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Movies / On DVD / Madame Sata
Madame Sata

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Madame Sata (2003)

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Reviews Counted:42

Fresh:25

Rotten:17

Average Rating:6.2/10

Rated: Not Rated

Runtime: 1 hr 45 mins

Genre: Foreign Films

Theatrical Release:Jul 9, 2003 Limited

Synopsis: Lapa, the bohemian district of Rio, 1932. On the stage of cabaret Lux, Vitória dos Anjos (Renata Sorrah) sings one of Josephine Baker's greatest hits, "Nuit d'Alger". Backstage, fascinated,... Lapa, the bohemian district of Rio, 1932.

On the stage of cabaret Lux, Vitória dos Anjos (Renata Sorrah) sings one of Josephine Baker's greatest hits, "Nuit d'Alger". Backstage, fascinated, her dresser João Francisco (Lázaro Ramos) lip-syncs each word of the song. He worships Vitória: covets her extravagant clothes and her golden costume jewelry, and admires her European poise. Also, to star in a show is João Francisco's big dream. However, his wishes do not make an impression on the decadent diva. To make things worse, he is exploited and humiliated by Gregório (Floriano Peixoto), his boss and Vitória's lover.

However, João Francisco's submissive attitude becomes proud and provocative when he leaves the cabaret and strolls through the poorly lighted streets of Rio de Janeiro's underworld peopled with shady characters.

From a run-down boarding house in the heart of Lapa he shares his world with Laurita (Marcélia Cartaxo), prostitute and "wife"; Firmina (Giovanna Barbosa), Laurita's daughter; and Taboo (Flávio Bauraqui), accomplice in petty crimes and "slave". The patriarch of this selected "family", João Francisco is well acquainted with the local underworld: he is on good terms with Amador (Emiliano Queiroz), owner of the Blue Danube bar, where prostitution, drugs and police corruption run wild. His strong temper and his skills in capoeira-style fighting make him a feared and fascinating character. He is an excellent fighter, and always responds to provocation, whether from bar customers or the police. One night, João Francisco meets Renatinho (Felippe Marques), with whom he falls in love.

Accused by Gregório for a theft he did not commit, João Francisco defies the police, and is convicted to six months in prison for flouting authority. Once he is set free, he convinces Amador to put on a show at the Blue Danube. Costumed and brilliantly made-up by Laurita and Taboo, João Francisco, goes on stage at last, and is received with acclaim by the audience. After so many years, it seems as if luck has finally smiled on him. However, after a second even more flamboyant show, an unwarranted reaction to a provocation from a customer destroys his dream of being an artist.

Lapa, Carnival of 1942.

After a 10-year term in prison, João Francisco returns to his district. After inventing and impersonating a number of characters – The Negress of the Bulacoché; Jamacy, the Queen of the Forest; Saint Rita of the Coconut Tree; the Shark; and the Wild Pussycat – he wins a carnival costume contest. Successful and reborn to life, he invents a new character: Madame Satã. -- © Wellspring Media [More]

Starring: Lazaro Ramos, Marcelia Cartaxo, Flavio Bauraqui, Felipe Marques

Starring: Lazaro Ramos, Marcelia Cartaxo, Flavio Bauraqui, Felipe Marques, Emiliano Queiroz, Renata Sorrah, Giovanni Barbosa, Ricardo Blat

Director: Karim Aïnouz

Director: Karim Aïnouz
Screenwriter: Karim Aïnouz
Producer: Isabel Diegues, Mauricio Andrade Ramos, Donald K. Ranvaud, Marc Beauchamps
Studio: Wellspring

[See More Credits]

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Release:

Jan 13, 2004

No Details Exist
 
 

Reviews for Madame Sata

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41 - 53 (sorted by date)
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It's a gritty exploration of poverty, class, race and sexuality, and, like the film's star, it succeeds on its own hardscrabble terms.

Full Review Source: E! Online | comment Comment
07/11/03
E! Online

In this vibrant character study, newcomer Lázaro Ramos plays Francisco with an almost animal intensity, a reflection of the man's volatile and ambiguous spirit, where any given event seems equally likely to end in either a cathartic fit of laughter or a s

Full Review Source: Premiere Magazine | comment Comment
07/11/03
Peter Debruge
Peter Debruge
Premiere Magazine

Madame Sata skips over so much that it's even difficult to tell what year it is or how much time passes between scenes.

Full Review Source: San Francisco Examiner | comment Comment
07/11/03
Jeffrey M. Anderson
Jeffrey M. Anderson
San Francisco Examiner
N/R

Click to read the article

Full Review Source: AV Club | comment Comment
07/10/03
AV Club

No-nonsense critiques of Brazil's endemic poverty and deeply flawed criminal-justice system lend substance to what otherwise might have seemed a flimsy and sensationalistic tale.

Full Review Source: Christian Science Monitor | comment Comment
07/10/03
David Sterritt
David Sterritt
Christian Science Monitor

Madame Satã is an admirably uncompromising journey, but one you wouldn't want to have to make more than once.

Full Review Source: Newsday | comment Comment
07/10/03
Jan Stuart
Jan Stuart
Newsday
Top Critic Icon Top Critic

Madame Sata is no exotic tour of the slums of Rio. It takes you deeper into the soul of its title character and his desperate world than you imagined a movie could go.

Full Review Source: New York Times | comment Comment
07/09/03
Stephen Holden
Stephen Holden
New York Times
Top Critic Icon Top Critic

One of those films that takes up a potentially fascinating subject only to fumble it.

Full Review Source: New York Post | comment Comment
07/09/03
Jonathan Foreman
Jonathan Foreman
New York Post
Top Critic Icon Top Critic

Ramos' hot-tempered turn is riveting, drawing out the charisma in what could easily be a hissable role, and cinematographer Walter Carvalho gives the proceedings a great look.

Full Review Source: New Times | comment Comment
07/09/03
Luke Y. Thompson
Luke Y. Thompson
New Times

There's no denying the incendiary power of Ramos's performance -- he's present in nearly every scene.

Full Review Source: Village Voice | comment Comment
07/08/03
J. Hoberman
J. Hoberman
Village Voice
Top Critic Icon Top Critic

In spite of all the cinematic finery and virtuosity, the hero and story are.

Full Review Source: Film Journal International | comment Comment
05/17/03
Doris Toumarkine
Doris Toumarkine
Film Journal International

Karim Aïnouz' Madame Satã has the exquisite cinematography of Walter Carvalho and a unique structure that breaks up narrative linearity.

Full Review Source: FilmFestivals.com | comment Comment
04/24/03
Moira Sullivan
Moira Sullivan
FilmFestivals.com

All the main characters are loud, crude, obnoxious and just grating in general.

Full Review Source: Film Threat | comment Comment
02/12/03
Merle Bertrand
Merle Bertrand
Film Threat
 
 
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