Love's Labour's Lost (2000)

Love's Labour's Lost

TOMATOMETER

AUDIENCE SCORE

Critic Consensus: Interesting idea, poor execution.


Movie Info

In 1939, the King of Navarre and his three best friends swear an oath to give up women for three years whilst devoting themselves to the study of philosophy. One of the terms of their pledge specifically prohibits women from their presence, but the arrival of the Princess of France and her three beautiful attendants on a diplomatic visit throws the plan into disarray. Is this a feasible feat for a man of the court? And what of the King? The men begin to pursue their desires unbeknownst to each … More

Rating: PG (for sensuality and a brief drug reference)
Genre: Drama, Romance, Musical & Performing Arts, Comedy
Directed By:
Written By: Kenneth Branagh
In Theaters:
On DVD: Dec 19, 2000
Runtime:
Miramax Films - Official Site

Cast


as The Princess

as Dumaine

as Don Armado

as Costard

as Longaville

as Jacquanetta

as Holofernia

as Nathaniel

as Katherine

as Mercade

as Isabelle

as Jaques

as Beatrice

as Celimene

as Sophie
Show More Cast

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Critic Reviews for Love's Labour's Lost

All Critics (66) | Top Critics (19)

A luscious labor of love.

Full Review… | July 6, 2008
Variety
Top Critic

An act of double homage to antique artifice.

Full Review… | February 9, 2006
Time Out
Top Critic

Maybe Kenneth Branagh should have left the Hollywood musical where he found it, back in the 1930s.

Full Review… | February 21, 2004
Atlanta Journal-Constitution
Top Critic

A noble experiment that didn't quite work out.

Full Review… | January 1, 2011
Common Sense Media

It may not be 'hip', but it's definitely enjoyable and it's a shame that there isn't more scope for genuine musical talents like Lester to utilise their gifts in modern cinema.

Full Review… | October 18, 2008
Empire Magazine

We all know who's going to pair off with whom in the end, but Branagh does get us there in some considerable style.

Full Review… | July 6, 2008
Film4

Audience Reviews for Love's Labour's Lost

Branagh's idea is to conjoin Shakespearean comedy with 1930's era Hollywood musicals ... what could go wrong? At first I felt as if I were having a tooth pulled, without novacaine. The performances? I remembered the Freudian nightmare of appearing in public naked and finally concluded the cast was far, far braver than I. By the finale it didn't hurt as bad ... but no one will be pleased with this. Only Nathan Lane manages to escape completely unscathed.

ApeneckFletcher
Apeneck Fletcher

Super Reviewer

One of the kind of films that you wished you could love more than you actually do. Because they don't really do anything wrong. They take Shakespeare's play and put it into the 1930s musical era, with all the singing, dancing and water ballet that comes with it. The songs are more or less familiar, some performances really fun and good, others somewhat boring. The cast is great, only Matthew Lillard feels like the odd man out, the set pieces and design rather lovely. It's hard to say why the film didn't work for me anyway. Sometimes it was hard to keep track why things were happening the way they turned out, and I usually didn't have a problem with Shakespeare's language. I felt a bit let down after all, only the ending was rather sweet. I suppose it's one for Musical or Shakespeare fanatics, everyone else feel free to skip. Sadly.

ironclad1609
Jens S.

Super Reviewer

Okay, so this Branagh go at Shakespeare may leave out a lot of the Bard's words, but the spirit is definitely there. Strictly speaking, in the classic sense, comedy does not necessarily equal ha-ha funny. To put it in truly simplistic terms, comedy has only to follow a certain path. With tragedy in the classic sense, there is the trajectory of rise and fall, whereas with comedy, there is fall and rise -- with or without yucks. One need only compare Branagh's attempt with that of the BBC's complete dramatic works of Shakespeare attempt, to see that Branagh has infused the play with the proper spirit, the lively humor it should have. The BBC attempt is so droningly unpleasant -- although much truer to the text -- that it feels in the aftermath like a disheartening tragedy. As I've said before, I hope Branagh does all of Shakespeare's plays before he blows out the candle. Every one of his productions breathes vibrant bright life into the plays, closer to the text or not. I think if Shakespeare saw this adaptation, he'd love it.

binky013
Lanning : )

Super Reviewer

Love's Labour's Lost Quotes

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