Lucky Number Slevin is one smart, slick, and engaging thriller.
Lucky # Slevin (2006)
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Reviews Counted:151
Fresh:78
Rotten:73
Average Rating:5.9/10
Consensus: Trying too hard to be clever in a Pulp Fiction kind of way, this film succums to a convoluted plot, overly stylized characters and dizzying set design.
Rated: R [See Full Rating] for strong violence, sexuality and language
Runtime: 1 hr 50 mins
Genre: Dramas
Theatrical Release:Apr 7, 2006 Wide
Box Office: $22,438,650
Synopsis: Directed by Paul McGuigan, LUCKY NUMBER SLEVIN is a mistaken identity thriller starring Josh Hartnett as a guy who ends up in the wrong place at the wrong time. With boldly colored sets covered in... Directed by Paul McGuigan, LUCKY NUMBER SLEVIN is a mistaken identity thriller starring Josh Hartnett as a guy who ends up in the wrong place at the wrong time. With boldly colored sets covered in graphic wallpaper, the film has an almost comicbook-like feel, the emphasis being on visual entertainment rather than believability. When Slevin (Hartnett) shows up at his friend Nick's apartment in Manhattan, Nick is nowhere to be found. After meeting Nick's sharp and flirty neighbor, Lindsey (Lucy Liu), Slevin is kidnapped by two thugs and taken to meet the Boss (Morgan Freeman). Explaining that he is not Nick gets him nowhere, as the Boss and his arch rival, the Rabbi (Ben Kingsley), both pull Slevin (a wiseguy who spends much of the film in a lavender towel) deeper and deeper into a complicated underworld of murder and revenge. The clever dialogue and romance that grows between Hartnett and Liu gives the film a lighthearted charm. Even when orchestrating cold-blooded murder, the film's lead villains never seem too threatening. This is due in large part to the strong tongue-in-cheek performances of Bruce Willis, Ben Kingsley, and Morgan Freeman. Many of the film's plot twists rely on camera tricks and quick editing, which are used to deliberately confuse the viewer. While the storyline is convoluted and the film falls into a self-explanatory trap near the end, the world of LUCKY NUMBER SLEVIN is never meant to be taken too seriously. Displaying a Tarantino-like self-awareness, the film makes frequent references to James Bond and vintage cinema, and contains such strong visual elements that viewers are forced to notice each character's surroundings. The film is incredibly stylish and old-fashioned in this way, with particular attention paid to each villain's dwelling, and with the production design often saying more than the characters themselves. [More]
Starring: Josh Hartnett, Morgan Freeman, Ben Kingsley, Lucy Liu
Starring: Josh Hartnett, Morgan Freeman, Ben Kingsley, Lucy Liu, Bruce Willis, Oliver Davis, Stanley Tucci, Michael Rubenfeld, Sam Jaeger, Dorian Missick, Kevin Chamberlin
Director: Paul McGuigan
Director: Paul McGuigan
Screenwriter: Jason Smilovic
Producer: Kia Jam
Composer: Joshua Ralph
Studio: Weinstein Company
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Reviews for Lucky # Slevin
Smilovic's rapid-fire, Tarantino-esque dialogue is consistently razor-sharp, and the elaborate set design -- which leans heavily towards shiny, riotously patterned wallpaper -- is an eyeball-jangling blast.
It's self-consciously clever in a not-very-clever way, a puzzle only its creator finds puzzling. It's fun to listen to, not to follow or watch.
They almost got it really right with Lucky Number Slevin, but they also almost got it horribly wrong.
Some movies are too smart for their own good. Lucky Number Slevin only thinks it is.
This crafty indie with a big-budget cast goes from a seemingly paint-by-numbers noirish comic thriller to something entirely more genre-bending. Definitely a ride worth taking.
A smug, deliberately convoluted mix tape of Tarantino, the Coen brothers, Guy Ritchie and Hitchcock with (mostly) a cast to die for, Lucky Number Slevin is great fun for, say, 20 minutes.
The movie is all clever gotchas and hoodwinks, without any substance to go along with them.
The only winners are the stars, who have fattened their bank accounts, and Tarantino, who again looks like a genius by comparison.
All smugness and blase violence, this mistaken-identity/caper film plays like a joke everybody in the movie is in on -- which, of course, it is.
Not possesing any of the flair or subtle characterization of Tarantino, Lucky Number Slevin is a frustrating and grim piece of hollow trickery.
Like the recent Kiss Kiss, Bang Bang, Slevin is a real-world crime tale with no grip on reality, just an obsession for gimmicky movie-brat fantasy. Believable, it's not.
With its curlicue plot, consummate cast and crackerjack dialogue, Lucky Number Slevin is the sharpest bang-bang flick of the year so far.
This revenge-thriller is ridiculously overplotted, with delusions of Tarantino glibness. It's also a little too pleased with itself; the filmmakers obviously think it's smarter and more clever than it actually is.
Lucky Number Slevin provides the kind of enjoyment you get from watching a skilled tap dancer ply his trade on a highly polished surface. Style trumps substance.
With so many players in this shell game, a viewer could get paranoid. That's the idea.
Lucky Number Slevin smacks of so much smugness that you want to go up to the screen and slap it.
The direction is stylishly meaningless and showy, the dialogue obscure.
The film has no more depth than the M.C. Escher-esque wallpaper that turns each room into a busy sort of moire cage.
It's the type of movie where nothing is as it appears, and even when it's all sorted out it's completely unsatisfying.
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