Annoying as it is in some ways, is worth seeing for Brody's performance alone.
Love the Hard Way (2003)
Tomatometer
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Reviews Counted:43
Fresh:12
Rotten:31
Average Rating:4.8/10
Theatrical Release:Jun 6, 2003 Limited
Synopsis: Underneath a classic good-girl and street-wise Don Juan romance, LOVE THE HARD WAY reveals itself to be a keen examination of love and emotional dependency amidst the social divergences and... Underneath a classic good-girl and street-wise Don Juan romance, LOVE THE HARD WAY reveals itself to be a keen examination of love and emotional dependency amidst the social divergences and congruent rhythms of New York City. LOVE THE HARD WAY begins when Claire (Charlotte Ayanna), a goal-oriented graduate student, meets Jack (Adrien Brody). At the same time unimpressed and intrigued by his bad-boy persona, Claire eventually agrees to meet him. Attraction quickly turns into infatuation and love. In contradiction with Claire's valedictorian past, Jack runs a regular scam conning foreign businessmen with his partner Charlie (Jon Seda) and two struggling actresses. But Jack's self-conscious rebel stance is much more than a façade, it stems from the books he avidly reads and it ultimately replicates a passion with life which he seems to lack in his daily engagement with life. Even though Jack is thoroughly charmed by Claire's acute intellect, he pushes her away, just like he did with previous partners. Abandoned and traumatized, Claire begins to neglect her studies and throws herself into a self-destructive downward spiral. As Detective Linda Fox (Pam Grier) efforts to expose Jack and Charlie's scam intensifies, the once self-assured Jack finds his world crumbling. -- © Kino International [More]
Starring: Adrien Brody, Charlotte Ayanna, Jon Seda, Pam Grier
Starring: Adrien Brody, Charlotte Ayanna, Jon Seda, Pam Grier, August Diehl
Director: Peter Sehr
Director: Peter Sehr
Screenwriter: Marie Noelle, Peter Sehr
Producer: Wolfram Tichy, Peter Sehr
Studio: Kino International
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Reviews for Love the Hard Way
Brody's performance as Jack is about as good as that which won him the Oscar for The Pianist.
[Brody] can be proud of his work here, and the movie is better than just a pre-stardom curiosity.
Such a volatile presence needs control, and director Peter Sehr doesn't fine-tune either the character or the performance enough to keep it from burning out and self-destructing.
[The story] is often overly simplistic when it is trying hardest for emotional complexity.
'While the film's tough to watch, it's also impossible to look away from.'
A movie that can't make up its mind if it wants to be urban poetry or a silly soap opera.
Packed with characters wallowing in self-conscious cool that's as tedious as their anomie.
The pair have little chemistry: Ayanna is a lovely girl with a sweet smile and a fine pout, but she simply can’t match the soul shining from Brody's big brown windows.
Blame the script, which fails to fill out exactly how conflicted these characters are.
The cool, detached German director lacks the kind of warmth needed to bring such characters to life.
The film is as cliché-ridden as a rickshaw ride through Central Park, which is to say it tries hard to teach a tired formula new tricks.
Full of bad dialogue, cheap locations, unbelievable situations and a lot of characters who have clearly spent too much time watching B-movies.
The film's premise -- that the savvy student played by Charlotte Ayanna would get involved with this creep -- is a stretch at best.
Loses tension (and ultimately credibility) as it wanders through three possible endings before grinding to a halt.
Balancing the darkly comic with the tragically lurid is a tough trick; on a good day Jim Thompson could get the balance right, but Sehr simply seems to be cross-cutting between two entirely different movies.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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