Hoffman spends a good deal of screen time alone and without much dialogue, using only his considerable physical skill and screen presence to pull off the role.
Love Liza (2002)
Tomatometer
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Reviews Counted:85
Fresh:46
Rotten:39
Average Rating:5.9/10
Consensus: Hoffman's performance is strong, but the lack of character development and story arc makes Love Liza unsatisfying.
Rated: R [See Full Rating] for drug use, language and brief nudity
Runtime: 1 hr 33 mins
Genre: Dramas
Theatrical Release:Dec 30, 2002 Limited
Synopsis: Wilson Joel's (Philip Seymour Hoffman) wife, Liza, has committed suicide, leaving behind a note that he can't bear to read. He tries to go about his usual routine, but when his coworkers start to... Wilson Joel's (Philip Seymour Hoffman) wife, Liza, has committed suicide, leaving behind a note that he can't bear to read. He tries to go about his usual routine, but when his coworkers start to worry about his erratic behavior, they convince him to take a leave of absence to deal with his loss. Liza's mother (Kathy Bates) offers support to Wilson, but when she finds out that he won't open the note, their relationship turns sour. Wilson's life becomes even more tragic when he begins sniffing gasoline as a means to dull his pain, explaining his gas consumption as the result of his interest in model airplanes. A film about grief that provides no easy answers, LOVE LIZA showcases an exceptionally strong lead performance by Hoffman. Wilson's misguided grieving process may be difficult viewing for some, especially during moments which come off as absurdly comic (cued by Jim O'Rourke's superb bossa nova influenced score). But under the direction of first-timer Todd Louiso, this very subtle and deliberately paced work will reward anyone willing to go to the often uncomfortable places it reaches. The strikingly original screenplay by Gordy Hoffman (brother of the film's star) was the winner of the Waldo Salt Screenwriting award at the 2002 Sundance Film Festival. [More]
Starring: Philip Seymour Hoffman, Kathy Bates, Erika Alexander, JD Walsh
Starring: Philip Seymour Hoffman, Kathy Bates, Erika Alexander, JD Walsh, Jimmy Raskin, Jack Kehler, Sarah Koskoff
Director: Todd Louiso
Director: Todd Louiso
Screenwriter: Gordy Hoffman
Producer: Ruth Charny, Chris Hanley, Jeff Roda, Fernando Sulichin
Studio: Sony Pictures Classics
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Reviews for Love Liza
Lisa Rinzler's cinematography may be lovely, but Love Liza's tale itself virtually collapses into an inhalant blackout, maintaining consciousness just long enough to achieve callow pretension.
... while each moment of this broken character study is rich in emotional texture, the journey doesn't really go anywhere.
After a while, Hoffman's quirks and mannerisms, particularly his penchant for tearing up on cue -- things that seem so real in small doses -- become annoying and artificial.
It comes the closest to any movie experience I've had in re-creating the aftermath of unexplained suicide.
Love Liza is a festival film that would have been better off staying on the festival circuit.
This harrowing drama provides a shattering portrait of the many stages and sides to grief and Philip Seymour Hoffman again demonstrates that he is one of America's foremost screeen actors.
Louiso lets the movie dawdle in classic disaffected-indie-film mode, and brother Hoffman's script stumbles over a late-inning twist that just doesn't make sense.
Philip Seymour Hoffman carries the piece and makes what might have been an otherwise unbearable film oddly gratifying.
One can only assume that the jury who bestowed star Hoffman's brother Gordy with the Waldo Salt Screenwriting award at 2002's Sundance Festival were honoring an attempt to do something different over actually pulling it off
I was feeling this movie until it veered off too far into the Exxon zone, and left me behind at the station looking for a return ticket to realism.
There is a kind of attentive concern that Hoffman brings to his characters, as if he has been giving them private lessons, and now it is time for their first public recital.
Hoffman notches in the nuances of pain, but his smart, edgy voice and waddling profile (emphasized here) accent the humor of Wilson's plight, and that saves his pathos from drippiness.
Except as an acting exercise or an exceptionally dark joke, you wonder what anyone saw in this film that allowed it to get made.
Despite the film's bizarre developments, Hoffman keeps us riveted with every painful nuance, unexpected flashes of dark comedy and the character's gripping humanity.
Latest News for Love Liza
June 09, 2005:
Paramount Confirms "Mission: Impossible 3" is a Go
Just a day after dropping their proposed "Watchmen" adaptation, Paramount Pictures announced that "Mission: Impossible 3" will go into production on July... More...
May 06, 2005:
Connelly and P.S. Hoffman to Do a New "Macbeth"
Director Todd Louiso ("Love Liza") has been trying to get his "Macbeth" adaptation off the ground for a while, and it looks like things are finally moving... More...
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
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| 47% 47% | The Girl From Monaco |
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