Yeah, there's tons of sex, but deep philosophical ideas also pop up.
Ma Mere (2005)
Tomatometer
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Reviews Counted:41
Fresh:5
Rotten:36
Average Rating:3.7/10
Consensus: Pretentious, overly perverse and dull.
Rated: NC-17 [See Full Rating] for strong and aberrant sexual content.
Runtime: 1 hr 50 mins
Genre: Foreign Films
Theatrical Release:May 13, 2005 Limited
Synopsis: Adapted from the provocative novel by transgressive postmodern intellectual and author Georges Bataille, MA MERE is set in the visually lush and spiritually empty tourist trap of the Canary... Adapted from the provocative novel by transgressive postmodern intellectual and author Georges Bataille, MA MERE is set in the visually lush and spiritually empty tourist trap of the Canary Islands. Louis Garrel, projecting the same European sultriness that was perfectly suited to Bertolucci's more warmly erotic film THE DREAMERS, plays Pierre, a sulking and antisocial teenager, willfully indifferent to being on summer vacation with his parents. When his wayward father suddenly dies, his mother Helene (Isabelle Huppert), forces him into her universe of illicit sex--a simultaneously ugly and playful realm inhabited by Gallic sophisticates engaging in orgies and bondage. Pierre, a devout Catholic, is resistant at first--to the point of Catholic guilt-induced attacks of sobbing and hyperventilation. But after fulfilling experiences with Helene's male and female playmates, Pierre obsessively pursues the sexual attention of his own mother, and a disturbing quest toward consummation of the attraction between mere and fils is undertaken. Star Isabelle Huppert's role as Helene is a perfect follow-up to her award-winning turn in the equally shocking LA PIANISTE, which featured the French fatale engaging in illicit acts with both a young male student and her own controlling, elderly mother. With her just barely constrained and visibly volatile sexual energy, the actress has become known as the "go-to girl" for roles that transcend sexual and social taboos and explore the dark and violent side of erotic desire. Her overpowering presence in MA MERE, as all great performances do, make the viewer wonder just how blurry the boundaries between actress and role have become. [More]
Starring: Louis Garrel, Isabelle Huppert, Francois Montagut, Dominique Reymond
Starring: Louis Garrel, Isabelle Huppert, Francois Montagut, Dominique Reymond
Director: Christophe Honoré
Director: Christophe Honoré
Screenwriter: Christophe Honoré
Studio: TLA Releasing
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Reviews for Ma Mere
Huppert doesn't turn this object d'cypher role into exactly the sort of gay-son-as-Oedipus tribute that Dan Harris flubbed with last year's Imaginary Heroes.
Garrel's performance here reveals Bernardo Bertolucci's The Dreamers for the featherweight fantasy that it was. Ma Mère may appear grungier on the surface, but its themes run far deeper.
This is a bold and difficult film, examining intensely personal issues and letting us in as voyeurs.
Ma mère could easily be mistaken for the latest anhedonic embarrassment out of Canada
A little perversity never hurt anyone. But the French film Ma Mere has a lot of perversity and it hurts everyone -- including the people in the audience who don't get up and walk out.
This is one movie I wouldn't want to take my mother to see (or even tell her that I saw).
The drab bondage buffs in Ma Mere are so sick of life and sick of each other that we get sick of them way before the mother makes good on her threats and turns her son into her Oedi-pal.
Based on a novel by French provocateur Georges Bataille, an important thinker whose fiction rarely translates into good cinema.
This tale of disaffected sexual depravity is practically a parody of the worst of French filmmaking.
Imagine you're a virginal adolescent and your mother is watching you having sex--this is one of the concerns of the shocking and perverse NC-17 French melodrama
For all the posturing that sexually politicized Americans use to praise the French and their liberating attitudes towards funtime, why is it that their most sexually charged films do their best to sicken rather than explore or educate?
Honore uses an ultraserious, would-be stylish approach that ultimately renders the depraved proceedings far more boring than titillating.
It wallows in repellant imagery rather than enlightening us intellectually in any serious way, and it offers no real psychological insight into the characters.
...a dispirited affair and often feels like a parody — a decidedly self-serious one — of one of Bertolucci or Pasolini’s boundary-pushing offerings from the ‘70s
| Tomatometer Percentage | Movie |
|---|---|
| 15% 15% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 68% 68% | Funny People |
| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
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