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Movies / On DVD / Madame Sata
Madame Sata

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Madame Sata (2003)

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Reviews Counted:42

Fresh:25

Rotten:17

Average Rating:6.2/10

Rated: Not Rated

Runtime: 1 hr 45 mins

Genre: Foreign Films

Theatrical Release:Jul 9, 2003 Limited

Synopsis: Lapa, the bohemian district of Rio, 1932. On the stage of cabaret Lux, Vitória dos Anjos (Renata Sorrah) sings one of Josephine Baker's greatest hits, "Nuit d'Alger". Backstage, fascinated,... Lapa, the bohemian district of Rio, 1932.

On the stage of cabaret Lux, Vitória dos Anjos (Renata Sorrah) sings one of Josephine Baker's greatest hits, "Nuit d'Alger". Backstage, fascinated, her dresser João Francisco (Lázaro Ramos) lip-syncs each word of the song. He worships Vitória: covets her extravagant clothes and her golden costume jewelry, and admires her European poise. Also, to star in a show is João Francisco's big dream. However, his wishes do not make an impression on the decadent diva. To make things worse, he is exploited and humiliated by Gregório (Floriano Peixoto), his boss and Vitória's lover.

However, João Francisco's submissive attitude becomes proud and provocative when he leaves the cabaret and strolls through the poorly lighted streets of Rio de Janeiro's underworld peopled with shady characters.

From a run-down boarding house in the heart of Lapa he shares his world with Laurita (Marcélia Cartaxo), prostitute and "wife"; Firmina (Giovanna Barbosa), Laurita's daughter; and Taboo (Flávio Bauraqui), accomplice in petty crimes and "slave". The patriarch of this selected "family", João Francisco is well acquainted with the local underworld: he is on good terms with Amador (Emiliano Queiroz), owner of the Blue Danube bar, where prostitution, drugs and police corruption run wild. His strong temper and his skills in capoeira-style fighting make him a feared and fascinating character. He is an excellent fighter, and always responds to provocation, whether from bar customers or the police. One night, João Francisco meets Renatinho (Felippe Marques), with whom he falls in love.

Accused by Gregório for a theft he did not commit, João Francisco defies the police, and is convicted to six months in prison for flouting authority. Once he is set free, he convinces Amador to put on a show at the Blue Danube. Costumed and brilliantly made-up by Laurita and Taboo, João Francisco, goes on stage at last, and is received with acclaim by the audience. After so many years, it seems as if luck has finally smiled on him. However, after a second even more flamboyant show, an unwarranted reaction to a provocation from a customer destroys his dream of being an artist.

Lapa, Carnival of 1942.

After a 10-year term in prison, João Francisco returns to his district. After inventing and impersonating a number of characters – The Negress of the Bulacoché; Jamacy, the Queen of the Forest; Saint Rita of the Coconut Tree; the Shark; and the Wild Pussycat – he wins a carnival costume contest. Successful and reborn to life, he invents a new character: Madame Satã. -- © Wellspring Media [More]

Starring: Lazaro Ramos, Marcelia Cartaxo, Flavio Bauraqui, Felipe Marques

Starring: Lazaro Ramos, Marcelia Cartaxo, Flavio Bauraqui, Felipe Marques, Emiliano Queiroz, Renata Sorrah, Giovanni Barbosa, Ricardo Blat

Director: Karim Aïnouz

Director: Karim Aïnouz
Screenwriter: Karim Aïnouz
Producer: Isabel Diegues, Mauricio Andrade Ramos, Donald K. Ranvaud, Marc Beauchamps
Studio: Wellspring

[See More Credits]

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Release:

Jan 13, 2004

No Details Exist
 
 

Reviews for Madame Sata

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1 - 20 (sorted by critic A-Z)
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Madame Sata skips over so much that it's even difficult to tell what year it is or how much time passes between scenes.

Full Review Source: San Francisco Examiner | comment Comment
07/11/03
Jeffrey M. Anderson
Jeffrey M. Anderson
San Francisco Examiner

Ainouz’ script and style seem unwilling to explore below the surface. He embraces the story’s physical details...without revealing much of his subject’s soul.

Full Review Source: Los Angeles Alternative | comment Comment
09/30/04
Jay Antani
Jay Antani
Los Angeles Alternative

An amateurish muddle, and a whole different kind of a drag.

