Brilliant and cruel, but Mullan’s one-sided horror story never delves into the ascetic doctrine explained by Gregory of Nazianzus as “the pleasure of no pleasure.”
The Magdalene Sisters (2003)
Tomatometer
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Reviews Counted:143
Fresh:129
Rotten:14
Average Rating:7.6/10
Consensus: A typical women-in-prision film made untypical because it's based on real events.
Rated: R [See Full Rating] violence/cruelty, nudity, sexual content and language
Runtime: 1 hr 59 mins
Genre: Dramas
Theatrical Release:Aug 1, 2003 Limited
Box Office: $4,685,516
Synopsis: Peter Mullen's shocking drama THE MAGDALENE SISTERS is based on real events that took place in Ireland from the 1960s until 1996 when an estimated 30,000 young women, considered by their families... Peter Mullen's shocking drama THE MAGDALENE SISTERS is based on real events that took place in Ireland from the 1960s until 1996 when an estimated 30,000 young women, considered by their families to have committed sexual sins, were sent away from their homes to earn penitence working in profit-making laundries run by the Sisters of Magdalene Order. However, the acts the girls committed to have been sent to these miserable prisons were clearly not punishable. What's worse, the nuns were cruel money grubbers who worked the girls to the point of exhaustion, and used poor living conditions and psychological abuse to break and brainwash the girls into subservience. The awful treatment the nuns gave these innocent young women was terrifying, and the ways the girls suffered were utterly disturbing. Mullen designed the fictional characters in the film based on interviews with actual survivors of the laundries, working their stories into his plot. Margaret (Anne-Marie Duff) is a shy girl who is raped by her cousin at a wedding shaming her family, Patricia/Rose (Dorothy Duff) gets pregnant and her parents take her baby away from her, Bernadette (Nora-Jane Noone) is a pretty girl who is deemed "too flirtatious," and Crispina (Eileen Walsh) is a loving young mom whose children are forbidden to see her and are being raised by her sister. The imposing Sister Bridget (Geraldine McEwan) is pure evil, and will strike fear into the souls of MAGDALENE viewers. With this expertly crafted, haunting film, Mullen presents his second feature, following 1999's ORPHANS. [More]
Starring: Geraldine McEwan, Dorothy Duffy, Anne-Marie Duff, Eileen Walsh
Starring: Geraldine McEwan, Dorothy Duffy, Anne-Marie Duff, Eileen Walsh, Nora-Jane Noone
Director: Peter Mullan
Director: Peter Mullan
Screenwriter: Peter Mullan
Producer: Frances Higson
Studio: Miramax Films
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Release:
Mar 23, 2004
Reviews for The Magdalene Sisters
The Magdalene Sisters isn't perfect, but it sheds light on a story that needed to be told.
The film’s strength lies not in the harrowing crimes of its namesakes, but in the feisty spirit of the maltreated girls whose determination to escape their Dickensian nightmare transcends all.
(It) isn't subtle... but it is passionate and angry and rousing where you might expect it to become numbing and depressing.
Harsh and angry, this Oscar-worthy film stages a deliberately paced, thoroughly researched indictment of institutionalized cruelty and the kind of ignorance and hypocrisy that validates and encourages it.
Something like a 'Masterpiece Theatre' retread of an old Roger Corman women-in-prison flick...
This is a worthwhile movie because it is well-made and encourages viewers to think and feel.
This extraordinary film is celluloid incendiarism, rabble-rousing cinema with a delirious, delicious edge of black comedy which I estimate to be about 90-95% intentional.
All in all, a worthy, if dull effort which leaves us feeling we've been assigned to a lecture of limited inspiration.
This unflinching and compelling film about a Catholic order in Ireland that incarcerated those considered by the community to be fallen women will make your blood boil.
Magdalene Sisters isn't what you'd call a fun night at the movies. It's more of a kick in the stomach.
A harrowing indictment of the atrocities performed in the name of organized religion.
Two hours of, "This is wrong!" can be difficult to bear. What makes The Magdalene Sisters much better than a censorious browbeating is the girls themselves...
The picture is passionate without question, but perhaps passionate to a fault.
Its mode is that of 'a story that needs to be told,' lest we forget the marginalized lessons of history... worth seeing at least once.
If Writer/Director Mullan is true to the facts, then I don't need to hear the other side of the story since its likely one with a single purpose in mind not willing to listen to anyone else.
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