Filmmakers Marion Cajori (who died in 2006) and Amei Wallach are smart enough to grant us just the right amount of access to the great artist’s full range of emotions.
Louise Bourgeois: The Spider, The Mistress and The Tangerine (2008)
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Reviews Counted:15
Fresh:13
Rotten:2
Average Rating:7.4/10
Theatrical Release:Jun 27, 2008 Limited
Synopsis: Whether in her towering giant spiders or visceral abstract figures, sculptor Louise Bourgeois's work is firmly rooted in the traumas of her past. In this intimate documentary from Marion Cajori... Whether in her towering giant spiders or visceral abstract figures, sculptor Louise Bourgeois's work is firmly rooted in the traumas of her past. In this intimate documentary from Marion Cajori (CHUCK CLOSE) and art critic Amei Wallach, the artist reflects on her life and its links to her art. Now in her nineties, Bourgeois discusses her painful childhood in France, her emigration to New York, and how she continues to find solace in her work. [More]
Director: Marion Cajori, Amei Wallach
Director: Marion Cajori, Amei Wallach
Producer: Marion Cajori, Amei Wallach
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Release:
Jun 23, 2009
Reviews for Louise Bourgeois: The Spider, The Mistress and...
Marion Cajori makes a brave attempt to grapple with a subject who resists explanation; while she may not always succeed, the journey is frequently illuminating.
The film stands alone as a remarkable achievement, as intimate a portrayal of a living artist as one could ask for. And a likeable one at that.
Art world iconoclast, feminist icon, cranky old Frenchwoman with a sharp tongue and a gothic family history: Artist and sculptor Louise Bourgeois is all these things and more.
For the sophisticated viewer, it is like looking at Bourgeois' work in the company of a good friend.
Frequently roving around and taking awe at Bourgeois's massive artwork, the filmmakers may understand the artist as a woman and a living creature but they often treat her as if she herself were a museum piece.
Remarkably and unsentimentally self-reflective, the artist talks to filmmakers Marion Cajori and Amei Wallach about a lifetime of tough work and tougher questions. Fascinating stuff.
This uncommonly elegant and evocative portrait of Louise Bourgeois reveals much about the haunting and haunted master while leaving intact the thing you cannot explain.
Remembrances by aides and relatives plus antique photos and close-ups of her work -- including her iconic giant spiders -- round out the loving film.
The artist's festering recollections of her girlhood mesh with guided first-person tours of her sculptures, creating a privileged look into a psyche rendered solid.
Despite Bourgeois's on-camera effusiveness, this film suffers a little from curtailing much background information; but fans of Bourgeois as a personality will find a lot to like here.
Louise Bourgeois is absorbing, largely because of Bourgeois' striking art, prickly personality, and assured intensity.
This complex, utterly fascinating docu evolves in almost as varied and unpredictable ways as has its 96-year-old subject, famed sculptress Louise Bourgeois.
An investment that has paid off by producing an unexpectedly lyrical and poetic portrait.
Latest News for Louise Bourgeois: The Spider, The...
June 30, 2008:
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