Though it has a tendency to leave characters undeveloped and storylines empty, the overall portrait is significant.
The Magdalene Sisters (2003)
Tomatometer
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Reviews Counted:143
Fresh:129
Rotten:14
Average Rating:7.6/10
Consensus: A typical women-in-prision film made untypical because it's based on real events.
Rated: R [See Full Rating] violence/cruelty, nudity, sexual content and language
Runtime: 1 hr 59 mins
Genre: Dramas
Theatrical Release:Aug 1, 2003 Limited
Box Office: $4,685,516
Synopsis: Peter Mullen's shocking drama THE MAGDALENE SISTERS is based on real events that took place in Ireland from the 1960s until 1996 when an estimated 30,000 young women, considered by their families... Peter Mullen's shocking drama THE MAGDALENE SISTERS is based on real events that took place in Ireland from the 1960s until 1996 when an estimated 30,000 young women, considered by their families to have committed sexual sins, were sent away from their homes to earn penitence working in profit-making laundries run by the Sisters of Magdalene Order. However, the acts the girls committed to have been sent to these miserable prisons were clearly not punishable. What's worse, the nuns were cruel money grubbers who worked the girls to the point of exhaustion, and used poor living conditions and psychological abuse to break and brainwash the girls into subservience. The awful treatment the nuns gave these innocent young women was terrifying, and the ways the girls suffered were utterly disturbing. Mullen designed the fictional characters in the film based on interviews with actual survivors of the laundries, working their stories into his plot. Margaret (Anne-Marie Duff) is a shy girl who is raped by her cousin at a wedding shaming her family, Patricia/Rose (Dorothy Duff) gets pregnant and her parents take her baby away from her, Bernadette (Nora-Jane Noone) is a pretty girl who is deemed "too flirtatious," and Crispina (Eileen Walsh) is a loving young mom whose children are forbidden to see her and are being raised by her sister. The imposing Sister Bridget (Geraldine McEwan) is pure evil, and will strike fear into the souls of MAGDALENE viewers. With this expertly crafted, haunting film, Mullen presents his second feature, following 1999's ORPHANS. [More]
Starring: Geraldine McEwan, Dorothy Duffy, Anne-Marie Duff, Eileen Walsh
Starring: Geraldine McEwan, Dorothy Duffy, Anne-Marie Duff, Eileen Walsh, Nora-Jane Noone
Director: Peter Mullan
Director: Peter Mullan
Screenwriter: Peter Mullan
Producer: Frances Higson
Studio: Miramax Films
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Release:
Mar 23, 2004
Reviews for The Magdalene Sisters
Something like a 'Masterpiece Theatre' retread of an old Roger Corman women-in-prison flick...
Brilliant and cruel, but Mullan’s one-sided horror story never delves into the ascetic doctrine explained by Gregory of Nazianzus as “the pleasure of no pleasure.”
Much like last year’s Oscar-nominated “The Pianist,” “Magdalene” is a movie that attempts to get at the core of pain, anguish and perseverance.
The outrage of actor-turned- writer-director Peter Mullan is palpable, and every frame of this shocking and occasionally exploitative film is designed to ensure that this reaction is contagious.
remains far too formulaic to last longer than a passing footnote soon destined for dusty shelves
Why was this film made after the homes had already been abolished? One reason, hardly trifling, is that it was made excellently. Thematically, however, it stings.
Even if you question the validity behind many of the arguments presented in the story, there is no denying the volcanic passion behind this often brilliant film.
Mullan's film both amplifies and flattens these stories, so they are at once sensational and too intimate, by filling in narrative gaps and detailing scenes of mistreatment and malevolence.
Will make you furious and dejected, but in the end it offers an optimistic if unsettling twist.
Forget Freddy Versus Jason. For a real horror show, try The Magdalene Sisters.
A powerful message about what can happen when major institutions encroach on the freedoms of an entire gender.
This is a truly horrifying film that shows what religion can capable of even in modern times.
If The Magdalene Sisters occasionally flirts with cartoonishness, the movie is tempered by Mullan's considerable filmmaking skills.
Mullan can direct scenes so that your skin crawls while your blood freezes, but his feel for drama is fairly primitive ... and before the movie ends, you may feel bilious from his force-fed revelations.
It is a strong, affecting movie about man's ability to twist holiness into horror.
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