It's a gritty exploration of poverty, class, race and sexuality, and, like the film's star, it succeeds on its own hardscrabble terms.
Madame Sata (2003)
Tomatometer
How does the Tomatometer work ![]()
Reviews Counted:42
Fresh:25
Rotten:17
Average Rating:6.2/10
Theatrical Release:Jul 9, 2003 Limited
Synopsis:
Lapa, the bohemian district of Rio, 1932.
On the stage of cabaret Lux, Vitória dos Anjos (Renata Sorrah) sings one of Josephine Baker's greatest hits, "Nuit d'Alger". Backstage, fascinated,...
Lapa, the bohemian district of Rio, 1932.
On the stage of cabaret Lux, Vitória dos Anjos (Renata Sorrah) sings one of Josephine Baker's greatest hits, "Nuit d'Alger". Backstage, fascinated, her dresser João Francisco (Lázaro Ramos) lip-syncs each word of the song. He worships Vitória: covets her extravagant clothes and her golden costume jewelry, and admires her European poise. Also, to star in a show is João Francisco's big dream. However, his wishes do not make an impression on the decadent diva. To make things worse, he is exploited and humiliated by Gregório (Floriano Peixoto), his boss and Vitória's lover.
However, João Francisco's submissive attitude becomes proud and provocative when he leaves the cabaret and strolls through the poorly lighted streets of Rio de Janeiro's underworld peopled with shady characters.
From a run-down boarding house in the heart of Lapa he shares his world with Laurita (Marcélia Cartaxo), prostitute and "wife"; Firmina (Giovanna Barbosa), Laurita's daughter; and Taboo (Flávio Bauraqui), accomplice in petty crimes and "slave". The patriarch of this selected "family", João Francisco is well acquainted with the local underworld: he is on good terms with Amador (Emiliano Queiroz), owner of the Blue Danube bar, where prostitution, drugs and police corruption run wild. His strong temper and his skills in capoeira-style fighting make him a feared and fascinating character. He is an excellent fighter, and always responds to provocation, whether from bar customers or the police. One night, João Francisco meets Renatinho (Felippe Marques), with whom he falls in love.
Accused by Gregório for a theft he did not commit, João Francisco defies the police, and is convicted to six months in prison for flouting authority. Once he is set free, he convinces Amador to put on a show at the Blue Danube. Costumed and brilliantly made-up by Laurita and Taboo, João Francisco, goes on stage at last, and is received with acclaim by the audience. After so many years, it seems as if luck has finally smiled on him. However, after a second even more flamboyant show, an unwarranted reaction to a provocation from a customer destroys his dream of being an artist.
Lapa, Carnival of 1942.
After a 10-year term in prison, João Francisco returns to his district. After inventing and impersonating a number of characters – The Negress of the Bulacoché; Jamacy, the Queen of the Forest; Saint Rita of the Coconut Tree; the Shark; and the Wild Pussycat – he wins a carnival costume contest. Successful and reborn to life, he invents a new character: Madame Satã. -- © Wellspring Media
Starring: Lazaro Ramos, Marcelia Cartaxo, Flavio Bauraqui, Felipe Marques
Starring: Lazaro Ramos, Marcelia Cartaxo, Flavio Bauraqui, Felipe Marques, Emiliano Queiroz, Renata Sorrah, Giovanni Barbosa, Ricardo Blat
Director: Karim Aïnouz
Director: Karim Aïnouz
Screenwriter: Karim Aïnouz
Producer: Isabel Diegues, Mauricio Andrade Ramos, Donald K. Ranvaud, Marc Beauchamps
Studio: Wellspring
Get This Movie
Reviews for Madame Sata
In this vibrant character study, newcomer Lázaro Ramos plays Francisco with an almost animal intensity, a reflection of the man's volatile and ambiguous spirit, where any given event seems equally likely to end in either a cathartic fit of laughter or a s
Madame Sata skips over so much that it's even difficult to tell what year it is or how much time passes between scenes.
No-nonsense critiques of Brazil's endemic poverty and deeply flawed criminal-justice system lend substance to what otherwise might have seemed a flimsy and sensationalistic tale.
Madame Satã is an admirably uncompromising journey, but one you wouldn't want to have to make more than once.
Madame Sata is no exotic tour of the slums of Rio. It takes you deeper into the soul of its title character and his desperate world than you imagined a movie could go.
One of those films that takes up a potentially fascinating subject only to fumble it.
Ramos' hot-tempered turn is riveting, drawing out the charisma in what could easily be a hissable role, and cinematographer Walter Carvalho gives the proceedings a great look.
There's no denying the incendiary power of Ramos's performance -- he's present in nearly every scene.
In spite of all the cinematic finery and virtuosity, the hero and story are.
Karim Aïnouz' Madame Satã has the exquisite cinematography of Walter Carvalho and a unique structure that breaks up narrative linearity.
All the main characters are loud, crude, obnoxious and just grating in general.
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 25% 25% | Four Christmases |
| 68% 68% | Funny People |
| 95% 95% | Star Trek |
| 14% 14% | The Ugly Truth |
| Tomatometer Percentage | Movie |
|---|---|
| 32% 32% | Terminator Salvation |
| 44% 44% | Night at the Museum: B… |
| 86% 86% | A Christmas Tale |
| 60% 60% | Paper Heart |
RT On Current TV
DIRECTV 358 | Comcast 107 | DISH Network 196
What’s Hot On RT
Other News
CloseSponsored Links
Around The Network
- Madame Sata at Rotten Tomatoes
- Madame Sata at AskMen
Fresh Links
Featured

MSN Movies offers a little background on the success of Disney Animation.

TIME takes a look back at the history of vampires on film.

Techland examines the visual splendor of Peter Jackson's upcoming film.

AOL put together a list of 10 recent news items that would be perfect as TV Movies.

Hollywood.com's C. Robert Cargill explores how remakes and reboots have warped our thinking.
Promos

Get the latest Tomatometer updates on upcoming movies!



Top Critic


