Musicals like this are the reason we don't see more musicals.
Love's Labour's Lost (2000)
Tomatometer
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Reviews Counted:61
Fresh:30
Rotten:31
Average Rating:5.5/10
Consensus: Interesting idea, poor execution.
Runtime: 1 hr 33 mins
Genre: Musical & Performing Arts
Synopsis: Kenneth Branagh's musical adaptation of Shakespeare's comedy sets the action in the last few days before the start of World War II. In the fictional kingdom of Navarre, King Ferdinand (Alessandro... Kenneth Branagh's musical adaptation of Shakespeare's comedy sets the action in the last few days before the start of World War II. In the fictional kingdom of Navarre, King Ferdinand (Alessandro Nivola) and three chums take vow to study rigorously and avoid women for three years. Their vow is immediately tested with the surprise visit of the Princess of France (Alicia Silverstone) with three ladies-in-waiting. Romantic merriment ensues as each of the men fall in love and attempt to woo the ladies without being caught. Branagh's film features musical numbers by Cole Porter, Irving Berlin, and others performed in the classic style of 1930s MGM musicals. [More]
Starring: Kenneth Branagh, Alicia Silverstone, Natascha McElhone, Alessandro Nivola
Starring: Kenneth Branagh, Alicia Silverstone, Natascha McElhone, Alessandro Nivola, Nathan Lane, Matthew Lillard, Adrian Lester, Richard Briers, Timothy Spall, Geraldine McEwan, Carmen Ejogo, Emily Mortimer, Stefania Rocca
Director: Kenneth Branagh
Director: Kenneth Branagh
Screenwriter: Kenneth Branagh
Story: William Shakespeare
Producer: Kenneth Branagh, David Barron
Composer: Patrick Doyle
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Release:
Dec 19, 2000
Reviews for Love's Labour's Lost
Maybe Kenneth Branagh should have left the Hollywood musical where he found it, back in the 1930s.
Maybe Kenneth Branagh should have left the Hollywood musical where he found it, back in the 1930s.
The effect is weird but it actually kind of works, illuminating both Shakespeare and the artifice of musicals.
It's so eager to please, so caught up in its own sunny energies, so seductive to look at, that what might be your resistance never gets off the ground -- or wants to.
We all know who's going to pair off with whom in the end, but Branagh does get us there in some considerable style.
Making a glitzy, old-school 1930's movie musical out of the Bard's silliest work is exactly the kind of thing that a studio wouldn't do in a million years...
It's a delightful blend of past styles and songs that adds a much-needed zest to a dry and dreary movie season.
The goofy side characters are the most unfortunate segment on screen.
It's all light and frothy and harmless, but, for some, cotton candy won't substitute for the denser, more dangerous joys of chocolate fudge.
Alicia Silverstone was better as Batgirl than in this piece of garbage. I don't think she even understood what she was saying.
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|---|---|
| 44% 44% | Night at the Museum: B… |
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