You get nothing about what makes his life so interesting.
Madame Sata (2003)
Tomatometer
How does the Tomatometer work ![]()
Reviews Counted:42
Fresh:25
Rotten:17
Average Rating:6.2/10
Theatrical Release:Jul 9, 2003 Limited
Synopsis:
Lapa, the bohemian district of Rio, 1932.
On the stage of cabaret Lux, Vitória dos Anjos (Renata Sorrah) sings one of Josephine Baker's greatest hits, "Nuit d'Alger". Backstage, fascinated,...
Lapa, the bohemian district of Rio, 1932.
On the stage of cabaret Lux, Vitória dos Anjos (Renata Sorrah) sings one of Josephine Baker's greatest hits, "Nuit d'Alger". Backstage, fascinated, her dresser João Francisco (Lázaro Ramos) lip-syncs each word of the song. He worships Vitória: covets her extravagant clothes and her golden costume jewelry, and admires her European poise. Also, to star in a show is João Francisco's big dream. However, his wishes do not make an impression on the decadent diva. To make things worse, he is exploited and humiliated by Gregório (Floriano Peixoto), his boss and Vitória's lover.
However, João Francisco's submissive attitude becomes proud and provocative when he leaves the cabaret and strolls through the poorly lighted streets of Rio de Janeiro's underworld peopled with shady characters.
From a run-down boarding house in the heart of Lapa he shares his world with Laurita (Marcélia Cartaxo), prostitute and "wife"; Firmina (Giovanna Barbosa), Laurita's daughter; and Taboo (Flávio Bauraqui), accomplice in petty crimes and "slave". The patriarch of this selected "family", João Francisco is well acquainted with the local underworld: he is on good terms with Amador (Emiliano Queiroz), owner of the Blue Danube bar, where prostitution, drugs and police corruption run wild. His strong temper and his skills in capoeira-style fighting make him a feared and fascinating character. He is an excellent fighter, and always responds to provocation, whether from bar customers or the police. One night, João Francisco meets Renatinho (Felippe Marques), with whom he falls in love.
Accused by Gregório for a theft he did not commit, João Francisco defies the police, and is convicted to six months in prison for flouting authority. Once he is set free, he convinces Amador to put on a show at the Blue Danube. Costumed and brilliantly made-up by Laurita and Taboo, João Francisco, goes on stage at last, and is received with acclaim by the audience. After so many years, it seems as if luck has finally smiled on him. However, after a second even more flamboyant show, an unwarranted reaction to a provocation from a customer destroys his dream of being an artist.
Lapa, Carnival of 1942.
After a 10-year term in prison, João Francisco returns to his district. After inventing and impersonating a number of characters – The Negress of the Bulacoché; Jamacy, the Queen of the Forest; Saint Rita of the Coconut Tree; the Shark; and the Wild Pussycat – he wins a carnival costume contest. Successful and reborn to life, he invents a new character: Madame Satã. -- © Wellspring Media
Starring: Lazaro Ramos, Marcelia Cartaxo, Flavio Bauraqui, Felipe Marques
Starring: Lazaro Ramos, Marcelia Cartaxo, Flavio Bauraqui, Felipe Marques, Emiliano Queiroz, Renata Sorrah, Giovanni Barbosa, Ricardo Blat
Director: Karim Aïnouz
Director: Karim Aïnouz
Screenwriter: Karim Aïnouz
Producer: Isabel Diegues, Mauricio Andrade Ramos, Donald K. Ranvaud, Marc Beauchamps
Studio: Wellspring
Get This Movie
Reviews for Madame Sata
It's a vivid, emotionally charged snapshot that makes no apologies or excuses for Madame's behavior and lifestyle.
Madame Sata is only a chapter in Francisco's story, and even that feels incomplete.
Ramos gives a powerful and raw performance, but never reveals what makes Joao who he is, what drives him both to violence and to vibrant self-expression.
What emerges in Aïnouz and Ramos' mesmerizing portrait of Dos Santos is a fearless man who had the courage to explore and express every aspect of his being.
A magnificent visual document that proves, both formally and thematically, that the right hands can turn the least promising of raw materials into something beautiful.
If we never really understand Joao, there is another problem with the character, and that is: He isn't very nice. I refer not to his crimes, but to the way he treats those who care for him.
Keeps us engrossed, steeped in this seething portrait of a body and soul in lust and agony -- and, finally, on stage and in glory.
The real rewards of this tough-minded yet hugely enjoyable throwback to earlier queer and art-house cinema work are its psychologically complex characterizations and its gorgeous craftsmanship.
It doesn't tell us enough about its subject and yet its in-your-face love affair with that very subject blocks its ability to speak more fully of the broader social and culture issues of its milieu.
As a celebration of a figure who fashioned his own identity from pieces of pop culture and street poetry, from song and fashion and fury, it's memorable.
Brazilian filmmaker Karim Ainouz doesn't glorify dos Santos but examines the hot, reckless fever of his life in all its thorny complexity.
Filled with the sights and sounds of Rio of a bygone era, the whole thing virtually pulses with excitement.
| Tomatometer Percentage | Movie |
|---|---|
| 44% 44% | Night at the Museum: B… |
| 32% 32% | Terminator Salvation |
| 36% 36% | Angels & Demons |
| 95% 95% | Star Trek |
| 25% 25% | Four Christmases |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
RT On Current TV
DIRECTV 358 | Comcast 107 | DISH Network 196 | More...
What’s Hot On RT
Other News
CloseSponsored Links
Around The Network
- Madame Sata at Rotten Tomatoes
- Madame Sata at AskMen
Fresh Links
Featured

Techland lists the best Sci-Fi films of this decade.

Moviefone takes a look back at the biggest stinkers of the past 10 years.

The Me and Orson Welles star answers reader questions on TIME.com.

Hollywood.com's C. Robert Cargill offers his thoughts on what the best decade for film was.

In the AV Club's "Scenic Routes," Mike D'Angelo reminisces about the Tim Burton film.
Promos

Get the latest Tomatometer updates on upcoming movies!



Top Critic


