Average Rating: 5.3/10
Reviews Counted: 27
Fresh: 10 | Rotten: 17
No consensus yet.
Average Rating: 4.9/10
Critic Reviews: 6
Fresh: 1 | Rotten: 5
No consensus yet.
liked it
Average Rating: 2.9/5
User Ratings: 9,213
Investigative TV journalist Max Brackett (Dustin Hoffman) suffers setbacks and winds up filing routine reports from Madeline, California. Max and his eager intern Laurie (Mia Kirshner) are doing a story at the local Museum of Natural History when a bigger story erupts. The Museum's director, Mrs. Banks (Blythe Danner), refuses to talk to former museum security guard Sam Baily (John Travolta) about his firing due to budget cuts. Angered, Sam shoots a shotgun, accidentally hitting another security
Nov 7, 1997 Wide
Nov 6, 2001
Warner Home Video
All Critics (50) | Top Critics (15) | Fresh (10) | Rotten (17) | DVD (6)
This simplistic and obvious expose about the manipulative power of the news media (lazily acted by Travoilta and Hoffman) is so familiar that it's not going to upset or provoke anyone.
A wanna-be event movie that merely reinvents the wheel.
Mad City is a waste of your time and money.
...a film of mild pleasures and mild annoyances, alternately tired and clever yet ultimately dismissible.
'The media are vultures' is the prevailing point here, and it is not expressed in the most original or interesting of ways.
Compelling analysis of the modern media. Somewhat obvious, but still works.
I quite liked this movie, dustin hoffman was brill and so was john travoltas acting. John travlta is a security guard who gets sacked but he wants it back so it turns into a hostage situation with dustin playing the reporter and in the heeart of it all. I think this is a brilliantly acted surperb film with a heart
April 20, 2009
Super Reviewer
A thought-provoking thriller that takes embedded journalism to a new level when a TV reporter (Hoffman) finds himself trapped in an accidental hostage situation. John Travolta plays to perfection the role of a simple, irate museum security guard who just wants his job back. Costa-Gavras takes his scathing satire of
January 25, 2009Super Reviewer
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