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Movies / On DVD / Love's Labour's Lost
Love's Labour's Lost

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Love's Labour's Lost (2000)

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Reviews Counted:61

Fresh:30

Rotten:31

Average Rating:5.5/10

Consensus: Interesting idea, poor execution.

Runtime: 1 hr 33 mins

Genre: Musical & Performing Arts

Synopsis: Kenneth Branagh's musical adaptation of Shakespeare's comedy sets the action in the last few days before the start of World War II. In the fictional kingdom of Navarre, King Ferdinand (Alessandro... Kenneth Branagh's musical adaptation of Shakespeare's comedy sets the action in the last few days before the start of World War II. In the fictional kingdom of Navarre, King Ferdinand (Alessandro Nivola) and three chums take vow to study rigorously and avoid women for three years. Their vow is immediately tested with the surprise visit of the Princess of France (Alicia Silverstone) with three ladies-in-waiting. Romantic merriment ensues as each of the men fall in love and attempt to woo the ladies without being caught. Branagh's film features musical numbers by Cole Porter, Irving Berlin, and others performed in the classic style of 1930s MGM musicals. [More]

Starring: Kenneth Branagh, Alicia Silverstone, Natascha McElhone, Alessandro Nivola

Starring: Kenneth Branagh, Alicia Silverstone, Natascha McElhone, Alessandro Nivola, Nathan Lane, Matthew Lillard, Adrian Lester, Richard Briers, Timothy Spall, Geraldine McEwan, Carmen Ejogo, Emily Mortimer, Stefania Rocca

Director: Kenneth Branagh

Director: Kenneth Branagh
Screenwriter: Kenneth Branagh
Story: William Shakespeare
Producer: Kenneth Branagh, David Barron
Composer: Patrick Doyle

[See More Credits]

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Release:

Dec 19, 2000

[DVD Details]
 
 
  • Love's Labour's Lost
  • With Kenneth Branagh (WILD WILD WEST, CELEBRITY), Alicia Silverstone (BLAST FROM THE PAST), and Nathan Lane (AT FIRST SIGHT, MOUSE HUNT) leading a stellar ensemble cast, Stanley Donen and Martin Scorsese present a sexy, glamorous, and fun 1930's-style musical that's earned terrific critical acclaim! The King of Navare (Alessandro Nivola -- MANSFIELD PARK, FACE/OFF) and his three best friends think that they've sworn off love in the pursuit of intellectual enlightenment. But when the Princess of France (Silverstone) and her beautiful attendants arrive for a diplomatic visit, their high-minded plans are turned completely upside down! Then, as war rages and secret passions burn, loyalty and devotion are tested like never before! Also featuring hilarious Matthew Lillard (SHE'S ALL THAT, SCREAM) and the classic songs of Cole Porter, Irving Berlin, and more -- go back in time and allow yourself to be swept away by this wonderfully entertaining motion picture treat!
  • Source: Buena Vista Home Entertainment.
  •  
     
     
     

    Reviews for Love's Labour's Lost

    • T-Meter Critics
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    1 - 20 (sorted by source)
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    Musicals like this are the reason we don't see more musicals.

    Full Review Source: Apollo Guide | comment Comment
    04/03/01
    Scott Weinberg
    Scott Weinberg
    Apollo Guide

    Maybe Kenneth Branagh should have left the Hollywood musical where he found it, back in the 1930s.

    Full Review Source: Associated Press | comment Comment
    01/01/00
    David Germain
    David Germain
    Associated Press
    Top Critic Icon Top Critic

    Maybe Kenneth Branagh should have left the Hollywood musical where he found it, back in the 1930s.

    Full Review Source: Atlanta Journal-Constitution | comment Comment
    02/21/04
    David Germain
    David Germain
    Atlanta Journal-Constitution
    Top Critic Icon Top Critic

    The effect is weird but it actually kind of works, illuminating both Shakespeare and the artifice of musicals.

    Full Review Source: Austin Chronicle | comment Comment
    01/01/00
    Marjorie Baumgarten
    Marjorie Baumgarten
    Austin Chronicle

    It's so eager to please, so caught up in its own sunny energies, so seductive to look at, that what might be your resistance never gets off the ground -- or wants to.

    comment Comment
    01/01/00
    Jay Carr
    Jay Carr
    Boston Globe
    Top Critic Icon Top Critic
    N/R

    Click to read the article

    Full Review Source: Boston Phoenix | comment Comment
    03/24/02
    Boston Phoenix
    N/R

    Click to read the article

    Full Review Source: Boxoffice Magazine | comment Comment
    06/05/02
    Mike Kerrigan
    Mike Kerrigan
    Boxoffice Magazine

    We all know who's going to pair off with whom in the end, but Branagh does get us there in some considerable style.

    Full Review Source: Channel 4 Film | comment Comment
    07/06/08
    Channel 4 Film

    It's so escapist it escapes even from itself.

    Full Review Source: Chicago Sun-Times | comment Comment
    01/01/00
    Roger Ebert
    Roger Ebert
    Chicago Sun-Times
    Top Critic Icon Top Critic

    Making a glitzy, old-school 1930's movie musical out of the Bard's silliest work is exactly the kind of thing that a studio wouldn't do in a million years...

    Full Review Source: Cinerina | comment Comment
    06/15/01
    Karina Montgomery
    Karina Montgomery
    Cinerina

    Most of the movie is just plain weird and uncomfortable to watch.

    Full Review Source: Citysearch | comment Comment
    01/01/00
    Lloyd Miller
    Lloyd Miller
    Citysearch

    It's a delightful blend of past styles and songs that adds a much-needed zest to a dry and dreary movie season.

    Full Review Source: Combustible Celluloid | comment Comment
    11/22/02
    Jeffrey M. Anderson
    Jeffrey M. Anderson
    Combustible Celluloid

    The goofy side characters are the most unfortunate segment on screen.

    Full Review Source: Compuserve | comment Comment
    01/01/00
    Harvey S. Karten
    Harvey S. Karten
    Compuserve

    It's all light and frothy and harmless, but, for some, cotton candy won't substitute for the denser, more dangerous joys of chocolate fudge.

    Full Review Source: culturevulture.net | comment Comment
    01/01/00
    Arthur Lazere
    Arthur Lazere
    culturevulture.net
    N/R

    Click to read the article

    Full Review Source: Ebert & Roeper | comment Comment
    01/01/00
    Ebert & Roeper

    Click to read the article

    Full Review Source: Empire Magazine | comment Comment
    10/18/08
    Empire Magazine

    Each player ends up performing in a different play.

    comment Comment
    01/01/00
    Lisa Schwarzbaum
    Lisa Schwarzbaum
    Entertainment Weekly
    Top Critic Icon Top Critic
    N/R

    Click to read the article

    Full Review Source: eye WEEKLY | comment Comment
    10/18/08
    Catharine Tunnacliffe
    Catharine Tunnacliffe
    eye WEEKLY

    Yes, sadly, some of Love's Labour's Lost is laboured, indeed.

    Full Review Source: Film Journal International | comment Comment
    01/01/00
    Eric Monder
    Eric Monder
    Film Journal International

    Alicia Silverstone was better as Batgirl than in this piece of garbage. I don't think she even understood what she was saying.

    Full Review Source: Film Threat | comment Comment
    12/06/05
    Chris Gore
    Chris Gore
    Film Threat
     
     
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