety Staff
Variety
Top Critic Icon Top Critic

Milland's DTs are visually frightening and unnerving, because of the odd score set to Theramin that's usually used for B space movies.

Full Review Source: Zap2it.com | comment Comment
08/30/02
Michael Szymanski
Michael Szymanski
Zap2it.com

This film masterfully addresses the pain of the alcoholic.

Full Review Source: Urban Cinefile | comment Comment
08/01/01
Urban Cinefile Critics
Urban Cinefile Critics
Urban Cinefile

A nearly flawless dramatic examination of a difficult topic.

Full Review Source: Apollo Guide | comment Comment
02/21/01
Brian Webster
Brian Webster
Apollo Guide

A landmark film in terms of Hollywood's treatment of adult subject matter as fair game.

Full Review Source: Austin Chronicle | comment Comment
10/01/03
Austin Chronicle
Top Critic Icon Top Critic

One of the most justly celebrated 'problem films' of the 1940s.

Full Review Source: TV Guide's Movie Guide | comment Comment
07/30/03
TV Guide's Movie Guide
Top Critic Icon Top Critic

Director Billy Wilder's technique of photographing Third Avenue in the grey morning sunlight with a concealed camera to keep the crowds from being self-conscious gives this sequence the shock of reality.

Full Review Source: TIME Magazine | comment Comment
02/17/09
TIME Magazine
Top Critic Icon Top Critic

Bold, sobering, intelligently written and acted with great skill by Ray Milland.

Full Review Source: Channel 4 Film | comment Comment
02/20/08
Channel 4 Film
Top Critic Icon Top Critic

It now seems slightly simplistic, but it's still powerful

comment Comment
10/02/02
Ken Hanke
Ken Hanke
Mountain Xpress (Asheville, NC)
 
 
1 - 20 (sorted by critic A-Z)
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