[Villeneuve] seems to realize intuitively that even morality is reduced to an option by the ultimate mysteries of life and death.
Maelström (2002)
Tomatometer
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Reviews Counted:35
Fresh:28
Rotten:7
Average Rating:6.7/10
Rated: Not Rated
Genre: Dramas
Theatrical Release:Jan 25, 2002 Limited
Synopsis: This unusual gem of a film is a gorgeously conceived and well-executed morality tale, narrated by a gory, blood-smeared, dying fish. This choice of a narrator may seem bizarre, and is certainly... This unusual gem of a film is a gorgeously conceived and well-executed morality tale, narrated by a gory, blood-smeared, dying fish. This choice of a narrator may seem bizarre, and is certainly unusual, but somehow it works perfectly in the film--it creates a gothic fairy tale atmosphere, and adds a dash of humor to what is a difficult, grim story. The film begins with a graphic scene of the heroine, Bibi (Marie-Josee Croze), getting an abortion. Bibi's guilt feelings are multiplied tenfold when on a rainy night soon thereafter, she accidentally hits a man and drives off, leaving him to die. Her sophisticated life as the successful owner of a chic boutique and heiress of a famous father's fortune begins to swiftly and spectacularly unravel. After she survives a suicide attempt, Bibi's guilt has still not been alleviated, and she decides to track down the body of the man she killed. At the morgue, she runs into the dead man's son, who asks her to stay with him while he sorts through his father's possessions. The son ends up falling in love with Bibi, but she remains consumed with guilt over what is now her terrible secret. All of the film's acting, but especially the difficult part of Bibi, is done with beauty and sensitivity. The film's lush photography at times hearkens back to director Villeneuve's music video work, but its stylish quality always serves the story's needs. This poetic tale of moral responsibility and despair is a uniquely haunting, must-see film. [More]
Starring: Marie-Josee Croze, Jean-Nicholas Verrault, Stephanie Morgenstern, Pierre Lebeau
Starring: Marie-Josee Croze, Jean-Nicholas Verrault, Stephanie Morgenstern, Pierre Lebeau
Director: Denis Villeneuve
Director: Denis Villeneuve
Producer: Roger Frappier, Luc Vandal
Composer: Pierre Desrochers
Studio: Arrow Releasing
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Reviews for Maelström
I'll put it this way: If you're in the mood for a melodrama narrated by talking fish, this is the movie for you.
Villeneuve spends too much time wallowing in Bibi's generic angst (there are a lot of shots of her gazing out windows).
The overall story is one of intriguing insight and emotion, well-acted by the cast and ambitiously directed by Villeneuve.
Sucks you into its vortex with offbeat humor, moody photography, and -- despite some stylistic gimmickry -- scenes of surprising honesty.
Peppering this urban study with references to Norwegian folktales, Villeneuve creates in Maelstrom a world where the bizarre is credible and the real turns magical.
Wanders all over the map thematically and stylistically, and borrows heavily from Lynch, Jeunet, and von Trier while failing to find a spark of its own.
A superbly acted and funny/gritty fable of the humanizing of one woman at the hands of the unseen forces of fate.
Without non-stop techno or the existential overtones of a Kieslowski morality tale, Maelström is just another Winter Sleepers.
An engaging surreal comedy noir about a suicidal woman with youth, looks and money.
An ideal love story for those intolerant of the more common saccharine genre.
| Tomatometer Percentage | Movie |
|---|---|
| 78% 78% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 90% 90% | District 9 |
| 86% 86% | 500 Days of Summer |
| 63% 63% | Extract |
| 06% 06% | All About Steve |
| 78% 78% | It Might Get Loud |
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