The individual stories told in the film resonate less than the oppressive environment evoked, which is depicted in painstaking, and painful, detail.
The Magdalene Sisters (2003)
Tomatometer
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Reviews Counted:143
Fresh:129
Rotten:14
Average Rating:7.6/10
Consensus: A typical women-in-prision film made untypical because it's based on real events.
Rated: R [See Full Rating] violence/cruelty, nudity, sexual content and language
Runtime: 1 hr 59 mins
Genre: Dramas
Theatrical Release:Aug 1, 2003 Limited
Box Office: $4,685,516
Synopsis: Peter Mullen's shocking drama THE MAGDALENE SISTERS is based on real events that took place in Ireland from the 1960s until 1996 when an estimated 30,000 young women, considered by their families... Peter Mullen's shocking drama THE MAGDALENE SISTERS is based on real events that took place in Ireland from the 1960s until 1996 when an estimated 30,000 young women, considered by their families to have committed sexual sins, were sent away from their homes to earn penitence working in profit-making laundries run by the Sisters of Magdalene Order. However, the acts the girls committed to have been sent to these miserable prisons were clearly not punishable. What's worse, the nuns were cruel money grubbers who worked the girls to the point of exhaustion, and used poor living conditions and psychological abuse to break and brainwash the girls into subservience. The awful treatment the nuns gave these innocent young women was terrifying, and the ways the girls suffered were utterly disturbing. Mullen designed the fictional characters in the film based on interviews with actual survivors of the laundries, working their stories into his plot. Margaret (Anne-Marie Duff) is a shy girl who is raped by her cousin at a wedding shaming her family, Patricia/Rose (Dorothy Duff) gets pregnant and her parents take her baby away from her, Bernadette (Nora-Jane Noone) is a pretty girl who is deemed "too flirtatious," and Crispina (Eileen Walsh) is a loving young mom whose children are forbidden to see her and are being raised by her sister. The imposing Sister Bridget (Geraldine McEwan) is pure evil, and will strike fear into the souls of MAGDALENE viewers. With this expertly crafted, haunting film, Mullen presents his second feature, following 1999's ORPHANS. [More]
Starring: Geraldine McEwan, Dorothy Duffy, Anne-Marie Duff, Eileen Walsh
Starring: Geraldine McEwan, Dorothy Duffy, Anne-Marie Duff, Eileen Walsh, Nora-Jane Noone
Director: Peter Mullan
Director: Peter Mullan
Screenwriter: Peter Mullan
Producer: Frances Higson
Studio: Miramax Films
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Release:
Mar 23, 2004
Reviews for The Magdalene Sisters
A deliberately provocative film that triggers the audience's emotions in order to highlight important issues of personal freedom. Amen to that.
A classic crowd-pleaser, a neo-Gothic tale whose appealing heroines are unfairly oppressed but finally find the strength to set themselves free.
Mr. Mullan's fictional treatment of this subject in The Magdalene Sisters has much to commend.
A stirring, emotionally galvanizing film, not only due to its shattering subject matter but thanks to Mullan's spot-on eye for casting and fluid, uncoercive style.
Even if you question the validity behind many of the arguments presented in the story, there is no denying the volcanic passion behind this often brilliant film.
While perhaps slightly monotonous and a bit more heavy-handed than it needed to be, it’s a fine, serious film.
Two hours of, "This is wrong!" can be difficult to bear. What makes The Magdalene Sisters much better than a censorious browbeating is the girls themselves...
It's incredibly sad and difficult to watch because the suffering is relentless, but the solid performances of the young ladies make this worth watching.
Beautifully directed and acted, Mullen's movie seems to be made with the same purpose as last year's Bloody Sunday, that of atonement and catharsis.
Bracing and potent, though the film's stylistic polish is sometimes tonally counterintuitive
This is a truly horrifying film that shows what religion can capable of even in modern times.
A harrowing indictment of the atrocities performed in the name of organized religion.
This drama about a shocking reality from recent history balances a light touch with searing intensity and a sense of moral outrage.
[Mullan's] fictionalized screenplay brings awful realities to vivid life, reminding us that piety without compassion is meaningless.
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