funny and smart
Lucky # Slevin (2006)
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Reviews Counted:151
Fresh:78
Rotten:73
Average Rating:5.9/10
Consensus: Trying too hard to be clever in a Pulp Fiction kind of way, this film succums to a convoluted plot, overly stylized characters and dizzying set design.
Rated: R [See Full Rating] for strong violence, sexuality and language
Runtime: 1 hr 50 mins
Genre: Dramas
Theatrical Release:Apr 7, 2006 Wide
Box Office: $22,438,650
Synopsis: Directed by Paul McGuigan, LUCKY NUMBER SLEVIN is a mistaken identity thriller starring Josh Hartnett as a guy who ends up in the wrong place at the wrong time. With boldly colored sets covered in... Directed by Paul McGuigan, LUCKY NUMBER SLEVIN is a mistaken identity thriller starring Josh Hartnett as a guy who ends up in the wrong place at the wrong time. With boldly colored sets covered in graphic wallpaper, the film has an almost comicbook-like feel, the emphasis being on visual entertainment rather than believability. When Slevin (Hartnett) shows up at his friend Nick's apartment in Manhattan, Nick is nowhere to be found. After meeting Nick's sharp and flirty neighbor, Lindsey (Lucy Liu), Slevin is kidnapped by two thugs and taken to meet the Boss (Morgan Freeman). Explaining that he is not Nick gets him nowhere, as the Boss and his arch rival, the Rabbi (Ben Kingsley), both pull Slevin (a wiseguy who spends much of the film in a lavender towel) deeper and deeper into a complicated underworld of murder and revenge. The clever dialogue and romance that grows between Hartnett and Liu gives the film a lighthearted charm. Even when orchestrating cold-blooded murder, the film's lead villains never seem too threatening. This is due in large part to the strong tongue-in-cheek performances of Bruce Willis, Ben Kingsley, and Morgan Freeman. Many of the film's plot twists rely on camera tricks and quick editing, which are used to deliberately confuse the viewer. While the storyline is convoluted and the film falls into a self-explanatory trap near the end, the world of LUCKY NUMBER SLEVIN is never meant to be taken too seriously. Displaying a Tarantino-like self-awareness, the film makes frequent references to James Bond and vintage cinema, and contains such strong visual elements that viewers are forced to notice each character's surroundings. The film is incredibly stylish and old-fashioned in this way, with particular attention paid to each villain's dwelling, and with the production design often saying more than the characters themselves. [More]
Starring: Josh Hartnett, Morgan Freeman, Ben Kingsley, Lucy Liu
Starring: Josh Hartnett, Morgan Freeman, Ben Kingsley, Lucy Liu, Bruce Willis, Oliver Davis, Stanley Tucci, Michael Rubenfeld, Sam Jaeger, Dorian Missick, Kevin Chamberlin
Director: Paul McGuigan
Director: Paul McGuigan
Screenwriter: Jason Smilovic
Producer: Kia Jam
Composer: Joshua Ralph
Studio: Weinstein Company
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Reviews for Lucky # Slevin
A miserable mess that plays like a third-rate David Mamet, with dialog as overcooked as English vegetables.
A bloodied ledger and brutal gangster on the prowl opens this clever and stylish film and we are queued that whatever the outcome, this is going to be a thriller with a fresh visual approach.
A starkly beautiful film, the direction not merely elevating the plot but transcending it to the point where it is hardly even important. I could sit and watch this movie on a 24-hour loop.
A twisty and stylish but disposable thriller that leads nowhere with its inflated plot.
An entertaining thriller that falls short of being clever, but makes up for it with style and interesting characters.
Despite the title of the movie he lives in, Slevin (Josh Hartnett) is only partly lucky.
The fist half hour of this film is so promising that I'm almost willing to ignore the mess that follows. Almost.
The more you let the niggling questions go, the better Lucky Number Slevin gets.
A witty little lark about a boy completing his Oedipal split--and falling in love in the process.
Lucky Number Slevin is a pretty decent update and knockoff of North By Northwest before it finally goes south.
The film, directed by Paul McGuigan, is in the hip, purposefully convoluted style of titles from the Quentin Tarantino school of filmmaking.
Not as clever as it thinks, a little too clever for its own good, it's a fun ride, nonetheless.
Lucky Number Slevin feels exhausted -- like a movie that somehow got lost in time and arrived six years too late.
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