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Lucia, Lucia (2003)
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Reviews Counted:48
Fresh:21
Rotten:27
Average Rating:5.4/10
Consensus: A relatively simple mid-life crisis story is burdened by overly cumbersome plot devices.
Rated: R [See Full Rating] for sexuality, language and brief drug use
Runtime: 1 hr 49 mins
Genre: Foreign Films
Theatrical Release:Jul 25, 2003 Limited
Box Office: $170,900
Synopsis: Mexican director Antonio Serrano fuses comedy and suspense in this tall tale of children's book author Lucia (Celia Roth, of ALL ABOUT MY MOTHER fame), who becomes the center of a a big mess of... Mexican director Antonio Serrano fuses comedy and suspense in this tall tale of children's book author Lucia (Celia Roth, of ALL ABOUT MY MOTHER fame), who becomes the center of a a big mess of intrigue when her husband mysteriously disappears. Coming to her aid are two neighbors in her Mexico City apartment building: Felix (Carlos Álvarez-Novoa), an old man who used to fight alongside Castro, and handsome young Adrian (Kuno Becker) who may be working for the terrorists who kidnapped her husband (if in fact they did). After lots of suspense and snooping, the three become close friends and decide to take an Y TU MAMA TAMBIEN-style trip into the desert. Adrian and Lucia fall in love, though their age difference is a cause for concern. Of course nothing turns out to be as it seems, even Lucia (in her offscreen narration) admits she is not always truthful; outcomes of events are changed--as is her character's hair color and apartment layout--several times over the course of the film. LUCIA, LUCIA broke opening weekend box office records when it premiered in Mexico, where it's known as LA HIJA DEL CANIBAL (the Cannibal's Daughter). Boasting passionate performances from its three actors, this is a very colorful and bouncy entry in the new Mexican cinema. [More]
Starring: Cecilia Roth, Kuno Becker, Carlos Alvarez-Novoa
Starring: Cecilia Roth, Kuno Becker, Carlos Alvarez-Novoa
Director: Antonio Serrano
Director: Antonio Serrano
Producer: Matthias Ehrenberg, Christian Valdelievre, Epigmenio Ibarra
Composer: Nacho Mastretta
Studio: Fox Searchlight Pictures
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Reviews for Lucia, Lucia
The film is enjoyable in the manner of a high-gloss soap opera, but its forays into socio-political commentary are as laboured as its unnecessarily labyrinthine construction.
Lucia, a writer of children's books, dips in and out of fiction in her own life, the line blurring so often that it's hard to tell what's real and what's fantasy in Lucia, Lucia. It's even harder to care.
The movie tries to add too many plot twists and goes on a little long, but there's a lot of material to pack in: a children's book about chickens, embezzling, crooked cops, and that old country favorite - Achy Breaky Corazon.
Lucia Lucia is well acted and creatively shot, but the problem is that at its core lies a mystery that isn't terribly interesting.
This journey of self-discovery hits a dead end long before the closing credits roll.
A genial dramatic comedy that eventually crumbles under the weight of its ambitions.
Despite the potential for menace implied by its set-up, Lucia, Lucia is finally about finding the opposite.
Proves that you can strand a great actress with mediocre writing and a directorial style that has more in common with Mexican soap operas than the vaunted New Wave of Mexican filmmaking.
A banal third act quickly runs out of gas, confusing the narrative and turning a subtle psychological mood piece into a giddy melodrama.
Roth, Becker and especially Álvarez-Novoa are all charming performers, but this self-consciously tricky tale of secrets, passion and intrigue doesn't linger beyond the closing credits.
The picture aims to be cheeky and interesting. But more often it's annoying.
Even as the story of one woman's midlife crisis, it's a bit lightweight.
Serrano's frequently mystifying device of having Lucía's cardboard psyche mess with the audience's minds is ultimately a confusing bore.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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