A story like this one could easily succumb to outraged melodrama, but not only does Mullan keep the drama human-sized, he even leavens it with the humor that one can easily believe had to be summoned to endure such misguided and malicious treatment.
The Magdalene Sisters (2003)
Tomatometer
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Reviews Counted:143
Fresh:129
Rotten:14
Average Rating:7.6/10
Consensus: A typical women-in-prision film made untypical because it's based on real events.
Rated: R [See Full Rating] violence/cruelty, nudity, sexual content and language
Runtime: 1 hr 59 mins
Genre: Dramas
Theatrical Release:Aug 1, 2003 Limited
Box Office: $4,685,516
Synopsis: Peter Mullen's shocking drama THE MAGDALENE SISTERS is based on real events that took place in Ireland from the 1960s until 1996 when an estimated 30,000 young women, considered by their families... Peter Mullen's shocking drama THE MAGDALENE SISTERS is based on real events that took place in Ireland from the 1960s until 1996 when an estimated 30,000 young women, considered by their families to have committed sexual sins, were sent away from their homes to earn penitence working in profit-making laundries run by the Sisters of Magdalene Order. However, the acts the girls committed to have been sent to these miserable prisons were clearly not punishable. What's worse, the nuns were cruel money grubbers who worked the girls to the point of exhaustion, and used poor living conditions and psychological abuse to break and brainwash the girls into subservience. The awful treatment the nuns gave these innocent young women was terrifying, and the ways the girls suffered were utterly disturbing. Mullen designed the fictional characters in the film based on interviews with actual survivors of the laundries, working their stories into his plot. Margaret (Anne-Marie Duff) is a shy girl who is raped by her cousin at a wedding shaming her family, Patricia/Rose (Dorothy Duff) gets pregnant and her parents take her baby away from her, Bernadette (Nora-Jane Noone) is a pretty girl who is deemed "too flirtatious," and Crispina (Eileen Walsh) is a loving young mom whose children are forbidden to see her and are being raised by her sister. The imposing Sister Bridget (Geraldine McEwan) is pure evil, and will strike fear into the souls of MAGDALENE viewers. With this expertly crafted, haunting film, Mullen presents his second feature, following 1999's ORPHANS. [More]
Starring: Geraldine McEwan, Dorothy Duffy, Anne-Marie Duff, Eileen Walsh
Starring: Geraldine McEwan, Dorothy Duffy, Anne-Marie Duff, Eileen Walsh, Nora-Jane Noone
Director: Peter Mullan
Director: Peter Mullan
Screenwriter: Peter Mullan
Producer: Frances Higson
Studio: Miramax Films
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Release:
Mar 23, 2004
Reviews for The Magdalene Sisters
A picture so powerfully harrowing, its slight shortcomings are forgettable compared to the entire film's cumulative effect. It's that searing.
A dramatic expose on the mistreatment of girls at the hands of the Catholic Church in 1960s Ireland.
Although it's heavy-handed in its emotional button-pushing, The Magdalene Sisters still manages to produce all the reactions the filmmakers want: repulsion, indignation, anger and outrage.
Mr. Mullan's fictional treatment of this subject in The Magdalene Sisters has much to commend.
The Magdalene Sisters is not light summer fare, but miss it at your peril: it is one of the year's best films.
Whatever value the film might have had as an exposé of social sin is undermined by its prejudicial stereotyping of every single nun and priest. Instead of a morally serious film about a corrupt institution it becomes mere agitprop.
The film’s strength lies not in the harrowing crimes of its namesakes, but in the feisty spirit of the maltreated girls whose determination to escape their Dickensian nightmare transcends all.
Watching the film, you can feel years of real pain. It feels more like gothic documentary than darkly limned fancy.
A stirring, emotionally galvanizing film, not only due to its shattering subject matter but thanks to Mullan's spot-on eye for casting and fluid, uncoercive style.
The cast is uniformly fine, particularly smiley-eyed Geraldine McEwan as the avaricious Sister Bridget, and the filmmaking haunting.
Needs to inspire an emotion other than revulsion, and it eventually does, thanks to actress Nora-Jane Noone.
(It) isn't subtle... but it is passionate and angry and rousing where you might expect it to become numbing and depressing.
...burns with a righteous fury that's at once invigorating and self-defeating.
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