Average Rating: 3.7/10
Reviews Counted: 42
Fresh: 5 | Rotten: 37
Pretentious, overly perverse and dull.
Average Rating: 3.3/10
Critic Reviews: 15
Fresh: 0 | Rotten: 15
Pretentious, overly perverse and dull.
liked it
Average Rating: 3/5
User Ratings: 4,254
An attractive widow finds her attentions turning to her teenage son in a troubling manner in this drama from France. Pierre (Louis Garrel) is a moody 17-year-old who is spending the summer with his parents at their summer home in the Canary Islands. While Pierre isn't especially close to his father (Philippe Duclos), he enjoys a warm relationship with his mother, Hélène (Isabelle Huppert) -- almost too warm, as her affection for him subtly strains the boundaries of typical familial behavior.
NC-17, 1 hr. 50 min.
May 13, 2005 Limited
Oct 18, 2005
TLA Releasing
All Critics (49) | Top Critics (17) | Fresh (7) | Rotten (38) | DVD (10)
A self-satisfied, utterly hollow Bacchanal.
110 minutes of Euro silliness mitigated only by the presence of Huppert and the striking ability of the actors to keep a straight face throughout this mess.
Probably isn't for anyone not interested in the darkest corners of the human psyche, where sexual annihilation is the only response to a fallen world, where all moral bets are off, and where a boy's worst friend is his mother.
[The climax] involves such a disturbing blend of unhealthy mother-son affection and physical pain that it gives new meaning to the term child -- not to mention audience -- abuse.
It could stand as Exhibit A for why French auteurs are a tough sell to the average seeker of entertainment.
The translation from the highly literary to the literalness of film isn't easy and too often, Ma Mère feels like a parody.
Eurotrash at its trashiest worst.
Most of the screenplay consists of meandering and inebriated characters talking just as high-falutin'.
Strictly for people who see French films solely for the promise of seeing Louis Garrel's penis.
This sexually messy, religiously infused film is a perfect example of the dregs of European cinema.
Glazed-over looks, naked flesh, inane philosophizing, and sand dunes announce that we're in Antonioni-land, circa Zabriskie Point.
Ma mère could easily be mistaken for the latest anhedonic embarrassment out of Canada
Aren´t Isabelle Huppert and Louis Garrel tired of playing always the same character/type of role?Aren´t french directors tired of the cheap well(badly)-known liberal sex French philosophy? Sickness and disgusting. Half star for the opening credits on the white background screen. That´s all
October 24, 2009Super Reviewer
European cinema at its best! Producer Paulo Branco has been producing some of the best films and best directors in Europe and this is one of the latest ones. Absolutely amazing, in depicting obsession, incest, dysfunction, love, selfishness, acceptation, pain... It's particularly brilliant how time and space is (not)
December 21, 2009Super Reviewer
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