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Lunacy (2006)
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Reviews Counted:33
Fresh:22
Rotten:11
Average Rating:6.4/10
Consensus: A Svankmajer movie is not for everyone, but he displays his usual creative flair for surreal imagery.
Theatrical Release:Aug 9, 2006 Limited
Synopsis: The latest provocation from surrealist master Jan Svankmajer (LITTLE OTIK) is loosely based on two short stories by Edgar Allen Poe and inspired by the works of the Marquis de Sade. In... The latest provocation from surrealist master Jan Svankmajer (LITTLE OTIK) is loosely based on two short stories by Edgar Allen Poe and inspired by the works of the Marquis de Sade. In nineteenth-century France (albeit one full of deliberate anachronisms) a young man, Jean Berlot, is plagued by nightmares in which he is dragged off to a madhouse. On the journey back from his mother's funeral he is invited by a Marquis he meets at lunch to spend the night in his castle. There Berlot witnesses a blasphemous orgy and a 'therapeutic' funeral. Berlot tries to flee but the Marquis insists on helping him conquer his fears and takes his guest to a surrealistic lunatic asylum where the patients have complete freedom and the staff are locked up behind bars. Described by Svankmajer himself in a prologue to the film as a 'philosophical horror film,' LUNACY combines live action and stop-motion, sex and violence, grand guignol terror and gallows humor, and a lot of animated meat. --© Zeitgeist Films [More]
Starring: Jan Triska, Ana Geislerová, Jaroslav Dusek, Jiri Krytinar
Starring: Jan Triska, Ana Geislerová, Jaroslav Dusek, Jiri Krytinar, Pavel Liska, Pavel Novy, Stano Danciak, Martin Huba
Director: Jan Svankmajer
Director: Jan Svankmajer
Studio: Zeitgeist Films
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Reviews for Lunacy
Svankmajer's fifth and most accessible feature to date... Lunacy is exactly what it's called, raucously inventive and completely out of its mind.
By turns absurdly funny, disturbingly dissolute, unnervingly claustrophobic, and caustically misanthropic, Lunacy offers viewers the sort of punishing pleasures that so many of its characters seem, in their different ways, to seek.
A horse-drawn carriage crossing an expressway overpass promises a more subversive ride than Svankmajer delivers.
The definition of liberation as the act of being delivered from the hands of one lunatic into the hands of another who is equally mad remains universal in its political and social applications.
Only a master filmmaker could make such a fantastically sustained voyage into the Land of Questioning Reality, God and Propriety, and everything else we try to organize our sensibilities around.
Weird ideas piled onto one another can work (as anyone who has tried to explain what Les triplettes de Belville is all about will know), but what is missing here is a method to the madness.
Wickedly funny and astonishingly conceived, the film is a nonstop cavalcade of shocks, surprises and enchantments. I loved every minute of it.
Lunacy is Svankmajer's most political work--or, rather, the one that most explicitly announces its political ambitions.
Lunacy feels programmatic, the repetitive working through of an idea that had me checking my watch.
The movie is an ugly, self-indulgent, pretentious exercise masquerading as artistic and insightful filmmaking.
Connoisseurs of the disgustingly visceral will find Jan Svankmajer hardly mellowed at 72. Lunacy is dark, scary, and yucky -- even by the Czech animator's own standards.
Latest News for Lunacy
August 09, 2006:
Critical Consensus: A Brave New "World," A "Step" Down, And No Screenings for "Pulse" and "Zoom"
This week at the movies, we've got Oliver Stone paying tribute to the heroes of 9/11 ("World Trade Center," starring Nicolas Cage); two youngsters trying to start a... More...
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