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Lovely Molly Reviews

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Adam Litovitz
Globe and Mail
Top Critic IconTop Critic

Some of the shock effects in Lovely Molly are successfully disorienting, but too many of its ideas are reductive and histrionic, such as those concerning the male victimization of women, vengeance and mental illness.

Full Review Source: Globe and Mail | Original Score: 2/4

June 1, 2012
Graham Young
Birmingham Mail

Gretchen Lodge constantly rises above the film and the material. She alone provides good reasons why younger film-goers who are inexperienced in this type of horror might well find it gripping, shocking and enjoyably nasty.

Full Review Source: Birmingham Mail | Original Score: 2/5

June 29, 2012
Nick Pinkerton
Village Voice
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Has all the interest of watching an inexplicably untreated wound fester.

Full Review Source: Village Voice

May 15, 2012
Staci Layne Wilson
Horror.com

I can't say Molly is lovely enough to recommend.

Full Review Source: Horror.com

May 21, 2012
Nigel Floyd
Time Out
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[Its] cynical hedging of its psychological/supernatural bets seems mostly designed to breed sequels.

Full Review Source: Time Out | Original Score: 2/5

June 26, 2012
Stephen Whitty
Newark Star-Ledger
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Sanchez ... is not making his debut here, and after more than a decade he should be willing to do something besides jerking the camera around and making noises offscreen.

Full Review Source: Newark Star-Ledger | Original Score: 1.5/4

May 18, 2012
Kurt Loder
Reason Online

The movie's young lead, Gretchen Lodge, making her big-screen debut, demonstrates a natural star presence.

Full Review Source: Reason Online

May 18, 2012
Steve Newton
Georgia Straight

I don't think I've ever been so bummed out by a horror flick as I was by writer-director Eduardo Sánchez's Lovely Molly. And I've seen every single Friday the 13th.

Full Review Source: Georgia Straight | Original Score: 2/5

February 15, 2013
Tim Robey
Daily Telegraph

Depressing and lazily nonsensical...

Full Review Source: Daily Telegraph | Original Score: 1/5

June 28, 2012
Ed Gonzalez
Slant Magazine

The film's inconsistent, largely bankrupt style is second to how hard and tackily it leans on the horror of child abuse to goose audiences.

Full Review Source: Slant Magazine | Original Score: 1.5/4

May 13, 2012
Jason Solomons
Observer [UK]

Silly Molly.

Full Review Source: Observer [UK]

July 1, 2012
Matthew Turner
ViewLondon

The script lacks focus, the to-camera element doesn't add anything new and the film ultimately fails to provide any scares, beyond the odd soundtrack-assisted jump.

Full Review Source: ViewLondon | Original Score: 2/5

June 21, 2012
Mark Olsen
Los Angeles Times
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Common sense and basic logic are left are the door; there's a brief creature effect that is laughably, outlandishly awful.

Full Review Source: Los Angeles Times | Original Score: 1.5/5

May 18, 2012
Joshua Rothkopf
Time Out New York
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Sánchez is going for a fear that's closer to home than any mysterious bumps in the night. His Polanskian psychodrama, shrouded by our expectations, develops violently and, it must be said, with little sense of actual domestic tragedy.

Full Review Source: Time Out New York | Original Score: 2/5

May 15, 2012
Marshall Fine
Hollywood & Fine

This genre of horror film is played out - or at least this slight, rarely unnerving effort makes it seem so.

Full Review Source: Hollywood & Fine

May 18, 2012
Norman Wilner
NOW Toronto

Full Review Source: NOW Toronto | Original Score: 2/5

June 1, 2012
Peter Bradshaw
Guardian [UK]

The film presents us with too many unearned revelations, and it unravels.

Full Review Source: Guardian [UK] | Original Score: 2/5

June 28, 2012
Moira MacDonald
Seattle Times
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If the people in it behaved in a logical way, then there wouldn't be a movie.

Full Review Source: Seattle Times | Original Score: 2/4

July 19, 2012

This is London

Sanchez has not had an easy time since Blair Witch - and this hand-held rerun is unlikely to make it any better.

Full Review Source: This is London | Original Score: 1/5

June 29, 2012
Farran Smith Nehme
New York Post
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[Sanchez] demonstrates that a well-timed door slam and a cleverly framed shot of an ordinary household object are as creepy as ever.

Full Review Source: New York Post | Original Score: 3/4

May 18, 2012

New York Times
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May 24, 2012
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