Full Review Source: Seattle Post-Intelligencer | comment Comment
10/30/03
William Arnold
William Arnold
Seattle Post-Intelligencer

While the depiction of the Lapa district and the details of repressed homosexual life in Rio 10 years ago is always intriguing, we come away learning very little about the individual known as Madame Satã.

Full Review Source: Austin Chronicle | comment Comment
10/27/03
Marjorie Baumgarten
Marjorie Baumgarten
Austin Chronicle

Ramos gives a powerful and raw performance, but never reveals what makes Joao who he is, what drives him both to violence and to vibrant self-expression.

Full Review Source: Las Vegas Weekly | comment Comment
09/11/03
Josh Bell
Josh Bell
Las Vegas Weekly

All the main characters are loud, crude, obnoxious and just grating in general.

Full Review Source: Film Threat | comment Comment
02/12/03
Merle Bertrand
Merle Bertrand
Film Threat

Erotic, violent and bursting with colour.

Full Review Source: Jam! Movies | comment Comment
11/07/03
Liz Braun
Liz Braun
Jam! Movies

It doesn't tell us enough about its subject and yet its in-your-face love affair with that very subject blocks its ability to speak more fully of the broader social and culture issues of its milieu.

Full Review Source: Boxoffice Magazine | comment Comment
08/10/03
Bridget Byrne
Bridget Byrne
Boxoffice Magazine

You get nothing about what makes his life so interesting.

Full Review Source: TheMovieChicks.com | comment Comment
09/26/03
Cherryl Dawson and Leigh Ann Palone
Cherryl Dawson and Leigh Ann Palone
TheMovieChicks.com

In this vibrant character study, newcomer Lázaro Ramos plays Francisco with an almost animal intensity, a reflection of the man's volatile and ambiguous spirit, where any given event seems equally likely to end in either a cathartic fit of laughter or a s

Full Review Source: Premiere Magazine | comment Comment
07/11/03
Peter Debruge
Peter Debruge
Premiere Magazine

If we never really understand Joao, there is another problem with the character, and that is: He isn't very nice. I refer not to his crimes, but to the way he treats those who care for him.

Full Review Source: Chicago Sun-Times | comment Comment
08/22/03
Roger Ebert
Roger Ebert
Chicago Sun-Times
Top Critic Icon Top Critic

Director Karim Ainouz's film draws you in close.

Full Review Source: Washington Post | comment Comment
10/10/03
Curt Fields
Curt Fields
Washington Post
Top Critic Icon Top Critic

One of those films that takes up a potentially fascinating subject only to fumble it.

Full Review Source: New York Post | comment Comment
07/09/03
Jonathan Foreman
Jonathan Foreman
New York Post
Top Critic Icon Top Critic

Rough-hewn and vigorous, Karim Aïnouz’s first feature film tells the story about an illiterate 1930s drag queen... and it’s surprisingly good.

Full Review Source: EDGE Boston | comment Comment
10/07/03
David Foucher
David Foucher
EDGE Boston

Filled with the sights and sounds of Rio of a bygone era, the whole thing virtually pulses with excitement.

Full Review Source: TV Guide's Movie Guide | comment Comment
07/11/03
Ken Fox
Ken Fox
TV Guide's Movie Guide

Brazilian filmmaker Karim Ainouz doesn't glorify dos Santos but examines the hot, reckless fever of his life in all its thorny complexity.

Full Review Source: San Francisco Chronicle | comment Comment
07/11/03
Edward Guthmann
Edward Guthmann
San Francisco Chronicle
Top Critic Icon Top Critic

The real rewards of this tough-minded yet hugely enjoyable throwback to earlier queer and art-house cinema work are its psychologically complex characterizations and its gorgeous craftsmanship.

Full Review Source: L.A. Weekly | comment Comment
08/20/03
Ernest Hardy
Ernest Hardy
L.A. Weekly

There's no denying the incendiary power of Ramos's performance -- he's present in nearly every scene.

Full Review Source: Village Voice | comment Comment
07/08/03
J. Hoberman
J. Hoberman
Village Voice
Top Critic Icon Top Critic

Madame Sata is no exotic tour of the slums of Rio. It takes you deeper into the soul of its title character and his desperate world than you imagined a movie could go.

Full Review Source: New York Times | comment Comment
07/09/03
Stephen Holden
Stephen Holden
New York Times
Top Critic Icon Top Critic

Often captivating.

Full Review Source: Globe and Mail | comment Comment
11/07/03
Liam Lacey
Liam Lacey
Globe and Mail
Top Critic Icon Top Critic
 
 
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