A banal third act quickly runs out of gas, confusing the narrative and turning a subtle psychological mood piece into a giddy melodrama.
Lucia, Lucia (2003)
Tomatometer
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Reviews Counted:48
Fresh:21
Rotten:27
Average Rating:5.4/10
Consensus: A relatively simple mid-life crisis story is burdened by overly cumbersome plot devices.
Rated: R [See Full Rating] for sexuality, language and brief drug use
Runtime: 1 hr 49 mins
Genre: Foreign Films
Theatrical Release:Jul 25, 2003 Limited
Box Office: $170,900
Synopsis: Mexican director Antonio Serrano fuses comedy and suspense in this tall tale of children's book author Lucia (Celia Roth, of ALL ABOUT MY MOTHER fame), who becomes the center of a a big mess of... Mexican director Antonio Serrano fuses comedy and suspense in this tall tale of children's book author Lucia (Celia Roth, of ALL ABOUT MY MOTHER fame), who becomes the center of a a big mess of intrigue when her husband mysteriously disappears. Coming to her aid are two neighbors in her Mexico City apartment building: Felix (Carlos Álvarez-Novoa), an old man who used to fight alongside Castro, and handsome young Adrian (Kuno Becker) who may be working for the terrorists who kidnapped her husband (if in fact they did). After lots of suspense and snooping, the three become close friends and decide to take an Y TU MAMA TAMBIEN-style trip into the desert. Adrian and Lucia fall in love, though their age difference is a cause for concern. Of course nothing turns out to be as it seems, even Lucia (in her offscreen narration) admits she is not always truthful; outcomes of events are changed--as is her character's hair color and apartment layout--several times over the course of the film. LUCIA, LUCIA broke opening weekend box office records when it premiered in Mexico, where it's known as LA HIJA DEL CANIBAL (the Cannibal's Daughter). Boasting passionate performances from its three actors, this is a very colorful and bouncy entry in the new Mexican cinema. [More]
Starring: Cecilia Roth, Kuno Becker, Carlos Alvarez-Novoa
Starring: Cecilia Roth, Kuno Becker, Carlos Alvarez-Novoa
Director: Antonio Serrano
Director: Antonio Serrano
Producer: Matthias Ehrenberg, Christian Valdelievre, Epigmenio Ibarra
Composer: Nacho Mastretta
Studio: Fox Searchlight Pictures
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Reviews for Lucia, Lucia
Even as the story of one woman's midlife crisis, it's a bit lightweight.
"Lucia, Lucia" keeps rolling along after it's run out of gas, but Roth, Álvarez-Novoa and newcomer Becker are always interesting travelling companions.
It's the old midlife crisis tale, just without a lot of charm or surprises.
The movie tries to add too many plot twists and goes on a little long, but there's a lot of material to pack in: a children's book about chickens, embezzling, crooked cops, and that old country favorite - Achy Breaky Corazon.
Scattered but charming adaptation of Rosa Montero's novel La Hija del Canibal.
After a lively first half-hour, the scenes start to feel heavy, as though Serrano suddenly decided he was actually making a meaningful drama, and the ensuing, halfhearted political satire is like an extra weight on top of that.
Serrano keeps the wit coming, and another richly nuanced performance from the lovely, red-headed Roth keeps us always focused on the real mystery of the piece -- whether this appealing woman will find a way to find herself.
Anxiety is a fair response to a midlife crisis, but that hardly means that we want to see the heroine of a movie spend scene after scene trapped in a nervous dither of indecision.
It's a nifty little premise that becomes even more engaging because of the movie's ability to look at ordinary events through extraordinary eyes.
At times, the movie sags from too much plot, but the characters remain buoyant and funny right to the very end.
A playful, though not strikingly original, engagement of the unreliable narrator, and a fluffy study of the contrast between wish-fulfilling fiction and cold, hard reality.
Cecilia Roth's dynamic acting convinces us that women go through mid-life crises as readily as men.
Lucía reveals a great deal about herself in 110 minutes of self-fulfilling narration, but imagine how much better the experience would have been had the story allowed itself to match that depth.
Roth, Becker and especially Álvarez-Novoa are all charming performers, but this self-consciously tricky tale of secrets, passion and intrigue doesn't linger beyond the closing credits.
The ways and reasons we make fiction -- including the fiction of a happy marriage -- are the playful but resonant notions that keep the story afloat.
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 25% 25% | Four Christmases |
| 68% 68% | Funny People |
| 95% 95% | Star Trek |
| 14% 14% | The Ugly Truth |
| Tomatometer Percentage | Movie |
|---|---|
| 32% 32% | Terminator Salvation |
| 44% 44% | Night at the Museum: B… |
| 86% 86% | A Christmas Tale |
| 60% 60% | Paper Heart |
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